Top Artists – Stephen Stills

Crosby, Stills and Nash – Self-Titled

More of the Music of David Crosby

 More of the Music of Stephen Stills

More of the Music of Graham Nash

  • An INSANELY GOOD copy of CS&N’s debut album with superb sound from start to finish
  • The sound is big and rich, the vocals breathy and immediate, and you will not believe all the space and ambience
  • We love the album, but it is a cryin’ shame, as well as an indisputable fact, that few were mastered and pressed well, and that includes none of the originals in our experience
  • The reason you have not seen this title on the site for many, many years is simply that it is has become nearly impossible to find copies with the right stampers in audiophile playing condition
  • But the sound is GLORIOUS, hence the price
  • 5 stars: “…the harmonies are absolutely timeless, and the best material remains rock-solid. A definitive document of its era.”
  • This is a Must Own Hippie Folk Rock Masterpiece from 1969 that belongs in every right-thinking audiophile’s collection
  • The complete list of titles from 1969 that we’ve reviewed to date can be found here.

Although millions of copies of this album were sold, so few were mastered and pressed well, and so many mastered and pressed poorly, that few copies actually make it to the site as Hot Stampers, let alone a killer White Hot Stamper like this one.

We wish that weren’t the case — we love the album — but the copies we know to have the potential for Hot Stamper sound are just not sitting around in the record bins these days, making this a very special copy indeed!

(Whatever you do, don’t waste your money on the Joe Gastwirt-mastered CD. It couldn’t be any more awful. And his Deja Vu is just as bad.)

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Stephen Stills – Self-Titled

More Stephen Stills

  • With outstanding sound throughout, this copy of Still’s superb debut is doing just about everything right
  • Love the One You’re With and Sit Yourself Down are to die for, but there’s really not a bad track on the album
  • A triumph of engineering for Bill Halverson and Andy Johns – this and Deja Vu are the very definition of Big Production Rock
  • A member of our Top 100 and a Rock Demo Disc on big speakers at loud levels
  • 4 1/2 stars: “Listening to this album three decades on, it’s still a jaw-dropping experience, the musical equal to Crosby, Stills & Nash or Déjà Vu, and only a shade less important than either of them.”

When we say it’s getting harder and harder to find clean copies of albums such as this in the bins of our local record stores, we are not kidding. (more…)

Crosby, Stills and Nash – CSN

More Crosby

More Stills

More Nash

  • An outstanding original copy of CS&N’s “comeback” album with Double Plus (A++) sound on both sides
  • The sound is big and relatively rich, the vocals breathy and immediate, and you will not believe all the space and ambience – which of course are all qualities that Heavy Vinyl records have far too little of, and the main reason we have lost all respect for the bulk of them
  • Includes CS&N classics “Dark Star,” “Just A Song Before I Go,” and “Fair Game”
  • 4 stars: “It has held up remarkably well, both as a memento of its time, and as a thoroughly enjoyable musical work.”

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Crosby, Stills and Nash – Daylight Again

Hot Stampers of Crosby, Stills and Nash

More David Crosby / More Stephen Stills / More Graham Nash

  • This outstanding copy of Daylight Again (the last good record these guys would ever make) earned solid Double Plus (A++) sonic grades – relatively quiet vinyl too
  • This is the embodiment of the Classic CSN sound we love – rich, full-bodied, warm, punchy, dynamic and clear 
  • Stephen Barncard, one of our favorite recording engineers, no doubt deserves most of the credit
  • Allmusic on Wasted on the Way and Southern Cross: “Both were extracted as singles and became among the best-known tracks not only on Daylight Again, but also in the post-’60s CSN canon.”

