Casino Royale under the sway of Bernie’s penchant for bright, gritty, ambience-challenged sound? Not such a good match. There is no reissue, and there will never be a reissue, that will sound as good as a good 3s original. (And I hope it would go without saying that most copies cannot begin to do what a real Hot Stamper original can.)
As is often the case, the Classic Heavy Vinyl Reissue is simply a disgrace.
A superb original stereo copy with solid Double Plus (A++) sound or BETTER from start to finish – exceptionally QUIET vinyl for this album too
A record that has its share of problems, but if you’ve got the system for it (huge, heavily tweaked, fast, free from obvious colorations and capable of tremendous resolution), this copy is sure to impress
A TAS List favorite that sounds amazing on a the right early pressing and dramatically better than any Heavy Vinyl reissue that’s we know of
“The more recognizable and certainly more straightforward side of Bacharach is here, too, on the Dusty Springfield smash ‘The Look of Love.’ This is one of Bacharach’s best soundtracks…”
The space is big and the sound relatively rich (although the sound does vary quite a bit from track to track). The vocals have notably less hardness than most and the orchestra is not as brash as it can be on so many of the copies we audition. Huge amounts of Tubey Magic as well, which is key to the best sounding copies, and critical to The Look of Love. The sound needs weight, warmth and tubes or you might as well be playing a CD.(more…)
TWO STUNNING SIDES! With sound like this, I now understand why this has been such a highly regarded long-term resident of the TAS Superdisc List. A copy like this IS a TRUE SUPERDISC — but the average copy of this album is anything but. Who could take such harsh, grainy, thin, veiled, compressed sound seriously? What was Harry smokin’?
I can honestly and truthfully say that until we discovered the Hot Stampers for this album, I never thought this record deserved the praise Harry heaped upon it. Now I do. I once was blind but now I see, or something like that. And by the way, does his copy sound as good as this one? I would bet money right now that this monster is clearly the better pressing.
Let’s face it: Harry’s not the kind of guy to sit down with ten copies and shoot them out. That would be far beneath the great and powerful Oz himself.
Rare and Delightful Mastering
This is one of those rare (and delightful) instances where the mastering engineer had serious talent and knew how to use it, because both sides of this record are OUTSTANDING — Demo Disc quality all the way.(more…)
Two excellent sounding early stereo sides, each rating Double Plus (A++) or better
Tubey Magical, big-bottomed, punchy, spacious sound – what we’ve come to expect from Larry Levine’s engineering
An excellent recording with a studio crew full of pros – this is a dynamite combo on a strong copy like this!
Alpert’s most famous album, 5 stars on Allmusic: “Three Grammy Awards alone for the update of the Bobby Scott and Ric Marlow-penned theme “A Taste of Honey.”
We finally pulled together enough clean copies of this classic album with which to do a serious shootout. We soon found out that the better pressings can give you the kind of Tubey Magical, big-bottomed, punchy, spacious sound that we’ve come to expect from Larry Levine’s engineering for A&M. If you have any Hot Stamper pressings of Sergio Mendes & Brasil ’66’s albums then you know exactly the kind of sound we’re talking about.(more…)