Record Collecting for Audiophiles – Direct to Disc Recordings

John Klemmer – Straight from the Heart

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Audiophile Recordings with Excellent Sound

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  • An outstanding copy with solid Double Plus (A++) sound on both sides, an Audiophile Jazz Demo Disc of the highest quality – fairly quiet vinyl too
  • Tubey Magical, lively and clear, with three-dimensionality that will fill your listening room from wall to wall
  • A record that fulfills the promise of the Direct to Disc recording technology
  • Real jazz music make this a Must Own Audiophile disc

This is one of the best Direct-to-Disc recordings we know of, and it’s actually REAL JAZZ — a remarkably unusual combination in the World of Audiophile Records, if my experience over the last thirty-five years can serve as a guide.

Both sides here really get this music right. They’ve got big, full bottom ends and great top end extension, along with a surprising amount of transparency — you can really hear back to the piano behind the horns. (more…)

Felipe De La Rosa – Flamenco Fever

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  • With two Nearly Triple Plus (A++ to A+++) sides, this copy of Flamenco Fever is close to the BEST we have ever heard, right up there with our Shootout Winner
  • The sound is breathtakingly real – you are there in the club with the flamenco guitarist, his drummer, and a trio of stomping, clapping dancers
  • This is a Direct to Disc Demo Disc like nothing you’ve heard – when you turn up the volume on this bad boy the natural acoustic space in the room becomes huge and palpable
  • If you have the power to drive big speakers, the dynamics and bass transients of this copy might just rock your world, literally

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Why M&K Direct to Disc Records Don’t Sound Right to Us

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More Flamenco Fever “Live Direct to Disc”

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As an interesting side note, this album was recorded on location. The other M&K Direct to Disc record that I like was also recorded on location. Most of the M&K Direct to Discs were recorded in the showroom of the stereo store that Miller and Kreisel owned, which, like any showroom, was carpeted and draped. This is why almost all their records sound “dead”. This was their intention, of course. They wanted the sound to be “live” in your living room. I prefer to hear the kind of ambience that would be found in a real location, and so I have never been much of a fan of their label.

This record, however, gives you both that Direct Disc immediacy and freedom from distortion, as well as the live ambience of the location — the best of both worlds.

Thelma Houston – I’ve Got The Music In Me

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  • This Sheffield direct-to-disc pressing boasts outstanding Double Plus (A++) sound or BETTER from start to finish – fairly quiet vinyl too
  • Loads of presence, with richness and fullness that showed us just how good the Direct to Disc medium at its best can be. It had everything going for it from top to bottom, with big bass, dynamics, clarity, top end extension (so silky up there!) and ENERGY
  • Make no mistake, this here is a real Demo Disc. The sound is Wall to Wall!
  • Unlike most Direct to Disc recordings this album actually contains real music worth listening to

In our recent Shootout this wonderful pressing sounded far better than most other copies we played. It fulfills the promise of the direct to disc recording approach in a way that few direct to disc pressings do. To be honest, most copies of this title were quite good. Few didn’t do most things at least well enough to earn a Hot Stamper grade. This has not been the case with many of the Sheffield pressings we’ve done shootouts for in the past. Often the weaker copies have little going for them. They don’t even sound like Direct Discs!

Some copies lack energy, some lack presence, most suffer from some amount of smear on the transients. But wait a minute. This is a direct disc. How can it be compressed, or lack transients? Aren’t those tape recorder problems that are supposed to be eliminated by the direct to disc process?

“Supposed to be eliminated” is a long way from “were eliminated.” Even though the mastering is fixed at the live event, there are many other variables which affect the sound. The album is pressed in three different countries: the United States, Japan and Germany. Many mothers were pulled from the plated acetates (the “fathers”) and many, many stampers made from those mothers.

