Labels We Love – OJC – But Not on These Titles

The Original Jazz Classics Series Got Off to a Bad Start with Concorde

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The copy or copies we’ve auditioned in the past did not impress us sonically, so don’t expect to see Hot Stampers of this title on OJC coming to the Better Records website any time soon.

The music might be wonderful — we unreservedly follow the maxim  de gustibus non est disputandum — but the sound of this pressing is not likely to be of audiophile quality.

There may be great sounding pressings of the album – how could we possibly know there aren’t without playing every version ever pressed — but we’re pretty sure the OJC pictured here will always fall short of the mark.

If you know of a great sounding pressing of the album, feel free to let us in on what pressing you have and we might just pick one up and give it a listen.

We’ve auditioned countless pressings like this one in the 33 years we’ve been in business — buying, cleaning and playing them by the thousands. This is how we find the best sounding vinyl pressings ever made.  Not the ones that should sound the best. The ones that actually do sound the best.

If you’re an audiophile looking for top quality sound on vintage vinyl, we’d be happy to send you the Hot Stamper pressing guaranteed to beat anything and everything you’ve heard, especially if you have any pressing marketed to you as an audiophile.

And if we can’t beat whatever LP you own or have heard, you get your money back.  It’s as simple as that.

Tom Port

Better Records

TRACK LISTING

A1 Ralph’s New Blues 7:09
A2 All Of You 4:26
A3 I’ll Remember April 5:07
B1 Gershwin Medley: Soon / For You, For Me, Forevermore / Love Walked In / Our Love Is Here To Stay 7:55
B2 Softly, As In Morning Sunrise 7:57
B3 Concorde

Credits

Bass – Percy Heath
Design [Cover] – Bob Parent
Drums – Connie Kay
Engineer – Van Gelder*
Liner Notes – Ira Gitler
Photography [Cover] – Courtesy Of French Government Tourist Bureau
Piano – John Lewis (2)
Supervised By – Bob Weinstock
Vibraphone – Milt Jackson

Notes

Recorded in 1955.

John Coltrane – Lush Life – We Review the DCC, OJC, and Original Pressings

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Sonic Grade: B or so (DCC) 
Sonic Grade: C or so (OJC) 

The DCC heavy vinyl pressing is a nice record; I remember liking it back in the day. I’m guessing it’s a bit better than the ’80s OJC, which is, like most OJC pressings, typically thin and hard. Neither one of them can hold a candle to the pressings we offer on the site.

If for some reason we could not find copies of the album that substantially beat the sound of either of these two remastered LPs, we simply would not have anything to offer, since neither of these versions could be considered Hot Stampers. Nice records, sure, but Hot Stampers? Not a chance.

It was only a few months ago, early in 2016 in fact, that we chanced upon the right kind of pressing — the right era, the right label, the right stampers, the right sound. Not just the right sound though. Better sound than we ever thought this album could have.

Previously we had written:

“There are great sounding originals, but they are few and far between…”

We no longer believe that to be true. In fact we believe the opposite of that statement to be true. The original we had on hand — noisy but with reasonably good sound, or so we thought — was an absolute joke next to our best Hot Stamper pressings. Half the size, half the clarity and presence, half the life and energy, half the immediacy, half the studio space. It was simply not remotely competitive with the copies we now know (or at least believe, all knowledge being provisional) to have the best sound.

Are there better originals than the ones we’ve played? No doubt. If you want to spend your day searching for them, more power to you. And if you do find one that impresses you, we are happy to send you one of our Hot Copies to play against it. We are confident that the outcome would be clearly favorable to our pressing. Ten seconds of side one should be enough to convince you that our record is in an entirely different league, a league we had no idea even existed until just this year.

By the way, the mono original we played was by far the worst sound I have ever heard for the album. By far. (more…)

Joe Gordon – Lookin’ Good!

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This Super Hot Stamper pressing has the Contemporary Jazz Sound we LOVE here at Better Records. If you want to know what’s wrong with the sound of your Rudy Van Gelder Squakfest Records, play this LP and bathe in the kind of relaxed, NATURAL tonality that Roy DuNann is justly famous for.

We love the sound of Contemporary Records — it’s our favorite jazz label by a long shot. Roy DuNann always seemed to get The Real Sound out of the sessions he recorded — amazingly realistic drum sound; full-bodied, breathy horns; lots of top end extension; deep, note-like bass; weighty piano, studio ambience, three-dimensionality, and on and on.

The Key to the Sound of the Best Copies

During this shootout we discovered what really sets apart the best copies from the also-rans: listen for the piano in the background, behind the horns. On the best copies it is so clear you can practically “see” it back there.

The copies with a clear piano have TRANSPARENCY that makes all the difference in the world on EVERY instrument. Now everything is clear. As long as the tonal balance is correct, that transparent quality is precisely what will make the best copies much more musically involving.

