Labels We Love – DJM

Honky Chateau – A Classic from Elton John

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Reviews and Commentaries for Honky Chateau

Honky Chateau contains some of the most Tubey Magical High-Production-Value rock music ever recorded – thanks Ken Scott!
Not the quietest copy we’ve ever played – Mint Minus Minus to EX++ on both sides – but obviously one of the better sounding
5 stars: “The most focused and accomplished set of songs Elton John and Bernie Taupin ever wrote … It’s one of the finest collections of mainstream singer/songwriter pop of the early ’70s.”

If you doubt that Elton John was an unusually gifted Pop Music Genius for much of the ’70s, just play this record. These eleven tracks should serve as all the proof you could possibly need. There’s not a dog in the bunch, and most of these songs are positively brilliant. Drop the needle on any track, you simply can’t go wrong.

Honky Chateau has to be one of the best sounding rock records of all time — certainly worthy of a prized spot on our Rock and Pop Top 100 List. It’s a shining example of just how good High-Production-Value rock music of the ’70s can be.

The amount of effort that went into the recording of Honky Chateau is comparable to that expended by the engineers and producers of bands like Supertramp, The Who, Jethro Tull, Ambrosia, Pink Floyd and far too many others to list. It seems that no effort or cost was spared in making the home listening experience as compelling as the recording technology of the day permitted.

The sides that had sound that jumped out of the speakers, with driving rhythmic energy, worked the best for us. They really brought this music to life and allowed us to make sense of it. This is yet another definition of a Hot Stamper — it’s the copy that lets the music work as music.

Big Production Tubey Magical British Rock just does not get much better than Honky Chateau. (more…)

The Tubey Magical Top Ten

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Reviews of Tubey Magical Demonstration Quality Discs

The Tubey Magic Top Ten

You don’t need tube equipment to hear the prodigious amounts of Tubey Magic that exist on this recording. For those of you who’ve experienced top quality analog pressings of Meddle or Dark Side of the Moon, or practically any jazz album on Contemporary, whether played through tubes or transistors, that’s the luscious sound of Tubey Magic, and it is all over Tumbleweed Connection

Ranked strictly in terms of Tubey Magic I would have to put this album on our list of Most Tubey Magical Rock Recordings of All Time, right up there with, in no particular order:

Sgt. Pepper (1967),
Meddle (1971),
Dark Side of the Moon (1973),
Dire Straits (1977, and clearly the outlier in this group),
The Eagles (1972),
Tommy (1969),
The Doors (1967),
Ziggy Stardust (1972),
A Space in Time (1970)

This has to be one of the best sounding rock records of all time — certainly worthy of a Top Ten spot on our Top 100 list. Engineered by Robin Geoffrey Cable at Trident, there is no other Elton John recording that is as big and powerful as Tumbleweed.

Elton John / Captain Fantastic… – Number Six of Seven Consecutive Chart Topping Albums

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The Classic Elton John

Besides being the most commercially successful period, 1970–1976 is also held in the most regard critically. Within only a three-year span, between 1972 and 1975 John saw seven consecutive albums reach number one in the US, which had not been accomplished before. Of the six Elton John albums to make Rolling Stone’s list of “The 500 Greatest Albums of All Time” in 2003, all are from this period, with Goodbye Yellow Brick Road ranked highest at number 91; similarly, the three Elton John albums given five stars by Allmusic (Tumbleweed Connection, Honky Château, and Captain Fantastic) are all from this period. – Wikipedia

After 1975, good Elton John music is hard to come by. A few songs scattered among a few albums — pretty slim pickins. But the four or five albums he made in the early ’70s are nothing less than AMAZING (when you get the right pressings of course).

The albums that went to Number One are listed below in bold.

Three of his best, including his absolute best album, Tumbleweed, did not go to Number One, although they did make the top ten.

1969 Empty Sky
1970 Elton John
1971 Tumbleweed Connection
1971 11-17-70 [live]
1971 Madman Across the Water
1972 Honky Chateau
1973 Don’t Shoot Me I’m Only the Piano Player
1973 Goodbye Yellow Brick Road
1974 Caribou
1975 Captain Fantastic and the Brown Dirt Cowboy
1975 Rock of the Westies

