Labels We Love – OJC – But Not on These Titles

Bill Evans ‎– New Jazz Conceptions on OJC

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Some OJC Pressings Sound Good, Some Don’t – This One Doesn’t

We play mediocre-to-bad sounding pressings so that you don’t have to, a public service from your record loving friends at Better Records.

Here is a list of the OJCs we’ve auditioned and found to have at least the potential for good sound.

(Some will and some won’t — that’s what shootouts are for.)

And here are the OJCs we’ve auditioned and found wanting to some degree. Not all of them are bad; some are just not very good and would not be suitable for an audiophile with high standards.

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Benny Carter – Swingin’ the ’20s

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  • With superb sides rating Double Plus (A++) or BETTER, this Contemporary pressing was one of the best we played in our shootout
  • These excellent sides are so much bigger and more open, with more bass and energy – the saxes and trumpets are immediate and lively
  • Mr. Earl Hines himself showed up, a man who knows this music like nobody’s business – Leroy Vinnegar and Shelly Manne round out the quartet
  • “Great musicians produce great results, and most of the LP’s tracks were done in one or two takes. The result is ‘a spontaneous, swinging record of what happened’ when Carter met Hines ‘for the first time. . . .'”

For us audiophiles both the sound and the music here are enchanting. If you’re looking to demonstrate just how good a 1959 All Tube Analog recording can sound, this killer copy will do the trick. (more…)

Thelonious Monk ‎– Thelonious Monk Plays Duke Ellington on OJC

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Some OJC Pressings Sound Good, Some Don’t – This One Doesn’t

We play mediocre-to-bad sounding pressings so that you don’t have to, a public service from your record loving friends at Better Records. (more…)

John Coltrane ‎– Soultrane – on OJC (2015)

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Some OJC Pressings Sound Good, Some Don’t – This One Doesn’t

We play mediocre-to-bad sounding pressings so that you don’t have to, a public service from your record loving friends at Better Records. (more…)

Gene Ammons ‎– The Happy Blues on OJC

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Some OJC Pressings Sound Good, Some Don’t

This One Doesn’t

Typical bad OJC sound – thin and modern, lacking in the Tubey Magic that makes vintage pressings so musically involving.

We play them so you don’t have to, a public service from your record loving friends at Better Records.

Credits

Alto Saxophone – Jackie McLean
Bass – Addison Farmer
Congas – Candido
Cover – Tom Hannan
Drums – Art Taylor
Liner Notes – Ira Gitler
Piano – Duke Jordan
Recorded By – Van Gelder*
Supervised By – Bob Weinstock
Tenor Saxophone – Gene Ammons
Trumpet – Art Farmer (more…)

The Original Jazz Classics Series Got Off to a Bad Start with Concorde

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The copy or copies we’ve auditioned in the past did not impress us sonically, so don’t expect to see Hot Stampers of this title on OJC coming to the Better Records website any time soon.

The music might be wonderful — we unreservedly follow the maxim  de gustibus non est disputandum — but the sound of this pressing is not likely to be of audiophile quality.

There may be great sounding pressings of the album – how could we possibly know there aren’t without playing every version ever pressed — but we’re pretty sure the OJC pictured here will always fall short of the mark.

If you know of a great sounding pressing of the album, feel free to let us in on what pressing you have and we might just pick one up and give it a listen.

We’ve auditioned countless pressings like this one in the 33 years we’ve been in business — buying, cleaning and playing them by the thousands. This is how we find the best sounding vinyl pressings ever made.  Not the ones that should sound the best. The ones that actually do sound the best.

If you’re an audiophile looking for top quality sound on vintage vinyl, we’d be happy to send you the Hot Stamper pressing guaranteed to beat anything and everything you’ve heard, especially if you have any pressing marketed to you as an audiophile.

And if we can’t beat whatever LP you own or have heard, you get your money back.  It’s as simple as that.

Tom Port

Better Records

TRACK LISTING

A1 Ralph’s New Blues 7:09
A2 All Of You 4:26
A3 I’ll Remember April 5:07
B1 Gershwin Medley: Soon / For You, For Me, Forevermore / Love Walked In / Our Love Is Here To Stay 7:55
B2 Softly, As In Morning Sunrise 7:57
B3 Concorde

Credits

Bass – Percy Heath
Design [Cover] – Bob Parent
Drums – Connie Kay
Engineer – Van Gelder*
Liner Notes – Ira Gitler
Photography [Cover] – Courtesy Of French Government Tourist Bureau
Piano – John Lewis (2)
Supervised By – Bob Weinstock
Vibraphone – Milt Jackson

Notes

Recorded in 1955.

