_Conductors – Fiedler

Mussorgsky et al. / Danse Infernale / Fiedler – Our Favorite Night On Bald Mountain

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  • Shootout Winning Triple Plus (A+++) grades on both sides make this the consistently best sounding batch of Orchestral Showpieces we have ever played
  • After a two year hiatus, our favorite performance of Night on Bald Mountain is back, and it’s guaranteed to blow your mind (and maybe a woofer or two)
  • Side one also boasts an excellent Danse Macabre, with a powerful finish that may remind you of the thrill of live orchestral music
  • Side two contains a wonderfully exciting Sorcerer’s Apprentice
  • Both sides are clear and transparent, with huge hall space extending wall to wall and floor to ceiling
  • Watch your levels – this pressing is dramatically more DYNAMIC than most Golden Age recordings

If you like Orchestral Spectaculars, have we got the record for you!

This pressing clearly has DEMONSTRATION QUALITY SOUND — not in every way, but in some important ways. The ENERGY of both the sound and the performances of these barnburning showpieces is truly awesome. Fiedler brings this music to LIFE like no other conductor we have heard.

This pressing boasts relatively rich, sweet strings, especially for a Deutsche Grammophon LP. Both sides really get quiet in places, a sure sign that all the dynamics of the master tape were protected in the mastering of this copy (and the reason it is so hard to find a copy that plays better than Mint Minus Minus. We do have a quieter copy with lower grades if you are interested though.) (more…)

Rossini-Respighi / La Boutique Fantasque / Fiedler – Reviewed in 2008

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

DEMO QUALITY. It’s hard to find a better record with more Tubey Magical hear-all-the-way-to-the-back-of-the-hall sound than this, at least on side one.  

Fiedler has a way with the Ibert piece here like nobody’s business; the performance is definitive, although the sound is not as good as La Boutique Fantasque, which is nothing short of amazing. The Kay piece sounds excellent here and is beautifully performed. Fiedler is hard to beat on music like this.

Offenbach / Gaite Parisienne / Boston Pops / Fiedler – Reviewed in 2008

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A distinguished member of the Better Records Orchestral Music Hall of Fame.  

12s Hot stampers. The best sounding copy I’ve ever heard.

Jim Mitchell is famous for pointing out that many of the RCA’s that were re-recorded a few years later are inferior to their earlier counterparts. This record is no exception. LSC 1817 is an amazing record. This record is merely good, with depth, soundstaging, nice string tone, etc., but not the kind of sonic fireworks to be found on the 1954 2-track recording that RCA first did of this work.

A very good Sabre Dance as a bonus, check it out! It’s the lead off track on Destination Stereo (LSC 2307) for good reason: it sounds great. (more…)

Rimsky-Korsakov / Rossini / Tchaikovsky / Fiedler

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  • This exceptionally rare and practically-impossible-to-find-in-audiophile-playing-condition Shaded Dog from 1958 has outstanding Double Plus (A++) sound on both sides
  • Plenty of Tubey Magic, utilizing a closer mic setup than many early recordings – this provides more immediacy at the expense of less soundstage depth and width relative to other Hi-Fi Specataculars from this era
  • “R. D. Darrell’s notes for the 1958 stereo LP release state that the three selections were specifically designed for demonstrate the newest heights yet attainable in the never-ending but ever-closer approach to perfect sonic replicas of the original “live” symphonic performances.”

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Rachmaninoff / Rhapsody on a Theme of Paganini / Fiedler

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

Side two here earned a seriously good sonic grade of A++ for the two shorter works by Franck and Litolff respectively. The top end is extended and the overall sound is quite clear and natural. 

Side one is not quite up to the sound heard on side two. We rate it A+. It’s a bit dark and there is some smear on the piano. However, this is a wonderfully well-recorded album, so even at one plus the sound is still quite respectable. (more…)

Offenbach / Gaite Parisienne – Fiedler – Reviewed in 2005

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A distinguished member of the Better Records Orchestral Music Hall of Fame.  

Superb sound! The top end of this record is PERFECTION. When you hear all the percussion instruments, the tambourines, triangles, wood blocks they just sound so lovely. The overall sound is rich and sweet, just like a good vintage RCA should sound. Some may find the sound colored, but I find it enchanting.

