Month: July 2021

The Beach Boys – Pet Sounds

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Hot Stamper Pressings that Sound Their Best on the Right Reissue

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  • This insanely good pressing boasts Shootout Winning Triple Plus (A+++) sound or very close to them on both sides
  • Forget whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – if you want to hear the Tubey Magic, size and energy of this wonderful album, a vintage pressing like this one is the way to go
  • The Beach Boys revolutionized the popular music of the day with their genius for harmony, and a killer copy like this has their voices sounding the way they should
  • 5 stars: “The group here reached a whole new level in terms of both composition and production, layering tracks upon tracks of vocals and instruments to create a richly symphonic sound.”

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Lou Rawls – Live!

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Well Recorded Albums that Should Be More Popular with Audiophiles

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Well Recorded Soul. RnB, Blues, Etc. Albums – The Core Collection

  • Lou Rawls Live! is an amazing recording that really comes to life on the best Hot Stamper pressings
  • The songs are fantastic, the musicians are brilliant, the sound is superb – Stormy Monday & Tobacco Road are highlights, but really, there’s not a bad track here
  • If you could only have one Lou Rawls album, no question it would have to be this one – everything that’s good about the man’s music is fully on display
  • 4 stars: “Lou Rawls gives a riveting performance on Live!, covering standards from Basie/Rushing’s tambourine-jumpin’ ‘Goin’ to Chicago’ to T-Bone Walker’s foot-stompin’ ‘Stormy Monday,’ and whole lot in between.”

What an album! For live soul-infused vocals, we know of none better. (more…)

Bruce Springsteen – The River

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  • A superb copy of Springsteen’s surprisingly well recorded 1980 release with outstanding Double Plus (A++) sound or BETTER on three sides and Shootout Winning Triple Plus (A+++) sound on the fourth
  • These sides are energetic, clear and full-bodied, with The Boss’ vocals – always the focus for any Springsteen album – front and center where they belong
  • This is our pick for the Best Sounding Springsteen album – we know of none better
  • You will hear dramatically more space, richness, presence, and performance energy on this copy than others you’ve played or you get your money back – it’s a simple as that
  • 5 stars: “Springsteen rises to his own challenges as a songwriter, penning a set of tunes that are heartfelt and literate but unpretentious while rocking hard, and the E Street Band were never used to better advantage, capturing the taut, swaggering force of their live shows in the studio with superb accuracy… [he] rarely made an album as compelling as this, or one that rewards repeat listening as well.”

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Listening in Depth to Emerson, Lake & Palmer’s Debut

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Reviews and Commentaries for Emerson, Lake and Palmer’s Debut

Folks, this is ANALOG at its Tubey Magical finest. You ain’t never gonna play a CD that sounds like this as long as you live. I don’t mean to rain on your parade but let’s face it, digital media are pretty much incapable of reproducing this kind of sound. There are nice sounding CDs in the world but there aren’t any that sound like this, not in my experience anyway. If you are thinking that someday a better digital system is going to come along and save you the trouble and expense of having to find and acquire these expensive original pressings, think again. Ain’t gonna happen. This is the kind of record that shows you what’s wrong with your BEST sounding CDs. (Let’s not even talk about the average ones in our collections; the less said the better.)

In-Depth Track Commentary

Side One

The Barbarian
Take a Pebble

Superb sound! Big, spacious and effortlessly alive!

Knife Edge

Again, some of the best sound to be found on any ELP album. We much prefer the tracks with vocals as opposed to the heavy keyboard ones. This is PROG at its best, right up there with Yes’s and King Crimson’s biggest and boldest musical statements. When it’s good, it’s REALLY GOOD. (Conversely, of course, when it’s bad, it’s pretty bad. Played Relayer lately?)

Side Two

The Three Fates: Clotho/Lachesis/Atropos

This is a super tough test for side two. It’s guaranteed to bring even the biggest and best systems to their knees. The organ is HUGE, so big and powerful it has a tendency to break up a bit in the loudest parts, either from groove damage or the inability of the cutting system to properly transfer the enormous amounts of bass that exist on the master tape onto the cutting acetate. You need plenty of amplifier cutting power and not every mastering chain had it.

Tank
Lucky Man

My favorite ELP track, sounding about as good as it gets. You need the right Cotillion copy for the ultimate sound; the better bass brings Palmer’s kick drum to life, not to mention the synthesizer solo.

Listen also to the electric guitar solo in the left channel. On the best copies it really comes to life and rocks out. If it lays back in the mix you do not have a Hot Stamper for side two, I can assure you of that!

By the way, this track is cut a bit low compared to the two that precede it. It needs click or two on the volume knob to work its magic. (more…)

Joe Cocker – With a Little Help From My Friends on Speakers Corner

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Sonic Grade: B

One of the better Speakers Corner Rock and Pop releases. We haven’t played a copy of this record in years, but back in the day we liked it, so let’s call it a “B” with the caveat that the older the review, the more likely we are to have changed our minds. Not sure if we would still agree with what we wrote back in the ’90s when this record came out, but here it is anyway.

