- This early 360 Stereo Columbia pressing boasts stunning Shootout Winning Triple Plus (A+++) sound on side one and an outstanding Double Plus (A++) side two – relatively quiet vinyl too
- If you want to hear just how good Monk’s big, rich piano sounds, this copy can show you like nothing by Monk you’ve heard
- Four Stars in Allmusic, with Teo Macero producing and top Columbia engineering to ensure audiophile standard sonics
- “Thelonious Monk’s Straight, No Chaser is the pinnacle of his recordings for Columbia Records…” — TheAudioBeat.com
- An outstanding pressing of Sorcerer, with solid Double Plus (A++) sound or close to it from start to finish
- Sorcerer demonstrates the big-as-life, spacious and unerringly accurate 30th Street Studio Sound Fred Plaut was justly famous for
- 4 1/2 stars: “The emphasis is as much on complex, interweaving chords and a coolly relaxed sound as it is on sheer improvisation, though each member tears off thoroughly compelling solos. Still, the individual flights aren’t placed at the forefront the way they were on the two predecessors — it all merges together, pointing toward the dense soundscapes of Miles’ later ’60s work.”
We played a bunch of these recently and this was one of the better copies we heard! It’s got more energy, more presence, and more body than many copies we heard. Drop the needle anywhere and listen to how open, transparent and spacious it is. The soundfield is HUGE — big, wide and deep! Everything sounds natural, balanced and correct. The bass has texture, the piano has weight, the brass has the right amount of bite and so on.
We had a big stack of copies for this shootout, including a bunch of 360 originals and some later Red Label pressings. You can find great sound on either label but it will probably take you quite a few copies to get there, and you’d need a serious stack to have any hope of finding two sides this good on vinyl that plays well.
And by the way, copies of classic Miles Davis albums from the ’60s are neither easy to find nor are they cheap. Hit the jazz bins at your local store and I’m sure you’ll have the same experience we’ve been having — tons of pricey modern reissues but not too many clean vintage pressings. (more…)
- You’ll find Shootout Winning Triple Plus (A+++) sound on both sides of this stunning Six Eye Stereo pressing of First Time!
- Three-dimensional space and ambience, rich Tubey Magic by the boatload – this 30th Street recording shows just how good Columbia’s engineers were back then
- 4 1/2 stars: “Ellington’s elegance and unique voicings meet Basie’s rollicking, blues-based Kansas City swing, and it works gloriously. The Duke and his band accentuate their swinging dance band side, while Basie and company have never sounded as suave and exotic as when playing Billy Strayhorn arrangements. Everyone has a good time, and that joy infuses this album from start to finish.”
- This early 360 Stereo pressing boasts Shootout Winning Triple Plus (A+++) sound on side two and outstanding Double Plus (A++) sound on side one – fairly quiet vinyl too
- With a breathy sax, lively and present piano, and a smooth, full sounding orchestra on some of these tracks, this is just the right sound for this music
- The legendary CBS 30th Street Studios in New York deliver another amazing Demo Disc for Dave Brubeck and his famous fellow jazzmen
- Produced by the legendary Teo Macero, this is the fourth entry in Brubeck’s time signature series of classic jazz
- This original Black Print 360 pressing was one of the best we played in our recent shootout, earning Double Plus (A++) grades on both sides and playing quietly
- Stan Getz is the real standout on this album, a very pleasant surprise for us since his exceptionally good recordings of his music are so hard to find
- Another example of the phenomenal sound quality found on so many recordings made at CBS’s 30th street studios in New York
- “Stan Getz, known for his ‘lyrical’ style, is in top form throughout and brings out the best of his cohorts, including two young musicians, Gary Burton on vibes and Herbie Hancock on keyboards…”
If you like the sound of relaxed, tube-mastered jazz — and what red blooded audiophile doesn’t — you can’t do much better than Bob Brookmeyer And Friends. The warmth and immediacy of the sound here are guaranteed to blow practically any jazz septet record you own right out of the water.