Let’s face it: many reissues, such as this pressing, recorded in 1961 and pressed in the ’70s, have a veiled, dull quality. When they don’t, man, they can really beat the pants off even the best originals. (more…)

Helen Humes – Swingin’ With Humes – Our Shootout Winner from 2008

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A distinguished member of the Better Records Jazz Hall of Fame

SUPERB SOUND AND MUSIC! We’ve been finding great copies of Helen’s Songs I Like To Sing! for some time, but this is the first knockout copy we’ve ever found of this great title from 1961. Both sides have A+++ sound, As Good As It Gets (AGAIG).   

Whoever takes this one home is in for a treat. Make sure your electricity is really cookin’, turn down the lights, and turn up the volume — Helen and her top-notch backing band will be RIGHT THERE IN THE ROOM WITH YOU! The other copies we played sounded pretty good, but this one is MAGICAL.

Both sides have mindblowing clarity and transparency — something that you wouldn’t likely find on an earlier pressing — matched with the kind of tubey magic that’s almost always missing from OJC pressings. (more…)

Barney Kessel – Carmen – Transparency Is Key

More Barney Kessel

More Carmen

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The best Hot Stamper Original Yellow Label Mono pressings have the Tubey Magic we’ve come to expect from Contemporary circa 1958, with that warm, rich, full-bodied sound that most engineers can’t begin to understand. However, some pressings in our shootout managed to give us an extra level of transparency and ambience that the original pressings rarely do. 

There’s a room around this drum kit. So many copies don’t show you that room, not if they have the full sound that a copy like this does. (It’s amazing all the detail you can hear in a leaned-out record, but what good is that? The sound is leaned out! If you like that sound buy the OJC or the CD. Leave these wonderful originals to those of us who know the sound we’re after.)

I had the OJC pressing of this record years ago and couldn’t get in to the music. The OJC’s tend to be a bit on the thin side and it killed my enjoyment of this album. (more…)

Sonny Rollins Quintet – Rollins Plays For Bird – Live and Learn

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Rollins Plays For Bird

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Previously we had written:

“This is one of the BEST Sonny Rollins records around! Nobody seems to know anything about it but let me tell you, this is Rollins at his BEST. The sound is also EXCELLENT.”

Recently we played the OJC pictured here and did not care for the sound in the least, too thin and lacking in the Tubey Magic of the earlier pressings.

Live and learn! (more…)

Hampton Hawes – Four!

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More Four!

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A distinguished member of the Better Records Jazz Hall of Fame.

Four! finally makes its Hot Stamper debut with stellar Shootout Winning Triple Plus (A+++) sound or close to it from first note to last. The timbre of the instruments in this brilliant jazz quartet is so spot-on it makes all the hard work and money you’ve put into your stereo more than pay off. Roy DuNann engineered some of the best sounding records we have ever heard – here’s a textbook example of what the audiophiles at Contemporary were able to achieve in the studio.

This vintage Contemporary Stereo pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

Benny Carter – Swingin’ The ’20s – Our Shootout Winner from 2012

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More Swingin’ The ’20s

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STUNNING SOUND ON BOTH SIDES — we’ve never played a better copy! The immediacy and presence of this copy will BLOW YOU AWAY — it’ll put a swingin’ jazz quarter right in your living room. There’s plenty of extension on the top end anchored by some nice deep bass. The tonality is Right On The Money, and the overall sound is open and spacious with lots of room around the instruments. (more…)

Benny Carter – Jazz Giant on Contemporary

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More Jazz Giant

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A distinguished member of the Better Records Jazz Hall of Fame.

HUGE DEMO DISC QUALITY SOUND ON BOTH SIDES! This Contemporary LP sounds AMAZING — it has a wide and open soundfield that really allows you to hear into the music. Drop the needle on track three (Carter’s Own ’A Walkin’ Thing’) to hear these guys really swinging! The sound is so natural, and it really jumps out of the speakers. This knocked our original Stereo Records pressing out of the ballpark — it wasn’t even close.

Sometimes the OJC versions of Contemporary Records are excellent. Those tend to be the ones we sell. But most of the time the pressings that were mastered and put out by Contemporary in the mid-’70s (until they were bought by Fantasy) are superior.  (more…)

Barney Kessel – Some Like It Hot

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More Art Pepper

More Some Like It Hot

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  • This superb pressing of Kessel’s brilliant 1959 larger group outing has a shootout-winning Triple Plus (A+++) side one and an outstanding Double Plus (A++) side two
  • With Tubey Magic, richness, sweetness, and dead on tonality from top to bottom, this is a textbook example of Contemporary’s sound at its best
  • An All Star West Coast lineup came together for this one: Art Pepper (on sax and claritnet!), Shelly Manne, Joe Gordon and others
  • 4 1/2 stars: “Such tunes as “I Wanna Be Loved by You,” “Runnin’ Wild,” “Down Among the Sheltering Palms,” and “By the Beautiful Sea” are given fairly modern arrangements…”

This copy is spacious, sweet and positively dripping with ambience. The liquidity of the sound here is positively uncanny. This is vintage analog at its best, so full-bodied and relaxed you’ll wonder how it ever came to be that anyone seriously contemplated trying to improve it. (more…)