Demo Discs for Soundstaging

Including all kinds of soundstaging, not just the more natural staging one hears in live orchestral music.

Varese et al. / Percussion Music / New Jersey Percussion Ensemble

TAS List Records Available Now

  • This crazy fun 20th Century Percussion Music album featuring classical works which rely almost exclusively on percussion (piano and voice also make appearances) boasts INSANELY GOOD Shootout Winning Triple Plus (A+++) grades throughout
  • A tough shootout, as no other copy earned a 3+ grade on either side, which simply means that when you find a top copy, it sets such a high standard that everything else ends up getting marked down
  • Both of these TAS-approved sides are clear and spacious with sound that is positively jumping out of the speakers
  • This copy is transparent, speedy, and tonally correct from top to bottom like nothing else we played
  • Problems in the vinyl are sometimes the nature of the beast with these vintage LPs, but once you hear how amazing sounding this copy is, you might be inclined, as we were, to stop counting stitches and just be swept away by the music

(more…)

Bob and Ray / Throw a Stereo Spectacular

More Living Stereo Recordings

  • With STUNNING Shootout Winning Triple Plus (A+++) grades or close to them from start to finish, this TAS-approved Living Stereo pressing could not be beat
  • Originally produced as a sampler record for the Living Stereo line, it is an absolute Must Own for serious audiophiles looking to take their system to the next level
  • Our reference copy here at Better Records is so vital to our operation that it would not be for sale at any (well, almost any) price!
  • It has long been my personal favorite test disc, as well as one of our three best cartridge tweaking and turntable setup discs
  • 4 stars: “The gleefully cacophonous Guckenheimer Sour Kraut Band takes the prize for providing the most unusual musical selection, but the overall program is extremely diverse [and] the comedy and music are enjoyable.”

Bob and Ray Throw A Stereo Spectacular just happens to be our favorite Test Disc, eclipsing all others in the areas of naturalness and difficulty of reproduction. Any tweak or new room treatment — we seem to do them almost weekly these days — has to pass one test and one test only: The Bob and Ray Test.

This record has the power to help you get to the next level in audio like no other.

(more…)

The Beatles – Sgt. Pepper’s Lonely Heart’s Club Band

More of the Music of The Beatles

  • With two solid Double Plus (A++) sides, you’ll have a hard time finding a copy that sounds remotely as good as this vintage UK Parlophone LP – fairly quiet vinyl too
  • Huge, spacious and detailed, with the Tubey Magic of a fresh tape, this is the way to hear Sgt. Pepper in all its analog glory, not remixed and not remastered (and ruined, of course)
  • Most pressings – especially the new ones – have nothing approaching the resolution, Tubey Magic, space and energy of this LP
  • A Better Records Top 100 – “It’s possible to argue that there are better Beatles albums, yet no album is as historically important as this.”
  • It’s hard to conceive of any list of the best rock and pop albums of 1967 that would not have this record on it, and there is a very good chance it would be perched right at the top of that list
  • Quite a few customers have written us letters telling us how much they enjoyed the Hot Stamper pressing of Sgt. Pepper we sent them

The sound here is so big and rich, so clear and transparent, that we would be very surprised, shocked even, if you’ve ever imagined that any pressing of Sgt. Pepper could sound this powerful and REAL. (more…)

Phil Manzanera / Diamond Head (Island Pressing)

More of the Music of Roxy Music

  • With two KILLER Shootout Winning Triple Plus (A+++) sides, this UK Island pressing is guaranteed to blow the doors off any other Diamond Head you’ve heard
  • Demo Disc quality sound barely begins to describe the size and power of this recording
  • This album is an amazing sonic blockbuster, with sound that will leap right out of your speakers like practically nothing you have every heard
  • A shockingly well-recorded album from the ultra-talented Rhett Davies – this is his engineering Masterpiece
  • Don’t waste your money on the UK Polydor reissues or the domestic pressings, or anything else for that matter – the right UK Island pressings are in a league of their own
  • Marks in the vinyl are sometimes the nature of the beast with these vintage LPs – those on “Lagrima” are especially bad – but if you can tough those out, this copy is going to blow your mind
  • 4 1/2 stars: “Phil Manzanera’s first post-Roxy foray into solo albums is a terrific all-star affair that still holds up enormously well. Calling on favors from Roxy members present and past, and those from the Cambridge/British art rock scene, Manzanera assembled a supergroup for every song.”

The wind is at your back here because this is one seriously well-recorded album. If this copy doesn’t wake up your stereo nothing will.

