Top Artists – Rod Stewart / The Faces

Rod Stewart – Never A Dull Moment

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  • With incredible Shootout Winning Triple Plus (A+++) sonic grades on both sides, this copy gets the heart of Rod’s Brit rock right like no other we played – exceptionally quiet vinyl too
  • Extremely well-recorded, full of great songs, Rod Stewart was on top of the world when he followed up the brilliant Every Picture Tells a Story with this album in 1972
  • The music comes alive on this vintage pressing, assuming you have your volume up good and loud
  • 5 stars in AMG, and simply “… a masterful record … He never got quite this good ever again.”

Listen to the percussion on Angel — you can really hear all the transients and the sound of the drum skins. The meaty guitar in the left channel sounds mind-blowingly good. The bass is deep and well-defined, and the sound of the drums is awesome in every way. Who has a better drum sound than Rod Stewart on his two best albums?

Along with Every Picture Tells A Story this is one of the two Must Own Rod Stewart albums. Practically every song here is a classic, with not a dog in the bunch. Rod Stewart did what few artists have ever managed to do: release his two best albums back to back.

And this, not to put too fine a point on it, is clearly the way to hear it. (more…)

Jeff Beck – Truth

More Jeff Beck

 

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  • With a Triple Plus (A+++) shootout winning side one and a Nearly Triple Plus (A++ to A+++) side two, this copy is just about as good as it gets
  • Easily – and by a wide margin – the best sounding record Jeff Beck ever made – thanks Ken Scott! (And thank you, CBS, for the exceptionally quiet vinyl)
  • This pressing embodies the Big Rock Sound, the kind we go crazy for here at Better Records
  • Really fun music – it’s a blast to hear Rod Stewart fronting such a heavy rock band
  • AMG 5 Stars “…almost as groundbreaking and influential a record as the first Beatles, Rolling Stones, or Who albums.”

This is a SHOCKINGLY good sounding pressing of Truth, Beck’s As-Heavy-As-I-Can-Make-It Rock debut, the kind of record that would define Classic Rock for the next forty plus years.

The soundstage is absolutely HUGE, while the presence and transparency of this copy go way beyond most pressings. Great rock and roll energy too of course — without that you have nothing on this album.

Note how spacious, big, full-bodied and DYNAMIC both sides are. That’s why they’re White Hot or close to it. I am pleased to report that the whomp factor on these sides was nothing short of MASSIVE. With tons of bass these sides have what it takes to make the music ROCK. (more…)

Rod Stewart – Every Picture Tells A Story – Rod the Mod’s Best Sounding Album Bar None

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I Know I’m Losing You rocks as hard as any song from the period, with DEMO DISC SOUND. If you have BIG DYNAMIC SPEAKERS and the power to drive them to serious listening levels, you will be blown away by the power of this recording. You know what this album is? It’s the Nirvana Nevermind of the early ’70s. It has that kind of power in the bass and drums.

But it also has beautifully realized acoustic guitars and mandolins, something that virtually no recording for the last twenty years can claim. In that sense it towers over Nevermind, an album I hold in very high esteem. 

If you’re a fan of BIG DRUMS, with jump-out-of-the-speakers direct-to-disc sound quality, this is the album for you. The opening track on side one has drums that put to shame 99% of the rock drums ever recorded. The same is true of I Know I’m Losing You on side two. It just doesn’t get any better for rock drumming, musically or sonically.

Some of the best rock bass ever recorded can be found here too — punchy, note-like and solid as a rock. Got big dynamic speakers? A concrete foundation under your listening room? You are going to have a great time playing this one for your audiophile friends who have screens or little box speakers. Once they hear what big well-recorded drums can sound like on speakers designed to move air, they may want to rethink their choices.

Very few audiophile systems I’ve ever run across can begin to play this song at the levels it demands, not without making a mess of it anyway. Don’t have big speakers and lots of juice? A top quality table and arm? Then don’t waste your money on our Hottest Stampers. Spend that cash getting your system going.

Rod Stewart – Every Picture Tells A Story – Our Shootout Winner from 2009

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A distinguished member of the Better Records Rock Hall of Fame.

MASTER TAPE SOUND FROM START TO FINISH on this stunning copy of Rod Stewart’s masterpiece! We just finished another massive shootout for this album, and this was the copy that completely knocked us out. It’s an original Mercury pressing that earned an A+++ grade on BOTH sides. You probably had no idea how amazing this album could sound on the right pressing, because most copies out there just don’t do it. Maggie May is KILLER on this one.  

Not too many of our Hot Stamper titles are going to ROCK you the way this one does.

We put it in a class with Led Zep II, Sticky Fingers, Nevermind, and Back In Black — elite company to say the least!

