Top Arrangers – Nelson Riddle

Linda Ronstadt – For Sentimental Reasons

More Linda Ronstadt

  • An incredible copy of Ronstadt’s 1986 release with Shootout Winning Triple Plus (A+++) sound or close to it from first note to last
  • Linda is fuller, sweeter, breathier, less spitty (some tracks more than others) and just plain less artificial here than on all other copies we played in our recent shootout
  • The final installment of the jazz trilogy that Ronstadt recorded with bandleader and arranger Nelson Riddle
  • “… it is in the hushed intensity of Mr. Riddle’s string arrangements for the album’s ballads that one senses a musician reaching deeply into his soul to make eloquent final statements… The arrangements’ emotional gravity reverberates in Miss Ronstadt’s singing…”

With two outstanding sides, this pressing gets two critically important elements of the recording right: the strings in the orchestra, and, for obvious reasons, even more importantly, Linda’s voice. We guarantee that these sides give you a more natural-sounding Linda than you’ve ever heard, or your money back. (more…)

Linda Ronstadt – Lush Life

More Linda Ronstadt

More Nelson Riddle

  • An outstanding copy of Ronstadt’s 1984 release with Double Plus (A++) sound or very close to it on both sides
  • Getting the strings to sound sweet and rosiny, not smeary and hard, is no mean feat, but it’s the kind of thing the better Hot Stamper pressings are guaranteed to give you on any of Linda’s American Songbook albums
  • “What’s New illustrated that Linda Ronstadt was no longer interested in contemporary pop, and since it was a surprise success, there was no reason not to repeat the formula on Lush Life. Working again with Nelson Riddle, Ronstadt runs through several pop standards — ‘When I Fall in Love,’ ‘Sophisticated Lady,’ ‘Falling in Love Again,’ ‘It Never Entered My Mind’…”

(more…)

Frank Sinatra – Moonlight Sinatra

More Frank Sinatra

  • You’ll find STUNNING Shootout Winning Triple Plus (A+++) sound from first note to last on this elusive favorite from Ol’ Blue Eyes
  • We’ve been working on this shootout for years – this is one of the few copies to ever hit the site
  • Master engineer Lowell Frank correctly captured the sound of every instrument here: the guitars, piano, strings, drums, percussion instruments — everything has the natural timbre of the real thing
  • Marks in the vinyl are sometimes the nature of the beast with these early pressings – there simply is no way around them if the superior sound of vintage analog is important to you
  • “Driven by a set of lush, sparkling Nelson Riddle arrangements, Moonlight Sinatra is a low-key, charming collection. An enjoyable, romantic listen.”

The presence and immediacy here are wonderful. Turn it up and Frank is between your speakers, putting on the performance of a lifetime. On the best, hard-to-find copies, the sound is big, open, rich and full. The highs are extended and silky sweet. The bass is tight and punchy.

This Blue Green Label LP also has the midrange magic that’s missing from the later reissues. As good as some of them can be, this one is more real sounding. It gives you the sense that Frank Sinatra is right in front of you.

He’s no longer a recording — he’s a living, breathing person. We call that “the breath of life,” and the best pressings have it in spades. His voice is so rich, sweet, and free of any artificiality, you immediately find yourself lost in the music because there’s no “sound” to distract you. (more…)

Frank Sinatra – Nice ‘N’ Easy

More Frank Sinatra

More Pop and Jazz Vocal Recordings

  • An early stereo pressing with seriously good Double Plus (A++) sound from start to finish – fairly quiet vinyl for Capitol from this era too
  • The reproduction of Sinatra’s voice is exactly what you would expect from a Hot Stamper – he sounds rich, smooth, tonally correct and above all REAL
  • Take this one home and play it against whatever audiophile pressings you own – it’s guaranteed to SMOKE any and all versions you have in your collection, or your money back
  • 5 stars: “… a breezy collection of mid-tempo numbers arranged by Nelson Riddle. Nice ‘N’ Easy doesn’t have a touch of brooding sorrow — it rolls along steadily, charming everyone in its path.”