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Buffalo Springfield – Again

  • Buffalo Springfield’s sophomore release is back on the site with INCREDIBLE Shootout Winning Triple Plus (A+++) Tubey Magical Analog sound or close to it from from start to finish – unusually quiet vinyl for an ATCO original as well
  • Consistently brilliant songwriting and production: “Mr. Soul,” “A Child’s Claim To Fame,” “Expecting To Fly,” “Bluebird,” “Hung Upside Down,” “Rock & Roll Woman,” “Broken Arrow” and more!
  • These days it takes us years to find enough clean copies of an album like this with which to do a shootout – nice originals are thin on the ground and getting thinner by the day
  • A true Desert Island Disc – 5 stars: “…this record stands as their greatest triumph… its classic status cannot be denied.”
  • If you’re a fan of The Buffalo Springfield, this early pressing from 1967 surely belong in your collection
  • The complete list of titles from 1967 that we’ve reviewed to date can be found here.
  • We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with less of an accent on morbidity and more on the joy these amazing audiophile-quality recordings can bring to your life. This band’s second and third albums are both good examples of records many audiophiles may not know well but should.

Listen to the vocal harmonies — you can separate out all the parts much more clearly on these Hot Stamper pressings. You can really hear precisely who’s in there and what part they are playing in the vocal arrangement. I can’t remember ever hearing it sound so clear. The best copies really let you hear into the music. (more…)

Listening in Depth to Crosby Stills & Nash – Now with Bonus CD Advice

More of the Music of Crosby, Stills and Nash

Reviews and Commentaries for Crosby, Stills and Nash’s Debut

More Crosby / More Stills / More Nash

Although millions of copies of this album were sold, so few were mastered and pressed well, and so many mastered and pressed poorly, that few copies actually make it to the site as Hot Stampers.

We wish that were not the case — we love the album — but the copies we know to have the potential for Hot Stamper sound are just not sitting around in the record bins these days.

Whatever you do, don’t waste your money on the Joe Gastwirt-mastered CD. It couldn’t be any more awful. (His Deja Vu is just as bad.)

In-Depth Track Commentary

Side One

Suite: Judy Blue Eyes

What’s magical about Crosby, Stills, Nash & Young? Their voices of course. It’s not a trick question. They revolutionized rock music with their genius for harmony. Any good pressing must sound correct on their voices or it has no value whatsoever. A CSN record with bad midrange reproduction — like most of them — is a worthless record.

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Buffalo Springfield – Last Time Around

More Buffalo Springfield

More Country and Country Rock

  • Relaxed, rich and tubey, yet clear, this is the kind of sound you always wanted from The Buffalo Springfield but had no way to hear, until now
  • Some of the best songs the band ever wrote are right here: I Am A Child, Kind Woman and too many more to list
  • If Buffalo Springfield Again deserves a Five Star rating then Last Time Around does too – it’s equally brilliant, and a real Desert Island Disc for yours truly

These two sides are relaxed, rich and tubey, giving you exactly what you would expect from a Top Quality pressing — without the noise, veiling and distortion that you’re used to hearing on the copies you picked up locally, or the one you mistreated back in the day (didn’t we all?).

When you get hold of the right copy and know how to clean it right, you find that some of these pressings are a damn sight better than the most audiophiles think they are.

The kind of MIDRANGE MAGIC on this pressing let us hear into the music in a way we (and you too I’m guessing) never imagined was possible.

Most copies have no bass, no real top, and are compressed so badly they sound more like cardboard than vinyl. But not this copy. It breaks the mold, revealing to the world (well, our world anyway — the world at Better Records) that those badly recorded Buffalo Springfield records from the ’60s weren’t so badly recorded after all.

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Crosby, Stills and Nash / Replay – Listening in Depth

More of the Music of Crosby, Stills and Nash

More Albums with Key Tracks for Critical Listening (112 Strong as of 2022)

We stopped doing shootouts for this album many years ago after running into too many mediocre-at-best if not downright awful sounding copies. These notes are from about ten years ago.

Replay is a very handy record for setting your VTA. The end of Shadow Captain has loud vocals and punchy bass, which are a bit difficult to reproduce. (Forget trying to get this song to sound good if you don’t have an exceptionally good copy.) 

The next song is To The Last Whale, which starts with Nash and Crosby’s multitracked voices in a big hall. With the correct VTA, their voices should sound silky and sweet. If your arm is too far down in the back, they will get a bit dull. Too high, and they will lose that breathy, “fluffy” quality.