Side one is BIG, punchy, and full of energy — in other words, IT REALLY ROCKS! Very few copies we’ve ever played had the kind of bottom end WHOMP found here — it really takes the music to a whole new level of enjoyment. The bass is tight, meaty, and note-like; you can really follow each note. Overall, the sound is open, rich, and super transparent. And, Rod’s vocals are more PRESENT and textured than ever before. We rate side one A+++ — it’s STELLAR!

Side two is EVERY BIT AS AMAZING! It’s very spacious with more depth to the soundfield; you can really hear INTO the music. The immediacy, richness and clarity of the vocals is off the charts. Drop the needle on Maggie Mae and turn it up; it will be as if Rod was belting out the lyrics right there in your living room, in all his raspy glory! There is BIG TIME ENERGY with WHOMP and an open top end. The acoustic guitars on this side have plenty of pluck and body, just listen to the intro on this side — the guitar is AS GOOD AS IT GETS. Side two rates A+++ as well, making this a VERY remarkable copy.

Nevermind, and then some

I Know I’m Losing You on this album rocks as hard as any album from the period, with DEMO DISC SOUND. If you have BIG DYNAMIC SPEAKERS and the power to drive them to serious listening levels, you will be blown away by the power of this recording.

You know what this album is? It’s the Nirvana Nevermind of the early ’70s. It has that kind of power in the bass and drums.

But it also has beautifully realized acoustic guitars and mandolins, something that virtually no recording for the last twenty years can claim. In that sense it towers over Nevermind, an album I hold in very high esteem. (Heck, I’ve even called it perfect!)

We Love Big Drums!

If you’re a fan of BIG DRUMS, with jump-out-of-the-speakers direct-to-disc sound quality, this is the album for you. The opening track on side one has drums that put to shame 99% of the rock drums ever recorded. The same is true of I Know I’m Losing You on side two. It just doesn’t get any better for rock drumming, musically or sonically.

Some of the best rock bass ever recorded can be found here too — punchy, note-like and solid as a rock. Got big dynamic speakers? A concrete foundation under your listening room? You are going to have a great time playing this one for your audiophile friends who have screens or little box speakers. Once they hear what big well-recorded drums can sound like on speakers designed to move air, they may want to rethink their choices.

TRACK LISTING

Side One

Every Picture Tells a Story
Seems Like a Long Time
That’s All Right
Tomorrow Is a Long Time

Side Two

Maggie May
Mandolin Wind
(I Know) I”m Losing You
Reason to Believe

AMG 5 Star Rave Review

Without greatly altering his approach, Rod Stewart perfected his blend of hard rock, folk, and blues on his masterpiece, Every Picture Tells a Story. Marginally a harder-rocking album than Gasoline Alley — the Faces blister on the Temptations cover “(I Know I’m) Losing You,” and the acoustic title track goes into hyper-drive with Mick Waller’s primitive drumming — the great triumph of Every Picture Tells a Story lies in its content. Every song on the album, whether it’s a cover or original, is a gem, combining to form a romantic, earthy portrait of a young man joyously celebrating his young life… It’s a beautiful album, one that has the timeless qualities of the best folk, yet one that rocks harder than most pop music — few rock albums are quite this powerful or this rich.

Rod Stewart – Atlantic Crossing – Our Shootout Winner from 2014

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This copy just murdered the competition. The last consistently good Rod Stewart album? It gets my vote.

The copies we liked best were the biggest and richest, and the least thin and dry. Many of the brighter copies also had sibilance problems which the richer and tubier ones do not.

Side One

Triple Plus. The space is huge, the sound is rich, it rocks like only “The Memphis Horns and three-quarters of Booker T. and the MG’s” can — this side is practically without fault. We’ve never heard it sound like this, and we’ve been playing this record (at least I have) since it came out in 1975.

Side Two

Triple Plus again, with acoustic guitars that are clear and extend beautifully, exhibiting the most harmonic information we heard all day from side two of Atlantic Crossing, hence our top grade. So big and rich. Finally the album sounds the way it should!

Domestic Vs. British Vinyl

On some of the Rod Stewart albums that we happen to know well the British pressings are clearly superior; the first two Rod Stewart albums come immediately to mind. After that, strange as it may seem, all the best pressings are domestic. This album is certainly no exception. I remember bringing back a few Brit copies from England many years ago and being surprised that they were so thick, dull and dubby sounding. Of course they were; the album was recorded right here in the good old US of A. The master tapes are here. The Brit pressings sound dubby because they are made from copies.

If there is any doubt, the following is a list of the studios in which Atlantic Crossing was recorded.