Getz and Burton have always been magical together. Their work on Getz Au Go Go is legendary. Every time I play that record I am astonished at how good it is, one of those very special jazz recordings that are easy to get lost in. (more…)
- This wonderful Black Print 360 Columbia pressing impressed us, earning outstanding Double Plus (A++) grades or better on both sides and playing about as quietly as any stereo original we’ve found
- Columbia records produced by Teo Macero in the early ’60s have consistently open, natural sound – this one from 1964 is no exception
- The piano has real weight, the bass definition is wonderful, Rouse’s sax is full-bodied, and the overall sound is Columbia to a “T”: warm, sweet, and rich
- The Thelonious Monk Quartet of 1964 is well featured on this excellent set… Easily recommended to Monk fans, this set is just further proof that he never made an unworthy recording.”
*The last track on this side gets a little crackly and plays Mint Minus Minus to EX++.
We’re big Monk fans here at Better Records and we wish we could get more records like this up on the site. Unfortunately, clean, vintage pressings of Monk’s music have become increasingly difficult to find, and even when you can track them down, they rarely play as quietly as this one, and of course, this being a Hot Stamper, they rarely sound as good as this one. (more…)
- Byrd’s 1968 release finally arrives on the site with STUNNING Shootout Winning Triple Plus (A+++) sound on this Columbia 360 Label LP
- Teo Macero’s production here is rich, sweet, and highly resolving, with all the space and three-dimensionality that Frank Laico’s brilliant engineering is known for
- This is the first Columbia Charlie Byrd shootout we’ve ever done – we dropped the needle on a copy a while back and were shocked at the sound we were hearing
- More importantly, the music on this enchanting jazz/pop guitar album is every bit as good as the sound quality (and that is rarely the case with these kinds of records – we should know, we’ve played scores of them)
Hearing is definitely believing, especially in our unique corner of the record business — we don’t give a fig about who, why or when a record was made; we just play it and judge it based on what we hear in its grooves. Needless to say. this pressing of the album was judged to be a knockout.
Apparently the album has garnered attention from other audiophiles – HDTracks offers a high-rez digital download of it! (more…)
Please excuse the mono cover art.
A distinguished member of the Better Records Jazz Hall of Fame.
A Miles Davis – Gil Evans classic, and only the second to hit the site in five years. Fred Plaut engineered the sessions, which here sound rich, warm, and smooth, with excellent presence. Gil Evans conducts the orchestra, adding a lovely feel reminiscent of Sketches Of Spain.
We recently shot out a short stack of these — not an easy record to find in clean condition, in stereo, on the earlier labels at affordable prices these days — and found that the music on Quiet Nights only really comes to life when you have a good pressing like this one.
The music is very much in the style of Sketches Of Spain and the sound is comparable to that album as well. This is Davis’ final official collaboration with arranger and conductor Gil Evans. The quintet on this album includes Miles Davis on the trumpet, George Coleman on tenor sax, Victor Feldman on piano, Ron Carter on bass and Frank Butler on drums. (more…)
A distinguished member of the Better Records Jazz Hall of Fame.
STUNNING, TOP QUALITY SOUND on this A+++ side two! We played a bunch of these recently and didn’t hear any other side twos quite like this one! It’s got more energy, more presence, and more body than we heard anywhere else. Drop the needle anywhere and listen to how open, transparent and spacious it is. The soundfield is HUGE — bigger, wider, and deeper than on any other copy we played. Everything sounds natural, balanced and correct. The bass has texture, the piano has weight, the brass has the right amount of bite and so on.
Side one is nice but not amazing. The bass is a bit bloated and the soundfield doesn’t fully open up. Play the sides against each other to understand what A+++ White Hot Stampers give you that A+ Hot Stampers don’t. This side is also very ticky, so we’ve based the price solely on the killer side two. (Thankfully the A+++ side is quiet.) (more…)
The first Hot copy of this classic to hit the site in over five years! Side one rates A++ to A+++ — super open and transparent with amazing immediacy.
This Red Label reissue DESTROYED the similar copies we played it against, and was also surprisingly competitive with our Super Hot (and Super Noisy) Six Eye ref copy. Most of these later pressings have superior clarity (compared to the earlier ones) but lack nearly all of the tubey magic. This one’s amazingly clean and clear, but still delivers on the tubey qualities — it’s richer, warmer, and sweeter than any other Red Label pressing we played. (more…)