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Elton John – Empty Sky

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Top Shelf Pressings

This outstanding pressing of Elton John’s debut solo album boasts Shootout Winning Triple Plus (A+++) sound throughout
With plenty of energy, killer bass, and clear, present vocals, this pressing has all the key qualities we look for in an Elton John record
About as quiet a copy as we can find — they’re usually pretty beat which is why you so rarely see them on the site
“… it also marked the beginning of his long and fruitful collaboration with lyricist Bernie Taupin. Empty Sky is quite indicative of the post-Sgt. Pepper’s era. With its ambitious arrangements and lyrics, it’s clear that John and Taupin intended the album to be a major statement…”

The undiscovered gem in the Elton John catalog! T

his original British Import demonstrates just how good a recording this is. The sound is excellent and the music is surprisingly good — and weird in a fun way! It certainly bears little relation to the middle-of-the-road pop songs Elton’s been making since the ’80s. These guys were young and figuring out their sound here, and this album takes Elton to some pretty interesting places. A fun debut album that is certainly worth a listen if you’re a fan of the classic albums that were soon to follow.

We’ve had dozens of these on our shelves for years but struggled to get this shootout done until recently. The main thing holding us back was how noisy most copies are, even the minty looking ones. Anyone who’s played DJM Brit pressings knows those guys had a very hard time pressing quiet vinyl.

This isn’t the best sounding Elton John album, but it’s certainly one of the best sounding copies of his debut we could find out of the dozen or so we played. While it varies a bit from track to track, the overall sound here is wonderful.

This is a bunch of young guys figuring things out — some of it works very well and some of it not so well — but I think any Elton fan is going to enjoy hearing this early material with sound that’s always correct and often wonderful. It’s been a long time coming, but we think in the end the music is worth all the trouble we went through to find quiet enough vinyl with good sound. (more…)

Elton John – Don’t Shoot Me I’m Only The Piano Player

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More Titles Only Offered on Import Vinyl

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A KILLER copy of Elton John’s 1973 release with Shootout Winning Triple Plus (A+++) sound or very close to it from start to finish
Forget the dubby, closed-in and transistory domestic pressings – here is the relaxed, rich, spacious, musical, lifelike sound that only the best imports can show you
Thanks to Ken Scott’s brilliant engineering and Gus Dudgeon’s production savvy, every song here sounds better than you imagined, because finally you are hearing it right
4 stars: “His most direct, pop-oriented album… a very enjoyable piece of well-crafted pop/rock.”

The amazing engineer Ken Scott (Ziggy Stardust, Magical Mystery Tour, Honky Chateau, Crime of the Century, Truth, Birds of Fire) is the man responsible for the stunning sound here.

The kind of Tubey Magical richness, smoothness and fullness he achieved at Trident in the early ’70s, as well as here at a certain French country estate, have never been equaled elsewhere in our opinion. (more…)

Elton John / Self-Titled – In Audio, We Live and Learn, Or At Least We’re Supposed To

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Reviews and Commentaries for Elton John’s Self-Titled Second Album

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A classic case of Live and Learn.

Scroll down to read what we learned from our from a while back. To illustrate how the game is played we’ve copied some of the previous commentary into this listing to show the change in our understanding from 2004 to about 2010 or so, which is when all this was probably written.

Live and Learn, Part One

These domestic original pressings have the very same stamper numbers as the British pressings. It appears that the metalwork was produced in England and shipped to America for pressing on domestic vinyl. What’s strange is that the American pressings are consistently brighter than the British pressings. Why this should be is a mystery, but I have a theory to explain it. The British stampers are used to make British LPs on that lovely see-through purple vinyl, and I’m guessing that that compound is a little smoother sounding than the vinyl that Uni uses. Either that or there is some other way that Uni produces their records so that they end up being brighter, even using the exact same stampers as the British ones.”

Partly true. We have five British copies in stock, and the reason they don’t sound as good probably has less to do with British vinyl and more to do with the fact that the British ones we have are not the stampers we like the best. The domestic pressings with our favorite stampers have more highs and better highs and just plain sound better to us now.

Notice how I completely contradict myself below, yet both listings were up on the site all this time and nobody, especially me, seems to have noticed.

Live and Learn, Part Two

These original British pressings, with the lovely see-through purple vinyl, are the only good sounding versions of this album that I have ever heard. As you can imagine they are extremely difficult to come by in clean condition.

What is there to say about such a bald-faced turnabout? Simple. We make our judgments based on the records we have on hand to play. When better pressings come along, or our equipment improves to the point where we can appreciate other pressings, we will happily and unhesitatingly report what we hear.

There is not now, nor can there ever be, an absolutely correct answer to the question, “Which is the best version of Record X?”