Bottom line? You got to play ’em, just like any other record. If no two records sound the same, it follows that no two audiophile records sound the same, a fact that became abundantly clear very early on in the listening. Of course not many audiophiles are in a position to shootout eight or ten copies of I’ve Got The Music In Me, and I’m not sure most audiophiles would even want to. Here at Better Records we have a whole system set up to do exactly that, so we waited until we had a pile of them gathered together, cleaned them all up, and off to the races we went. (more…)

Lincoln Mayorga and Distinguished Colleagues – Volume 1 – (S9)

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Reviews and Commentaries for Lincoln Mayorga and Distinguished Colleagues

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  • A stunning Shootout Winning pressing of this famous audiophile recording, with Triple Plus (A+++) sound or close to it on both sides
  • This copy will be awfully hard to beat for sound – get your VTA right and the bottom end on this LP will turn into a Bass Demo Disc like nothing you’ve heard
  • It’s very difficult to find this album in clean condition, and even more difficult to find one that sounds as good as this one does
  • One of the rarest Hot Stamper records bar none — only a handful have ever made it to the site

This is a stunning copy of The Big One — Lincoln Mayorga and Distinguished Colleagues’ first Sheffield Direct-to-Disc LP aka S9. We’ve been comparing and contrasting pressings of this album for more than twenty years and this is one of the better copies we’ve stumbled upon. The sound is BIG, RICH and FULL OF ENERGY.

Both sides have prodigious amounts of bottom end. It is a thrill to hear the power of the bass on this recording. The kick drum is HUGE.

Both sides have about as much Tubey Magic as can be found on the album, although Tubey Magic is clearly not what the engineers were going for with this recording. It’s a sound that many copies reproduce less than ideally, being somewhat dry. (more…)

Lenny Breau – Lenny Breau Trio, Recorded Direct to Disc

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This is a SUPERB SOUNDING Limited Edition Direct Disk Labs LP with a fold-open cover.  

Breau is an extraordinarily gifted guitarist, and the sound is excellent, so we are happy to recommend this audiophile record, something you won’t see us doing very often.

“Breau mixed together elements from country music and jazz to develop an original sound and style. This album gives listeners a strong example of his legendary artistry.” – AMG

Grossman & Renbourn on East World Direct to Disc

This is an East World Direct-To-Disc Japanese Import LP.

Lovely acoustic music; the best cuts are the first two tracks on side two. They sound like a classic Vanguard recording from the ’60s. One of the best East World titles.

The record comes complete with the tablature/lyric sheet and extensive liner notes on the recording process. 

Direct to Discs on Crystal Clear – Few Make the Grade, and These Are Two of Their Worst

 

These are just some of the recordings on Crystal Clear that we’ve auditioned over the years and found wanting.

Without going into specifics — who can be bothered to take the time? — we’ll just say these albums suffer from poor performances, poor sound, or both, and therefore do not deserve a place in your collection.  

Another Free Service provided to the Audiophile Public, courtesy of Better Records.

Charlie Byrd – Direct to Disc

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This is a very nice looking Crystal Clear 45 RPM Direct-to-Disc LP pressed on white vinyl. Out of the couple of copies we played this one had the best sound. It had more clarity than the other copy, which sounded veiled and smeary.

I admit I never liked the sound of the record though. It’s dark and unnatural to my ears.  I would avoid it. There are so many other, better Charlie Byrd recordings, why waste your time and money on this one?

Another example of an “audiophile” record with little in the way of audiophile merit.

Lee Ritenour – Friendship on JVC Direct Disc

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A distinguished member of the Better Records Jazz Hall of Fame.

This is one of my all time favorite audiophile discs because it’s actually real music.

The song Woody Creek is wonderful and reason enough to own this excellent album. The guitar of Lee Ritenour and the saxophone of Ernie Watts double up during a substantial portion of this song and the effect is just amazing. 

Special kudos should go to Ernie Watts on sax, who blows some mean lines. But everybody is good on this album, especially the leader, Lee Ritenour. I saw these guys live and they put on a great show.

By the way, looking in the dead wax I see this record was cut by none other than Stan Ricker of Mobile Fidelity fame himself!