Top Artists – Rod Stewart / The Faces

Rod Stewart – A Milestone Listening Experience

More of the Music of Rod Stewart

More Milestone Events in the History of Better Records

In the listing for our 2010 Shootout Winner, we noted:

Having made a number of serious improvements to our system in the last few months, I can state categorically and without reservation that this copy of Never a Dull Moment achieved the best stereo sound I have ever heard in my life (outside of the live event of course). I’m still recovering from it. [In 2022, of course this statement strikes me as way over the top. But I must have believed it when I wrote it.]

The credit must go to the engineering of MIKE BOBAK for the DEMO DISC sound. We just finished our most comprehensive shootout ever for the album, culling the best sounding dozen from about twenty five entrants, and this copy just plain kicked all their butts, earning our highest grade on side one (A+++).

Side one here is OFF THE CHARTS! No other side one could touch it. It’s got all the elements needed to make this music REALLY ROCK — stunning presence; super-punchy drums; deep, tight bass; and tons of life and energy.

The Sound

So many copies tend to be dull, veiled, thick and congested, but on this one you can separate out the various parts with ease and hear right INTO the music.

It’s also surprisingly airy, open, and spacious — not quite what you’d expect from a bluesy British rock album like this, right? But the engineers here managed to pull it off.

One of them was Glyn Johns (mis-spelled in the credits Glynn Johns), who’s only responsible for the first track on side one, True Blue. Naturally that happens to be one of the best sounding tracks on the whole album.

Side Two — Almost As Good

We were thrilled when we dropped the needle on side two and heard BIG BASS and TONS of ENERGY just like this amazing side one.

Listen to the room around the drums on Angel — you can really hear the studio as well as the sound of the skins being beaten. On the same track, the meaty guitar in the left channel sounds mind-blowingly good. With a little more top end, the kind that makes the glockenspiel in the right channel clear and present and harmonically correct, this copy would have been hard to beat on side two as well. 

The story of our old shootout is what progress in audio in all about. As your stereo improves, some records should get better, some should get worse. It’s the nature of the beast for those of us who constantly make improvements to our playback and critically listen to records all day. And it all comes courtesy of Revolutions in Audio.


FURTHER READING

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More Helpful Advice on Doing Your Own Shootouts

Important Lessons We Learned from Record Experiments 

Jeff Beck – Truth

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More Rod Stewart

  • An excellent reissue LP with Double Plus (A++) grades or close to them from start to finish – exceptionally quiet vinyl too
  • Easily – and by a wide margin – the best sounding record Jeff Beck ever made – thanks Ken Scott!
  • This pressing embodies the Big Rock Sound that we go crazy for here at Better Records (particularly on side two)
  • Really fun music – it’s a blast to hear Rod Stewart fronting such a heavy rock band
  • 5 stars: “…almost as groundbreaking and influential a record as the first Beatles, Rolling Stones, or Who albums.”

Vintage covers for this album are hard to find in clean shape. Most of them will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG, and it will probably be VG+. If you are picky about your covers please let us know in advance so that we can be sure we have a nice cover for you.


This is a SHOCKINGLY good sounding pressing of Truth, Beck’s As-Heavy-As-I-Can-Make-It Rock debut, the kind of record that would define Classic Rock for the next forty plus years.

The soundstage is absolutely HUGE, while the presence and transparency of this copy go way beyond most pressings. Great rock and roll energy too of course — without that you have nothing on this album.

Note how spacious, big, full-bodied and DYNAMIC both sides are. That’s why they’re Super Hot. I am pleased to report that the whomp factor on these sides was nothing short of MASSIVE. With tons of bass these sides have what it takes to make the music ROCK. (more…)

Rod Stewart – Never A Dull Moment

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More British Blues Rock

  • Extremely well-recorded, full of great songs, Rod Stewart was on top of the world when he followed up the brilliant Every Picture Tells a Story with this album in 1972
  • The music comes alive on this vintage pressing, assuming you have your volume up good and loud
  • 5 stars in AMG, and simply “… a masterful record … He never got quite this good ever again.”

Listen to the percussion on Angel — you can really hear all the transients and the sound of the drum skins. The meaty guitar in the left channel sounds mind-blowingly good. The bass is deep and well-defined, and the sound of the drums is awesome in every way. Who has a better drum sound than Rod Stewart on his two best albums?

Along with Every Picture Tells A Story this is one of the two Must Own Rod Stewart albums. Practically every song here is a classic, with not a dog in the bunch. Rod Stewart did what few artists have ever managed to do: release his two best albums back to back.

And this Hot Stamper, not to overstate the obvious, is clearly the way to hear it. (more…)

Jeff Beck / Truth – Side Two Tends to Sound Better than Side One

More of the Music of Jeff Beck

What to Listen For – Side to Side Differences

An interesting bit of trivia: many side twos earned a sonic grade that was a full plus higher than any given copy’s grade for side one. A half plus higher was quite common too.

Side two most of the time just plain sounds better than side one, so when evaluating your copy be sure to check side two first to hear what is probably going to be the best sound on the album. 

The soundstage is absolutely HUGE, while the presence and transparency of this copy go way beyond most pressings. Great rock and roll energy too of course — without that you have nothing on this album.

Note how spacious, big, full-bodied and DYNAMIC both sides are. That’s why they’re White Hot or close to it. I am pleased to report that the whomp factor on these sides was nothing short of MASSIVE. With tons of bass these sides have what it takes to make the music ROCK.

