Labels With Shortcomings – Angel

Tchaikovsky – Violin Concerto / Milstein / Steinberg

More of the music of Peter Ilyich Tchaikovsky (1840-1893)

More Recordings Featuring the Violin

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  • Milstein’s superb 1960 performance of this Tchaikovsky masterpiece returns with outstanding Double Plus (A++) sound throughout
  • A superb pressing, with lovely richness, warmth, and real immediacy throughout
  • This is a spectacular recording — it’s guaranteed to put to shame any Heavy Vinyl pressing of orchestral music you own

This vintage Angel Records pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

Bizet-Shchedrin / Carmen Ballet Suite / Rozhdestvensky

More of the music of Georges Bizet (1838-1875)

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  • Unbelievable Shootout Winning Demo Disc quality sound on side one – this Triple Plus (A+++) side had more energy and snap than practically any we played
  • Side two was not especially good, but that’s really not a problem since side one has by far the better music – it’s where the most exciting, most percussive movements can be found
  • To be honest, the copy I owned for years still had a pristine side two, mostly because I never bothered to play it much
  • When you come to the end of side one you will not be wanting more – you will have heard everything that’s good about this remarkable composition
  • This gloriously exciting and fun music belongs in any audiophile’s collection

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Paganini – Concerto No.1 & Wieniawski / Concerto No. 2 – Rabin

The Music of Paganini Available Now

Album Reviews of the Music of Paganini

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  • These sublime concertos are correct and live sounding throughout with both sides earning outstanding Double Plus (A++) grades
  • This copy showed that it had the balance of clarity and sweetness we were looking for in the tone of the violin, and the orchestra sounds amazing – so rich and full-bodied
  • Both works are performed with skill and passion by the incomparable Michael Rabin
  • This record puts most of the TAS Super Discs to shame, and it’s on a budget reissue label. Hey Harry, how about them apples!?

The AMAZING Michael Rabin is the principal violinist. His playing of these exceptionally difficult pieces is legendary. Recorded by Capitol in the late ’50s, his fiery performance is breathtaking, with the kind of energy, excitement and technical proficiency that is second to none in our experience.

There’s a very good chance that you have NEVER heard a better sounding violin concerto record than this one. It’s clearly superior to most of the pressings that audiophiles would hold dear; we’ve played them by the score. The fact that it’s on a budget label reissue label, to my mind, is the icing on the cake. (There’s a valuable lesson here to be learned if only more audiophiles will make the effort to learn it.)

There are two recordings of the Paganini Concerto No.1 we like currently; this one, and the Menuhin on EMI. We prefer Rabin’s sound and performance, but the EMI engineers managed to record their orchestra with slightly more natural fidelity. Both are of course superb. (We love the mono recording Ricci did for London in the mid-’50s but the sound and surface quality are not competitive with the two recordings above.)

More entries in our Well Recorded Classical Albums – The Core Collection

Well Recorded Classical Albums from The Core Collection available on our site

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Bizet-Shchedrin / Carmen Ballet Suite / Rozhdestvensky – Our 4+ Shootout Winner from 2019

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A distinguished member of the Better Records Orchestral Music Hall of Fame

Unbelievable Shootout Winning Demo Disc quality sound throughout — QUADRUPLE PLUS (A++++) on the first side and Triple Plus (A+++) on the second. Side one has by far the better music – it’s where the most exciting, most percussive movements can be found – and this pressing, with Beyond White Hot sound for that side, is guaranteed to be bigger and more lively than you ever imagined (because that’s how we felt about it, hence the fourth plus).

Please note: we award the Four Plus (A++++) grade so rarely that we don’t have a graphic for it in our system to use in the grading scale shown above. We rarely find records with this kind of sound, just a few times a year at most — this is the only one on the site at this time.

Both sides show up on the chart as A+++, but when you hear this copy you will know why we gave side one that fourth plus!

This Angle Melodiya pressing of Bizet’s Carmen, rearranged by Soviet composer Rodion Shchedrin for strings and 47 percussion instruments, has two incredible sides. Demo Quality Sound barely begins to do it justice. If you have the system to play it, this copy is a KNOCKOUT.

But boy is it a difficult record to reproduce. You better have everything working right when you play this one — it’s guaranteed to bring practically any audiophile system to its knees. Speed, resolving power and freedom from distortion are what this record needs to sound its best. Is your system up to it? There’s only one way to find out.

And if you have any peaky audiophile wire or equipment in your system, the kind that is full of detail but calls attention to itself, you are in big trouble with a record like this. More than anything this is a record that rewards your system’s neutrality. (more…)

JS Bach / Sonatas & Partitas For Solo Violin / Martzy – Reviewed in 2012

More of the music of Johann Sebastian Bach  

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A distinguished member of the Better Records Orchestral Music Hall of Fame

This Minty British “Sitting Angel” pressing has Super Hot Stamper sound on side two, reproducing accurately the sound of a solo violin in what sounds to us like a fairly lively and resonant rehearsal hall. Perhaps accurately is not the right word, since obviously none of us have ever set foot in whatever room the music was recorded in. “Realistic” might be a better choice in that regard, since the sound is believable for what we would expect that room might have contributed to the sound we hear on the pressing in hand.

Interestingly, the sound on side two is a tad better than side one — the violin is more present and warm, the room less resonant (in a good way). (more…)

Saint-Saens / Violin Concerto No. 3 & Chausson / Poeme – Milstein – Our Shootout Winner from 2013

More of the music of Camille Saint-Saens

Saint-Saens / Violin Con #3 & Chausson / Poeme – Milstein

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A distinguished member of the Better Records Orchestral Music Hall of Fame.      

This White Hot Stamper original Blue Angel pressing has some of the most exquisite sound for a violin/orchestral recording we have ever heard here at Better Records. I do not think there is any Heifetz album on RCA Shaded Dog (or otherwise) to compete with it. We would rank this Angel recording/pressing with the best of Rabin and Milstein on Capitol, as well as the wonderful Ricci and Campoli discs on London/Decca. In other words, this is one of the best sounding violin-led orchestral recordings we have yet to play, and we’ve played them by the hundreds and hundreds. (Practice makes perfect they say.)

So clear, so three-dimensional, so relaxed, rich and sweet — can it get any better? I’d have to say not much!

It’s the Chausson piece that earned our highest grade of Three Pluses, a work that is certainly less well-known than the legendary Saint-Saens Third. Both are superb examples of the kind of sophisticated, melody-driven music the French Romantic school was producing in the latter part of the 19th century. You may become as big a fan of the Chausson as we happily admit to being now, having heard this wonderful pressing. (more…)

Music of Old Russia / Milstein / Irving – Our Shootout Winner from 2013

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This rare, hard to find original Blue Angel stereo pressing has exquisite sound. As we noted in our listing for Milstein’s Saint-Saens Third, it is the rare Heifetz album on Shaded Dog (or any other label) that could hope to compete with it.

We would rank this Angel recording/pressing with the best of Rabin and Milstein on Capitol, as well as the wonderful Ricci and Campoli discs on London/Decca. (more…)