Side two, however, sounded fairly unpleasant when I first played it. As I listened more and more, I came to the realization that the absolute phase was probably inverted. The orchestra, rather than being back behind the speakers where they belong, was coming AT me, a sure sign that something is funny. One way to think about it is the sound stage becomes convex instead of concave.

So I switched my headshell leads and sure enough everything got much better — the orchestra now had depth and the strings became less forward and shrill, and the horns took on more body and had less of that blary quality they sometimes do. (more…)

Offenbach / Gaite Parisienne / Fiedler – Our Shootout Winner from 2004

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

Hot Stamper Copy! 11S/ 10S are the best stampers for this amazing DEMONSTRATION QUALITY record!

M-/ E+++. Side 1 plays nearly NM without a pop! Side 2 opens with a half inch scratch. But think about it — isn’t one side about the right amount for this kind of music? Do you really need to play side 2 after hearing side 1? This copy gives you a good portion of the music with AMAZINGLY GOOD SOUND.

This 1954 2-track recording is RCA’s first stereo recording of the work. 1954. Can you believe it? Two mics and two channels and it blows away 99% of all the classical recordings ever done! Some old record collectors and tube equipment lovers (like me) say classical recording quality ain’t what it used to be. This record proves it.

Liszt, Khatchaturian et al. / Fiedler / BPO

More Franz Liszt’s music

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

Breathtaking 1961 Living Stereo sound on side two – huge, open and Tubey Magical as all get out. Living Stereo Hot Stampers mean the hall is huge, the strings rich and sweetly textured. Vaughan Williams’ arrangement of Fantasia On “Greensleeves” is especially lovely here. Fiedler and his Boston Pops play these 8 shorter pieces with great gusto and skill. 

This Shaded Dog had precisely the right sound on side two, and very close to that sound on side one, making some of the best sound we have ever heard on this album. I’ve known about this recording for twenty years or more; it’s taken us a while to get around to it, there being so many wonderful (and frankly more famous) Fiedler records to play in the pipeline.

There are other recordings with Fiedler at the helm from 1961 but this is clearly the best of the batch, some of them being not very good at all, or good only intermittently. Practically every track on this title is excellent and some of them are superb. Take home this copy and you will quickly see what I mean.

Side Two

White Hot and superb on practically every level. Rich, clear, undistorted, open, spacious, with depth and transparency like few recordings you may have heard, the music flows from the speakers effortlessly. You are there.

The brass and string sections of the music are almost never brash or shrill, something that no other side could manage. (more…)

Fiedler / Boston Tea Party – Reviewed in 2010

More Arthur Fiedler

More Boston Tea Party

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This original Shaded Dog pressing has EXCELLENT SOUND AND QUIET VINYL ON SIDE TWO, where you’ll find a wonderful rendition of Hernando’s Hideaway! The sound is excellent — lively, full-bodied and super three-dimensional. Check out how great the castanets sound!

Side one is nothing special and a bit noisy in the right channel, so we’re really only charging you for the strong side two. Hernando’s Hideaway is really worth the price of admission alone, you’ll see! As I’m sure you know by now, Fiedler on this sort of material is very hard to beat. (more…)

Mussorgsky et al. – Danse Infernale – Our Shootout Winner from 2009

More of the music of Modest Mussorgsky

Danse Infernale

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A distinguished member of the Better Records Orchestral Music Hall of Fame

It took two copies — one for side one, one for side two — to find two sides this good. We love this album but most copies are unbelievably dreadful. (Actually, if you’ve played a fair number of DG recordings over the years you might not have any trouble believing how bad the average one is, so I take that back.) 

This German Import has DEMONSTRATION QUALITY SOUND — of a kind. Being a DG recording, one of the things you won’t be demonstrating with this record is natural string tone — it’s just not part of the DG sound. But, this record is ALIVE.

Some of the most powerful deep bass I have ever heard on LP. Dynamics that are rarely heard outside of the concert hall. Wonderful spaciousness, openness and depth. String basses and cellos that growl like the real thing.

But you don’t really want to buy this record for the sound, as good as it is in its own way. What you want to buy this record for is the best performance of Night On Bald Mountain ever recorded. Fiedler plays it with a kind of abandonment that no other conductor has to my knowledge. It’s supposed to be a wild witches’ frenzy, and this is the only performance I know of that allows you to picture such diabolic revelry in your mind’s eye. (more…)