In many ways it sounds like the first Zep album, and that’s a good thing. The sound is a perfect fit for the music. In recent interviews Jeff Beck has been saying that Jimmy Page stole his idea for a Heavy Rock Band playing electrified blues. Based on the evidence found on the two sides of this very album I would say he has a point.

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Rod Stewart / Atlantic Crossing – Thick, Dull and Dubby on British Vinyl

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More records that have the potential to sound their best on the right domestic pressing.

The copies we liked best were the biggest and richest, the least thin and dry. Many of the brighter copies also had sibilance problems which the richer and tubier ones did not.

On some of the Rod Stewart albums that we happen to know well, the British pressings are clearly superior; the first two Rod Stewart albums come immediately to mind. After that, strange as it may seem, all the best pressings are domestic. This album is certainly no exception.

I remember bringing back a few Brit copies from England many years ago and being surprised that they were so thick, dull and dubby sounding. Of course, they were; the album was recorded right here in the good old US of A. The master tapes are here. The Brit pressings sound dubby because they are made from copy tapes.

If there is any doubt, the following is a list of the studios in which Atlantic Crossing was recorded.

  • A&R, NY
  • Criteria, Miami, FL
  • Wally Heider, Los Angeles, CA
  • Hi Recording and
  • Muscle Shoals Sound, AL

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Rod Stewart – A Night On The Town

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  • Stewart’s 1976 release finally arrives on the site with STUNNING Shootout Winning Triple Plus (A+++) sound from start to finish
  • You get clean, clear, full-bodied, lively and musical ANALOG sound from first note to last
  • 4 1/2 stars: “A Night on the Town isn’t a revival of Atlantic Crossing, it’s its inverse, with Stewart shining as an interpreter on the fast songs and writing the best slow ones, but it’s also its equal, proving that Stewart could still stay true to his open-hearted, ragged soul while on a big budget.”
  • If you’re a Rod Stewart fan, this title from 1976 is surely of interest, assuming you already have Every Picture Tells a Story and Never a Dull Moment and Atlantic Crossing – all three are Must Own Titles

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Rod Stewart – An Old Raincoat Won’t Ever Let You Down

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  • This UK Vertigo copy of Rod Stewart’s debut solo album boasts excellent Double Plus (A++) sound from first note to last
  • Rich, smooth and Tubey Magical, this pressing has a lovely musical quality that’s missing from most copies 
  • Titled The Rod Stewart Album for US release, this is Rod the Mod’s acclaimed debut, but don’t waste your money on the domestic pressings, they are clearly made from dubbed tapes
  • 4 1/2 stars: “The music and the songs are so vivid and rich with detail that they reflect a whole way of life, and while Stewart would later flesh out this blueprint, it remains a stunningly original vision.”

This vintage British pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

The Faces / A Nod Is As Good As A Wink – Glyn Johns Lets It Rip

This album was produced by one of our very favorite engineers around here, Mr. Glyn Johns, the man behind tons of Better Records faves — Sticky Fingers, The Eagles’ 1st, Who’s Next, and many, many more.

The proper sound for a band like this is RAW AND ROCKIN’. Any phony EQ or overproduction would really make a mess of what the band does here, which put simply is kickin’ out the jams. It would be fair to call these guys a bar band, but they’re the best darn bar band I’ve ever heard!

The best Faces pressings have amazing live-in-the-studio sound that completely conveys the power of one of the hardest rockin’ bands of all time. What more can you ask for?

You won’t be a minute into this record before you’re blown away by all the ambience and echo. You can really hear the sound of the big room around these guys as they rock out. The vocals sound Right On The Money — smooth, but with all of the raspiness that Rod Stewart is famous for.

The drums are big and punchy and the guitars sound grungy and  right.

The sound on both sides is open, spacious, and transparent — nothing like the muddy, congested sound we heard on most of what we played (all originals – no reissue has ever won a shootout and we don’t really bother much with them anymore).

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The Faces – A Nod Is As Good As A Wink

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  • Two excellent Warner Brothers Green Label sides – The Faces are rockin’ their asses off on this copy
  • Punchy, solid and rich all the way through, with driving energy like nothing you’ve ever heard from the band – comes with the POSTER too!
  • Fairly quiet vinyl for a Green Label original – good luck finding one that plays this well (and sounds anything like this)
  • 5 stars: “[It] doesn’t feel cobbled together and it serves up tremendous song after tremendous song… It’s another classic — and when you consider that the band also had Long Player to their credit and had their hands all over Every Picture in 1971, it’s hard to imagine another band or singer having a year more extraordinary as this.”

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Rod Stewart – Atlantic Crossing

More Rod Stewart

  • You’ll find truly exceptional Shootout Winning Triple Plus (A+++) sound or close to it on both sides of this vastly underrated Rod Stewart classic
  • One of the few to hit our site over the years, and for that we apologize – Atlantic Crossing should be enjoyed by everyone in Hot Stamper form
  • This is some of the best Muscle Shoals rock- and soul-inflected pop from producer Tom Dowd we know of
  • It’s the last consistently good record Rod Stewart made – I bought it when it came out and I listen to it to this very day
  • AMG awards 4 1/2 stars and raves, “Three Time Loser and Stone Cold Sober catch fire,” and on this copy we guarantee they do

The copies we liked best were the biggest and richest, the least thin and dry. Many of the brighter copies also had noticeable sibilance problems, which the richer and tubier ones did not. (more…)