The immediacy of the vocals on this copy is nothing short of stunning. You get real weight down low, serious energy, a fully extended top end, and tons of that old-time analog tubey magic.

(more…)

Frank Sinatra / Only The Lonely

More Frank Sinatra

More Nelson Riddle

  • This vintage Capitol stereo pressing boasts excellent Double Plus (A++) grades throughout
  • An amazingly good sounding recording, easily one of his five best, and it would be hard to think of one that sounds better
  • We would love to find you some original stereo pressings from 1958 in audiophile playing condition, but we find about two or three over the course of five or ten years, so these early ’60s reissues are going to be the only game in town for the foreseeable future
  • Frank’s vocals sound present, breathy, and full, and not many copies can deliver that sound
  • According to John Rockwell’s book, Sinatra: An American Classic, when asked at a party in the mid-1970s if he had a favorite album among his recordings, without hesitation, Sinatra chose Only the Lonely
  • 5 stars: “Sinatra never forces emotion out of the lyric, he lets everything flow naturally, with grace. It’s a heartbreaking record, the ideal late-night album.”

(more…)

Linda Ronstadt – What’s New

More Linda Ronstadt

More Nelson Riddle

  • So spacious and three-dimensional, yet with a tonally correct and fairly natural sounding Linda, this is the way to hear it
  • What engineer George Massenburg gets right is the sound of an orchestra, augmented with jazz musicians (Ray Brown, Tommy Tedesco, Plas Johnson, Bob Cooper), all performing live in a huge studio
  • “…the best and most serious attempt to rehabilitate an idea of pop that Beatlemania… undid in the mid-60’s.”
  • Watch for my MoFi review coming later this year – talk about a disaster, that reissue is beyond awful
  • If you’re a Ronstadt fan, this title from 1983 is surely a Must Own. The complete list of titles from 1983 that we’ve reviewed to date can be found here.

With two outstanding sides, this pressing gets two critically important elements of the recording right:

The strings in the orchestra, and, for obvious reasons, even more importantly, Linda’s voice.

We guarantee that these sides give you a more natural sounding Linda than you’ve ever heard, or your money back.

If all you own is an mediocre sounding pressing or the truly awful Mobile Fidelity from 1983, you are in for a world of better sound with this very record.

(more…)

Dean Martin – This Time I’m Swingin’

  • STUNNING Shootout Winning Triple Plus (A+++) grades or close to them on both sides of this vintage Capitol Stereo pressing
  • Classic Capitol big, full-bodied, Tubey Magical sound — Deano’s vocals are present and natural in the best tradition of rat-mate Frank Sinatra in the early ’60s
  • With Nelson Riddle arranging, you can be sure the album has plenty of swing all right — and the brass sounds amazing here
  • If you want to find your own copies and do your own shootout, be prepared for a lot of ebay heartache – the beat-up, thrift-store, trashy LPs that we regularly get sent are truly shocking
  • 4 1/2 stars: “…an easy swinging collection…”

If you’re a fan of the Capitol Sinatra sound you’ll love this record. It’s an exceptionally difficult title to find in anything but trashed condition. I’ve been a fan of this record for many years but this is the first copy we’ve been able to find that’s clean enough to go up on the site with White Hot Stamper grades.  (more…)

Ella Fitzgerald / Whisper Not and Comments on Her Pablo Period

Hot Stamper Pressings of Ella Fitzgerald’s Albums Available Now

Ella Fitzgerald Albums We’ve Reviewed

Our commentary from ten or fifteen years ago. Please to enjoy.

Whisper Not is one of the best Ella records we’ve played in a very long time. I’m telling you, this is Ella at her best! Having just played a lovely sounding copy of Clap Hands, Here Comes Charlie, an album that tends to err on the bright side, I now realize that this album has the opposite problem — it’s a little bit smoother in places than it should be. Of course that’s a much more tolerable problem than the reverse.  

