A distinguished member of the Better Records Rock Hall of Fame.
MASTER TAPE SOUND FROM START TO FINISH on this stunning copy of Rod Stewart’s masterpiece! We just finished another massive shootout for this album, and this was the copy that completely knocked us out. It’s an original Mercury pressing that earned an A+++ grade on BOTH sides. You probably had no idea how amazing this album could sound on the right pressing, because most copies out there just don’t do it. Maggie May is KILLER on this one.
Not too many of our Hot Stamper titles are going to ROCK you the way this one does.
We put it in a class with Led Zep II, Sticky Fingers, Nevermind, and Back In Black — elite company to say the least!
Side one is BIG, punchy, and full of energy — in other words, IT REALLY ROCKS! Very few copies we’ve ever played had the kind of bottom end WHOMP found here — it really takes the music to a whole new level of enjoyment. The bass is tight, meaty, and note-like; you can really follow each note. Overall, the sound is open, rich, and super transparent. And, Rod’s vocals are more PRESENT and textured than ever before. We rate side one A+++ — it’s STELLAR!
Side two is EVERY BIT AS AMAZING! It’s very spacious with more depth to the soundfield; you can really hear INTO the music. The immediacy, richness and clarity of the vocals is off the charts. Drop the needle on Maggie Mae and turn it up; it will be as if Rod was belting out the lyrics right there in your living room, in all his raspy glory! There is BIG TIME ENERGY with WHOMP and an open top end. The acoustic guitars on this side have plenty of pluck and body, just listen to the intro on this side — the guitar is AS GOOD AS IT GETS. Side two rates A+++ as well, making this a VERY remarkable copy.
Nevermind, and then some
I Know I’m Losing You on this album rocks as hard as any album from the period, with DEMO DISC SOUND. If you have BIG DYNAMIC SPEAKERS and the power to drive them to serious listening levels, you will be blown away by the power of this recording.
You know what this album is? It’s the Nirvana Nevermind of the early ’70s. It has that kind of power in the bass and drums.
But it also has beautifully realized acoustic guitars and mandolins, something that virtually no recording for the last twenty years can claim. In that sense it towers over Nevermind, an album I hold in very high esteem. (Heck, I’ve even called it perfect!)
We Love Big Drums!
If you’re a fan of BIG DRUMS, with jump-out-of-the-speakers direct-to-disc sound quality, this is the album for you. The opening track on side one has drums that put to shame 99% of the rock drums ever recorded. The same is true of I Know I’m Losing You on side two. It just doesn’t get any better for rock drumming, musically or sonically.
Some of the best rock bass ever recorded can be found here too — punchy, note-like and solid as a rock. Got big dynamic speakers? A concrete foundation under your listening room? You are going to have a great time playing this one for your audiophile friends who have screens or little box speakers. Once they hear what big well-recorded drums can sound like on speakers designed to move air, they may want to rethink their choices.
Every Picture Tells a Story
Seems Like a Long Time
That’s All Right
Tomorrow Is a Long Time
(I Know) I”m Losing You
Reason to Believe
AMG 5 Star Rave Review
Without greatly altering his approach, Rod Stewart perfected his blend of hard rock, folk, and blues on his masterpiece, Every Picture Tells a Story. Marginally a harder-rocking album than Gasoline Alley — the Faces blister on the Temptations cover “(I Know I’m) Losing You,” and the acoustic title track goes into hyper-drive with Mick Waller’s primitive drumming — the great triumph of Every Picture Tells a Story lies in its content. Every song on the album, whether it’s a cover or original, is a gem, combining to form a romantic, earthy portrait of a young man joyously celebrating his young life… It’s a beautiful album, one that has the timeless qualities of the best folk, yet one that rocks harder than most pop music — few rock albums are quite this powerful or this rich.