John Coltrane – Lush Life – We Review the DCC, OJC, and Original Pressings

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Sonic Grade: B or so (DCC) 
Sonic Grade: C or so (OJC) 

The DCC heavy vinyl pressing is a nice record; I remember liking it back in the day. I’m guessing it’s a bit better than the ’80s OJC, which is, like most OJC pressings, typically thin and hard. Neither one of them can hold a candle to the pressings we offer on the site.

If for some reason we could not find copies of the album that substantially beat the sound of either of these two remastered LPs, we simply would not have anything to offer, since neither of these versions could be considered Hot Stampers. Nice records, sure, but Hot Stampers? Not a chance.

It was only a few months ago, early in 2016 in fact, that we chanced upon the right kind of pressing — the right era, the right label, the right stampers, the right sound. Not just the right sound though. Better sound than we ever thought this album could have.

Previously we had written:

“There are great sounding originals, but they are few and far between…”

We no longer believe that to be true. In fact we believe the opposite of that statement to be true. The original we had on hand — noisy but with reasonably good sound, or so we thought — was an absolute joke next to our best Hot Stamper pressings. Half the size, half the clarity and presence, half the life and energy, half the immediacy, half the studio space. It was simply not remotely competitive with the copies we now know (or at least believe, all knowledge being provisional) to have the best sound.

Are there better originals than the ones we’ve played? No doubt. If you want to spend your day searching for them, more power to you. And if you do find one that impresses you, we are happy to send you one of our Hot Copies to play against it. We are confident that the outcome would be clearly favorable to our pressing. Ten seconds of side one should be enough to convince you that our record is in an entirely different league, a league we had no idea even existed until just this year.

By the way, the mono original we played was by far the worst sound I have ever heard for the album. By far. (more…)

Joe Gordon – Lookin’ Good!

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This Super Hot Stamper pressing has the Contemporary Jazz Sound we LOVE here at Better Records. If you want to know what’s wrong with the sound of your Rudy Van Gelder Squakfest Records, play this LP and bathe in the kind of relaxed, NATURAL tonality that Roy DuNann is justly famous for.

We love the sound of Contemporary Records — it’s our favorite jazz label by a long shot. Roy DuNann always seemed to get The Real Sound out of the sessions he recorded — amazingly realistic drum sound; full-bodied, breathy horns; lots of top end extension; deep, note-like bass; weighty piano, studio ambience, three-dimensionality, and on and on.

The Key to the Sound of the Best Copies

During this shootout we discovered what really sets apart the best copies from the also-rans: listen for the piano in the background, behind the horns. On the best copies it is so clear you can practically “see” it back there.

The copies with a clear piano have TRANSPARENCY that makes all the difference in the world on EVERY instrument. Now everything is clear. As long as the tonal balance is correct, that transparent quality is precisely what will make the best copies much more musically involving.

Let’s face it: many reissues, such as this pressing, recorded in 1961 and pressed in the ’70s, have a veiled, dull quality. When they don’t, man, they can really beat the pants off even the best originals. (more…)

Helen Humes – Swingin’ With Humes – Our Shootout Winner from 2008

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A distinguished member of the Better Records Jazz Hall of Fame

SUPERB SOUND AND MUSIC! We’ve been finding great copies of Helen’s Songs I Like To Sing! for some time, but this is the first knockout copy we’ve ever found of this great title from 1961. Both sides have A+++ sound, As Good As It Gets (AGAIG).   

Whoever takes this one home is in for a treat. Make sure your electricity is really cookin’, turn down the lights, and turn up the volume — Helen and her top-notch backing band will be RIGHT THERE IN THE ROOM WITH YOU! The other copies we played sounded pretty good, but this one is MAGICAL.

Both sides have mindblowing clarity and transparency — something that you wouldn’t likely find on an earlier pressing — matched with the kind of tubey magic that’s almost always missing from OJC pressings. (more…)