These are the comments for the last copy we had on the site.

For whatever reason, I’ve never stumbled upon a clean copy of this record. Consequently, I’d never heard it up until recently.

But my local record store had one sitting in the bin one day in lovely condition, which presented me with the perfect opportunity to find out whether this album presented the early “good” Ella or the later “bad” Ella.

Because some time in the ’60s she started making bad records. I know. I’ve played them. Misty Blue comes to mind but there are more than a dozen that we used to have on this blog in the Hall of Shame, and we will be putting them back up here at some point.

Everything she ever did for Pablo comes to mind. Some of you out there have told me that you actually like some of her Pablo material, but I cannot share your enthusiasm for those recordings. In my opinion she had completely lost it by the time she hooked up with her old buddy Norman Granz in the ’70s.

On the cover of this record she looks a little frumpy, and I was afraid this album was going to be frumpy too. I’m glad to say that the opposite is true. This album swings with the best she’s ever recorded. A lot of the credit much go to Marty Paich, one of my all-time favorite arrangers. Ever since I heard what he did for Art Pepper on his Modern Jazz Classics record for Contemporary I have been a big fan. This album just solidifies my love for the guy.

A couple of high points on this record: Spring Can Really Hang You Up The Most, the song Ella sang on her masterpiece, Clap Hands, is here rearranged for the players at hand, and the interpretation is fresh and moving. The song I Said No is filled with silly double entendres and is a hoot.

But I have to say those are two high points picked almost at random. Every track on this album is wonderful. I think this is one of her three or four best recordings ever. (Another is the Johnny Mercer songbook album.)

Anyway, take it from an Ella fan, you can’t go wrong with this one.

(more…)

Linda Ronstadt – String Tone and Texture Are Key to the Best Pressings

More of the Music of Linda Ronstadt

More of the Music of Nelson Riddle

We’ve criticized the engineer George Massenburg in the past, but with this copy we almost want to take it all back.

What he gets right on this recording is the sound of an orchestra, augmented with various jazz musicians (Ray Brown, Tommy Tedesco, Plas Johnson, Bob Cooper), all performing live in a huge studio.

The sound stretches far to Linda’s left, far to her right, as well as back far behind her in a huge semi-circle. She is of course singing in a vocal booth, with her vocal placed front and center in the soundstage.

What to Listen for

That’s easy on this album: the strings. When the strings are big and rich, not shrill and thin, that’s a good thing. Rosiny texture means you have a copy with less smear and higher resolution. Harmonics up top means that the top end of your copy is extending properly.

Bottom line: If the strings are bad on this album probably everything else is too.

Here are some records that are good for testing string tone and texture.

Having said that, this is an album of standards sung by a woman with a very recognizable voice. If Linda doesn’t sound right, what’s the point of the record? To hear Nelson Riddle’s well-recorded strings?

The best copies have Linda sounding rich and breathy. Few managed to pull off that particular trick as well as we would have liked. We took major points off for those copies that had her sounding too thin or forced in her upper range.

(more…)

Nat “King” Cole – To Whom It May Concern

More Nat “King” Cole

More Pop and Jazz Vocal Albums

 

  • An outstanding copy of Nat “King” Cole’s wonderful 1959 release with Double Plus (A++) sound from start to finish
  • The presence and immediacy of Nat’s vocals here are ’50s Capitol Recording Magic at its best – you won’t believe how good this early stereo pressing sounds
  • With some of the biggest, clearest, richest and most natural vocal reproduction, this copy is guaranteed to take Nat’s performance to another level
  • Marks in the vinyl are the nature of the beast with these early pressings – there simply is no way around them if the superior sound of vintage analog is important to you
  • “For this album, Cole had the idea of putting together a set of newly written songs in the classic style, with typically sympathetic arrangements by Nelson Riddle…”

Set the volume right and Nat is right between your speakers, putting on the performance of a lifetime. The selection of material and the contributions of all involved (Nelson Riddle among them) are hard to fault.

(more…)