Like its brother, 801 Live, this album is an amazing sonic blockbuster, with sound that positively leaps out of the speakers. Why shouldn’t it? It was engineered by the superbly talented Rhett Davies at Island, the genius behind Taking Tiger Mountain, the aforementioned 801 Live, Avalon, Dire Straits’ first album, and many many more.

If we could regularly find copies of this Audiophile Blockbuster (and frankly, if more people appreciated the album) it would definitely go on our Top 100 Rock and Pop List. In fact, it would easily make the Top Twenty from that list, it’s that good.

Looking for Tubey Magic? Rhett Davies is your man. Just think about the sound of the first Dire Straits album or Avalon. The better pressings of those albums — those with truly Hot Stampers — are swimming in it.

(more…)

Mussorgsky / Pictures At An Exhibition – A Good Record (Potentially), Not a Great One

More of the music of Modest Mussorgsky

More of the music of Benjamin Britten

This Chicago Symphony recording by RCA in 1968 has that BIG HALL SOUND we love here at Better Records.

Multi-miking is kept to a minimum, which allows the listener to visualize the orchestra from a more natural perspective than some of the other recordings of the work you may have heard. 

The sound is open and spacious, with lovely texture to the strings. The larger horns are especially well-captured here, Their dark and powerful sound, coupled with the fact that the recording is so dynamic and full-bodied, can really be quite moving. It might just send some shivers up your spine. (more…)

Dick Schory – Music for Bang, Baaroom and Harp

Living Stereo Titles Available Now

  • Stunning Living Stereo sound through this original pressing, with both sides earning Nearly Triple Plus (A++ to A+++) grades, just shy of our Shootout Winner – fairly quiet vinyl too
  • It’s a real treat to hear such a crazy assortment of percussion instruments with this kind of amazingly clear, high-resolution sound!
  • This copy was just plain bigger, richer and clearer than practically all others in our recent shootout
  • It also helps that both of these sides are in correct polarity, a subject you can read about on the blog if you would like to know more
  • If you’re a fan of percussion extravaganzas, this Living Stereo from 1958 is about as good as it gets

The hottest stamper pressings of this album are Demo Discs for three important qualities we listen for in our record auditions. Each of the links below will take you to other recordings we have found to be potentially superior in these areas of reproduction.

  1. Size and space,
  2. Correct timbre and
  3. Tubey Magic.

Harry Pearson put this record on his TAS List of Super Discs, and rightfully so. It certainly can be a Super Disc, but only when you have the right pressing. This is one of the Demo Discs on the TAS List which truly deserves its status when, and only when, you have the right copy. (The typical copy is quite good, but it sure doesn’t sound like this.) Nothing else in our shootout could touch it. And it’s IN PHASE. Many copies are not.

(more…)

Loggins and Messina – Mother Lode

More of the Music of Loggins and Messina

  • L&M’s 1974 release comes to life on this vintage copy with solid Double Plus (A++) sound or BETTER on both sides – fairly quiet vinyl too
  • A surprisingly dynamic, well-recorded album – with Demo Disc quality sound – and a personal favorite from way back
  • I can’t recall another pop or rock recording that better captures both the plucked energy and the harmonic nuances of the mandolin
  • Never a band to find favor with the critics, even AllMusic had to concede that the album was “Elegantly, tastefully accomplished.”
  • If I were to compile a list of my favorite rock and pop albums from 1974, this album would definitely be on it
  • Mother Load is one of the records that helped us dramatically improve the quality of our playback, along with scores of others you can read about here on the blog.

This superb Hot Stamper pressing of L&M’s fourth release demonstrates pretty convincingly just how well-recorded this album is! The bottom end is tight and punchy, and the clarity and transparency are truly off-the-charts.

When Jim Messina rips into his mandolin solo halfway through “Be Free,” your jaw is likely to hit the ground. On the better copies, it positively leaps out of the left speaker. I can’t recall another pop or rock recording that captures either the plucked energy or the harmonic nuances of the instrument better. To hear such a well-recorded mandolin on a copy of this quality is nothing less than a thrillL.

This copy gives us full-bodied pianos; rich, lively vocals, full of presence and brimming with enthusiasm; harmonically-rich guitars, mandolins, dobros and the like, as well as a three-dimensional soundstage that reveals the space around them all.

