- This Shaded Dog pressing returns to the site with STUNNING Shootout Winning Triple Plus (A+++) sound from start to finish
- Classic superb Living Stereo Sound on both sides – big and open with an especially clean and extended top end (great fun on those huge cymbal crashes Liszt favors)
- Powerful, rich, dynamic and life-like orchestral reproduction, set in a huge hall
- “The Hungarian-born composer and pianist Franz Liszt was strongly influenced by the music heard in his youth, particularly Hungarian folk music, with its unique gypsy scale, rhythmic spontaneity and direct, seductive expression.”
This is, in our opinion, one of the most underrated Living Stereo treasures in the Golden Age canon — but not by this critic (here reviewing the CD):
In the early days of stereo, RCA released an all-Liszt LP by Arthur Fiedler and the Boston Pops that has remained in my memory as one of the finest things the popular maestro ever committed to disc…
Two works, the Hungarian Rhapsody No. 2 and the high energy Rákoczy March, have been out for some time, coupled with “Hi-Fi Fiedler”. Now RCA has added to this current disc the two main pieces, Mazeppa and Les Preludes, from the original collection. They are as wonderful as ever – among the best, if not the best, performances of this music. Fiedler doesn’t dawdle or toy around with the melodies; he lets Liszt’s Romantic vision speak for itself, helping it along with brisk tempos and incisive phrasing. Seldom have the fanfares in Les Préludes had such bite and majesty.
The rich, textured, rosin-on-the-bow lower strings on this record are to die for. Find me a modern record with that sound and I will eat it. And by “modern record” we hasten to include both modern recordings and modern remasterings of older recordings. NO ONE alive today can make a record that sound like this. To call it a lost art is to understand something that few vinyl-loving audiophiles appear to have fully grasped since the advent of the Modern Reissue, which is simply this: compared head to head they are simply not competitive.
After twenty years of trying and literally hundreds of failed examples, both the boutique and major labels of today have yet to make a record that sounds as powerful or as life-like as this RCA from the old days. (This is actually a later pressing; in some ways it sounded more tubey and rich than many of the Shaded Dogs we played against it.)
Fortunately for us record lovers and collectors, we at Better Records are not trying to make a record sound the way these sides do, we’re just trying to find ones that do, and folks, we found some very, very good sides here. (more…)