All knowledge is provisional. We do the best we can, and we think we do it better than anybody else. That said, we keep our minds and our ears open to new and better pressings whenever they come our way. (If the remastered Blue had sounded good, I would have been perfectly happy to say so and sell them to all our customers like crazy. But that was not to be, not for any reason other than the record just didn’t sound right to us. Maybe someday I will come to appreciate it more — can’t say I won’t — but I’m sure not holding my breath until then.) (more…)

Elton John’s Caribou Is Usually Noisy and Sounds Bad – Why Do You Suppose That Is?

There’s a good reason you’ve practically never seen this album for sale on our site. In fact there are quite a number of good reasons.

The first one is bad vinyl — most DJM pressings of Caribou are just too noisy to sell. They can look perfectly mint and play noisy as hell; it’s not abuse, it’s bad vinyl. Empty Sky is the same way; out and out bad vinyl, full of noise, grit and grain.

The second problem is bad sound. Whether it’s bad mastering or bad vinyl incapable of holding onto good mastering, no one can say. Since so many copies were pressed of this monster Number One album (topping the charts on both sides of the Atlantic), perhaps they pressed a few too many after the stampers were worn out.

Or pulled too many stampers off the mother.

Or made too many stampers from the father.

Or used crap vinyl right from the start.

Of course there’s not an iota of evidence to back up any of these assertions, but I just thought I would throw them all out there as a topic for speculation.

Have you noticed how much audiophiles and audiophile reviewers love to talk about things that they have no empirical evidence for, one way or the other?

Very little of that sort of thing can be found on our site. We like to stick to the sound of the records we’ve played and leave most of the “reasoning” about the sound to others.

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Elton John / Tumbleweed Connection

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Reviews and Commentaries for Tumbleweed Connection

A KILLER copy of Elton John’s classic with top on both sides of this original DJM pressing
The sound here is richer, with much less transistory grain, and more of the All Important Tubey Magic than every other copy we played
An incredible recording and longtime member of our Top 100 — our pick for Elton’s very best music and sound
5 stars: “….their most ambitious record to date… A loose concept album about the American West… draws from country and blues in equal measures…”

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Elton John’s and Bernie Taupin’s Co-Masterpiece – Tumbleweed Connection

Ranked strictly in terms of Tubey Magic I would have to put this album on our list of Most Tubey Magical Rock Recordings of All Time, right up there with, in no particular order:

Sgt. Pepper (1967),
Meddle (1971),
Dark Side of the Moon (1973),
Dire Straits (1977, and clearly the outlier in this group),
The Eagles (1972),
Tommy (1969),
The Doors (1967),
Ziggy Stardust (1972),
A Space in Time (1970)

This has to be one of the best sounding rock records of all time — certainly worthy of a Top Ten spot on our Top 100 list. Engineered by Robin Geoffrey Cable at Trident, there is no other Elton John recording that is as big and powerful as Tumbleweed.

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Reviews and Commentaries for Tumbleweed Connection

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TRACK LISTING

Side One

Ballad of a Well-Known Gun
Come Down in Time
Country Comfort
Son of Your Father
My Father’s Gun

Side Two

Where to Now St. Peter?
Love Song
Amoreena
Talking Old Soldiers
Burn Down the Mission

AMG 5 Star Rave Review!

Instead of repeating the formula that made Elton John a success, John and Bernie Taupin attempted their most ambitious record to date for the follow-up to their breakthrough. A loose concept album about the American West…

As should be expected for a concept album about the Wild West, the music draws from country and blues in equal measures, ranging from the bluesy choruses of “Ballad of a Well-Known Gun” and the modified country of “Country Comfort” to the gospel-inflected “Burn Down the Mission” and the rolling, soulful “Amoreena.” Paul Buckmaster manages to write dramatic but appropriate string arrangements that accentuate the cinematic feel of the album.

Elton John / Captain Fantastic and The Brown Dirt Cowboy

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A stunning UK pressing with Shootout Winning Triple Plus (A+++) sound or very close to it throughout
Forget the domestic pressings, forget whatever lame reissues have come or will come down the pike — if you want to hear this album right, a killer Hot Stamper British pressing like this one is the only way to go
Includes two of our favorites: (Gotta Get A) Meal Ticket and the massive hit Someone Saved My Life Tonight
5 stars: “Elton John and Bernie Taupin recalled their rise to power in Captain Fantastic and the Brown Dirt Cowboy, their first explicitly conceptual effort since Tumbleweed Connection. It’s no coincidence that it’s their best album since then, showcasing each at the peak of his power, as John crafts supple, elastic, versatile pop and Taupin’s inscrutable wordplay is evocative, even moving.”

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