(more…)

Graham Nash – Songs for Beginners

More of the Music of Graham Nash

  • This vintage pressing boasts very good Hot Stamper sound on both sides
  • We guarantee there is more space, richness, presence, and performance energy on this copy than others you’ve heard or you get your money back – it’s as simple as that
  • Arguably the best of the solo CSN albums and a founding member of our Top 100 Rock and Pop List
  • 4 1/2 stars: “From the soaring “I Used to Be a King” through the gossamer “Simple Man” to the wah-wah-laden “Military Madness,” the record is filled with gorgeous melodies, flawless singing, and lyrical complexities that hold up decades later.”

When you hear Chicago here you will not believe how cinematic the sound is! It’s everything we love about analog and then some.

Most of the credit must go to the team of recording engineers, led here by the esteemed Bill Halverson, the man behind all of the Crosby Stills Nash and Young albums. Nash was clearly influenced by his work with his gifted bandmates, proving with this album that he can hold his own with the best of the best. Some songs (We Can Change The World, Be Yourself) are grandly scaled productions with the kind of studio polish that would make Supertramp envious. For me, a big speaker guy with a penchant for giving the old volume knob an extra click or two, it just doesn’t get any better.

Others (Sleep Song, Wounded Bird) are quiet and intimate. Their subtlety is highlighted by the big productions surrounding them. This is the rare album in which every aspect of the production, from the arrangements to the final mix, serves to bring out the best qualities in the songs, regardless of scale. (more…)

Led Zeppelin – Led Zeppelin IV

More of the Music of Led Zeppelin

  • A Zep IV that was doing just about everything right, earning solid Double Plus (A++) grades on both sides
  • Insane rock and roll energy like nothing you have ever heard – the sound is full-bodied and reasonably smooth, making it possible to get the volume up good and high where it belongs
  • Here are the rock and roll classics that reign supreme to this very day – “Black Dog,” “Rock & Roll,” “Stairway to Heaven,” “When the Levee Breaks,” every one sounding better than you’ve ever heard them or your money back
  • There are some bad marks (as is sometimes the nature of the beast with these Classic Rock records) on “Rock and Roll,” but once you hear just how excellent sounding this copy is, you might be inclined, as we were, to stop counting ticks and just be swept away by the music
  • 5 stars: “Encompassing heavy metal, folk, pure rock & roll, and blues, Led Zeppelin’s untitled fourth album is a monolithic record, defining not only Led Zeppelin but the sound and style of 70s hard rock.”
  • If you’re a fan of the band, this title from 1971 is clearly one of their best, and one of their best sounding
  • The complete list of titles from 1971 that we’ve reviewed to date can be found here.

It is a positive THRILL to hear this record rock the way it was meant to. If you have big speakers and the power to drive them, your neighbors are going to be very upset with you when you play this copy at the listening levels it was meant to be heard at.

You’d better be ready to rock, because this copy has the ENERGY and WHOMP that will make you want to. Zep IV demands loud levels, but practically any copy will punish you mercilessly if you try to play it at anything even approaching live levels.

(more…)

Dire Straits – Brothers in Arms

More of the Music of Dire Straits

  • A Brothers In Arms like you’ve never heard, with a STUNNING Shootout Winning Triple Plus (A+++) side one mated to a solid Double Plus (A++) side two
  • Tonally correct from start to finish, with a solid bottom and fairly natural vocals (for this particular recording of course), here is the sound they were going for in the studio
  • After doing a comparison between our top copy and the Chris Bellman remaster, at very loud levels mind you, I now have much more respect for this recording than ever before – it’s truly a Demo Disc on the right Robert-Ludwig-mastered copy
  • Drop the needle on “So Far Away” – it’s airy, open, and spacious, yet still rich and full-bodied
  • 4 stars: “One of their most focused and accomplished albums … Dire Straits had never been so concise or pop-oriented, and it wore well on them.”
  • We admit that the sound may be too processed and lacking in Tubey Magic for some
  • When it comes to Tubey Magic, there simply is none — that’s not the sound Neil Dorfsman, the engineer who won the Grammy for this album, was going for
  • We find that the best properly-mastered, properly-pressed copies, when played at good loud levels on our system, give us sound that was wall to wall, floor to ceiling, glorious, powerful and exciting — just not Tubey Magical

Fully extended from top to bottom with a wide-open soundstage, this is the sound you need for this music. There’s plenty of richness and fullness here as well — traits that are really crucial to getting the most out of a mid-’80s recording like this.

The bottom end on “So Far Away” really delivers the goods — it’s punchy and meaty with healthy amounts of tight, deep bass.

(more…)