And once you get their voices to sound just right, make sure the ending of Shadow Captain is still punchy and dynamic.

TRACK LISTING

Side One

Carry On 

A crappy remix, with added guitar, ugh. (more…)

Deja Vu in (Awful Sounding) Mono Sells for $1200 and People Complain About Our Prices?

Letters and Commentaries for Deja Vu

More CrosbyMore Stills / More Nash / More Young

A mono copy of Deja Vu (which no doubt sounds terrible; I had one once) went for $1200 on ebay a few years back!

Oh, but it’s an auction, so I guess that makes it all right. The seller didn’t set the price, the market did.

But the market sets our prices too.

We can’t sell a record for more than what our customers are willing to pay. What exactly is the difference?

Man, I sure would love to get $4k+ for one of our killer Hot Stamper pressings of Deja Vu. I guarantee our copy sounds a whole lot better than the one that sold on ebay.

And the music is the same, right? There is no mono mix, so anyone with a mono switch can hear the record in mono if they wanted to. But why do that? The stereo sound is phenomenal on the best copies!

So what did you get for your additional three thousand dollars?

A nice record to put on the shelf.

Which you could get from us for three thousand dollars less.


FURTHER READING

This record sounds best this way:

Mono or Stereo? Stereo! 

On Big Speakers at Loud Levels

On the Right Domestic Pressing 

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Helplessly Hoping to Get the VTA Right

More Crosby, Stills, Nash and Young

More Commentaries and Letters for So Far

This listing from 2005 (!) contains commentary about VTA adjustment using the track Helplessly Hoping from a Hot Stamper pressing of CSN’s So Far. It would not be long before we went with the much more accurate and revealing 17D, which took us to another level, documented here.

Helplessly Hoping is a wonderful song that has a lot of energy in the midrange and upper midrange which is difficult to get right. Just today (4/25/05) I was playing around with VTA, having recently installed a new Dynavector DV-20x on my playgrading table (a real sweetheart, by the way), and this song showed me EXACTLY how to get the VTA right.

VTA is all about balance. The reason this song is so good for adjusting VTA is that the guitar at the opening is a little smooth and the harmony vocals that come in after the intro can be a little bright. Finding the balance between these two elements is key to getting the VTA adjusted properly.

When the arm is too far down in the back, the guitar at the opening will lose its transparency and become dull and thick. Too high in the back and the vocals sound thin and shrill, especially when the boys all really push their harmony. The slightest change in VTA will noticeably affect that balance and allow you to tune it in just right.

To be successful, however, there are also other conditions that need to be met. The system has to be sounding right, which in my world means good electricity, so make sure you do this in the evening or on a weekend when the electricity is better.

That’s the easy part. The hard part is that you need a good pressing of this song, and those don’t grow on trees. The vast majority of CSN’s first album and the vast majority of So Far’s are junk. Trying to get them to sound right is impossible, because they weren’t mastered right in the first place. But if you’re one of the lucky few who has a good pressing of Helplessly Hoping, try tweaking your VTA adjustment and see if you aren’t able to dial it in even better than before.

Since the Classic heavy vinyl version is also excellent, it too can be used to set VTA. But of course you are setting VTA for a thicker record, which means you will need to note where the setting is for thick and thin vinyl respectively and make sure that the VTA is correct for each.

As good as the Classic Record is, the guitar at the opening of Helplessly Hoping tells you everything you need to know about what’s missing. The guitar on the Hot Stamper domestic copies has a transparency that cannot be found on Classic’s version. The Classic gets the tonal balance right, but their guitar doesn’t have the subtlety and harmonic resolution of the real thing.

(I’m laboring here to avoid the word detail, since many audiophiles like bright, phony sound because of all the wonderful “detail”. The MOFI guys and the CD guys often fall into this trap. Get the sound tonally balanced first, then see how much detail you have left. Detail is not the end-all and be-all of audio. Those who think it is usually have systems that make my head hurt.)

But most people will never know what they’re missing on Helplessly Hoping, because they will never have an amazing sounding copy of this song. The hot copies are just too rare.