“Speakers corner knocks one out of the park with this wonderful reissue! Those conga drums and the back-up singers sound so much better than I remember them! If you’re going to own one Joe Cocker album make it this one. It’s a man-size serving of English Soul.”

Bola Sete – Autentico!

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More Bossa Nova

More Jazz Recordings Featuring the Guitar

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  • Bola Sete’s wonderful 1966 release finally makes its Hot Stamper debut with excellent STEREO sound from first note to last
  • This LP was bigger, richer and clearer, with less smear and distortion, and more Tubey Magic, than most every other pressing we played
  • We have a devil of a time finding early pressings of this album in audiophile playing condition – the music is so good, but the surfaces of his records almost always have some issues…
  • 4 stars: “With the solid classical technique of Sete leading the way, this is a gently swinging set of mostly low-key Brazilian jazz (with a few livelier exceptions), as played by Sete’s New Brazilian Trio.”

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Bernard Herrmann – The Mysterious Film World of Bernard Herrmann

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More Classical and Orchestral Recordings

Reviews and Commentaries for Soundtracks and Soundtrack Music

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  • This superb release finally returns to the site with KILLER Shootout Winning Triple Plus (A+++) sound or very close to it on both sides
  • An outstanding recording with a huge three-dimensional stage, open, clear, extended up top and down low — the sound on this pressing is nothing short of amazing
  • 4 stars: “The sound glitters, some of the brightest and richest audio of its period (attested to by the album’s being part of Decca/London Phase 4 Stereo), and the performances have a dignity and intensity that makes the music — drawn from the key parts of Herrmann’s scores for the Ray Harryhausen-created fantasy films The Three Worlds of Gulliver, Mysterious Island, and Jason and the Argonauts — seem even more serious and profound than it originally did.”

Side one boasts some wonderful material from Mysterious Island and Jason and the Argonauts. Who else but Herrmann could have orchestrated such phantasmagorical goings on?

The Three Worlds Of Gulliver Suite takes up all of side two. The complete score from which the suite is taken can be found on the original Herrmann album The Three Worlds of Gulliver, a long-time and extremely rare member of the TAS Super Disc List.

This vintage London Phase 4 Stereo pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for —this sound.

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds. (more…)

David Bowie – Scary Monsters

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Records We Only Sell on Import Vinyl

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  • An outstanding original UK pressing of Scary Monsters with Double Plus (A++) sound from on both sides – exceptionally quiet vinyl too
  • Exceptionally present, real and resolving, this pressing is guaranteed to murder any remastering undertaken by anyone, past, present and future
  • 5 stars: “Reworking glam rock themes with avant-garde synth flourishes, and reversing the process as well, Bowie creates dense but accessible music throughout Scary Monsters.”

This original RCA pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds. (more…)

The Beach Boys / Pet Sounds – DCC Reviewed

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Sonic Grade: D to C+

Not long ago [2014 or so] we pulled out the three copies we had in our leftover stock of DCC vinyl and gave them a spin. They weren’t awful, but they weren’t very good either. They sounded like most Heavy Vinyl we’ve played over the years: airless, blurry, smeary, two-dimensional, dull and opaque.

Not surprisingly (to us anyway) one copy was quite a bit better than the other two. I would say that the sound of the three copies would plot on a curve from about a D to maybe a C+, so let’s figure the average would be around a C- or so.

I’d be surprised if the DCC Gold CD didn’t sound better. More often than not it does. (Kevin Gray’s lousy cutting system would not be involved and that is almost a guarantee that the sound would improve markedly.)

The no-longer-surprising thing about our Hot Stamper pressings of Pet Sounds is how completely they trounce the DCC LP. Folks, it’s really no contest. Yes, the DCC is tonally balanced and can sound decent enough, but it can’t compete with the best “mystery” pressings that we sell. It’s missing too much of the presence, intimacy, immediacy and transparency that we’ve discovered on the better Capitol pressings.

As is the case with practically every record pressed on Heavy Vinyl over the last twenty years, there is a suffocating loss of ambience throughout, a pronounced sterility to the sound. Modern remastered records just do not BREATHE like the real thing. Good EQ or Bad EQ, they all suffer to one degree or another from a bad case of audio enervation. Where is the life of the music? You can try turning up the volume on these remastered LPs all you want; they simply refuse to come to life.


FURTHER READING

Basic Concepts and Realities Explained 

Frequently Asked Questions (FAQ) 

Important Lessons We Learned from Record Experiments 

Key Tracks for Critical Listening 

Making Audio Progress  (more…)

Bill Connors – Of Mist And Melting

More Jazz guitar

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  • Jazz guitar great Bill Connors makes his debut on the site with this phenomenal sounding copy of Of Mist And Melting
  • This pressing boasts Shootout Winning Triple Plus (A+++) sound on side two and an outstanding Double Plus side one
  • The sound of this vintage ECM pressing is really quite amazing – fans of adventurous jazz, the kind ECM is known for, should get a lot out of this LP
  • “A beautiful session by the ever searching guitarist Bill Connors… intense, lyrical, and introspective… continued to show his great talents as a composer…

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