  • A&R, NY
  • Criteria, Miami, FL
  • Wally Heider, Los Angeles, CA
  • Hi Recording and
  • Muscle Shoals Sound, AL

(more…)

Rod Stewart – Every Picture Tells A Story – Our Four Plus Shootout Winner from 2016

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A distinguished member of the Better Records Rock Hall of Fame and another in the long list of recordings that really comes alive when you Turn Up Your Volume.  

A knockout Top Copy, with a side one so jaw-droppingly amazing that we awarded it the rare Four Plus (A++++) grade. The sound is incredibly rich, full-bodied and open with excellent clarity — you will be FLOORED.

Please note that we do not have a graphic for the above chart to indicate the Four Plus grade, since we award it so rarely. Our rating system usually only goes to three pluses, but this side one was so amazing we had to give it a fourth!

This is a superb recording, and on a pressing like this it is true Demo Disc material! Not too many of our Hot Stamper titles are going to ROCK you the way this one does. We put it in a class with Led Zep II, Sticky Fingers, Nevermind, and Back In Black — elite company to say the least!

If you’re a fan of BIG DRUMS in a BIG ROOM, with jump-out-of-the-speakers practically direct-to-disc sound quality, this is the album for you. The opening track on side one has drums that put to shame 99% of the rock drum kits ever recorded. The same is true of I Know I’m Losing You on side two. It just doesn’t get any better for rock drumming, musically or sonically. Micky Waller is brilliant throughout. Kenney Jones, who only plays on the showstopping “(I Know) I’m Losing You”, is clearly out of his mind).

Some of the best rock bass ever recorded can be found here too — punchy, note-like and solid as a rock. If you have the system for it you are going to have a great time playing this one for your friends, audiophiles or otherwise. (more…)

Rod Stewart – Never A Dull Moment – Our Shootout Winner from 2010

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A distinguished member of the Better Records Rock Hall of Fame and another in the long list of recordings that really comes alive when you Turn Up Your Volume.

The credit must go to the engineering of MIKE BOBAK for the DEMO DISC SOUND. We just finished our most comprehensive shootout ever for the album, culling the best sounding dozen from about twenty five entrants, and this copy just plain kicked all their butts, earning our highest grade on side one (A+++).

Having made a number of serious improvements to our system in the last few months, I can state categorically and without reservation that this copy of Never a Dull Moment achieved the best stereo sound I have ever heard in my life (outside of the live event of course). I’m still recovering from it.

Side one here is OFF THE CHARTS! No other side one could touch it. It’s got all the elements needed to make this music REALLY ROCK — stunning presence; super-punchy drums; deep, tight bass; and tons of life and energy.

So many copies tend to be dull, veiled, thick and congested, but on this one you can separate out the various parts with ease and hear right INTO the music. It’s also surprisingly airy, open, and spacious — not quite what you’d expect from a bluesy British rock album like this, right? But the engineers here managed to pull it off! One of them was Glyn Johns (mis-spelled in the credits Glynn Johns), who’s only responsible for the first track on side one, True Blue. Naturally that happens to be one of the best sounding tracks on the whole album. (more…)

Rod Stewart / Never a Dull Moment – Unless You’re Playing the DCC Heavy Vinyl…

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In which case you are in for an unending string of dull moments (see below).

We were thrilled when we dropped the needle on side one of this Hot Stamper pressing and heard sound that was AMAZINGLY airy, open, and spacious.

It’s got all the elements necessary to let this music REALLY ROCK — stunning presence; super punchy drums; deep, tight bass; and tons of life and energy. Rod’s voice sounds just right with lots of breath, texture, and ambience. The sound is clean, clear, smooth, and sweet — that’s our sound.

Side two here is nearly as good and dramatically better sounding than most. Listen to the percussion on Angel — you can really hear all the transients and the sound of the drum skins.

On the same track, the meaty guitar in the left channel sounds mind-blowingly good. The bass is deep and well-defined, and the sound of the drums is awesome in every way. Who has a better drum sound than Rod Stewart on his two best albums? (more…)

Rod Stewart / Every Picture Tells a Story – Big Drums in a Big Room

 

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What could be better?

If you’re a fan of BIG DRUMS in a BIG ROOM, with jump-out-of-the-speakers practically direct-to-disc sound quality, this is the album for you. The opening track on side one has drums that put to shame 99% of the rock drum kits ever recorded. The same is true of I Know I’m Losing You on side two. It just doesn’t get any better for rock drumming, musically or sonically. Micky Waller is brilliant throughout. Kenney Jones, who only plays on the showstopping “(I Know) I’m Losing You”, is clearly out of his mind).

Some of the best rock bass ever recorded can be found here too — punchy, note-like and solid as a rock. If you have the system for it you are going to have a great time playing this one for your friends, audiophiles and otherwise.

Nevermind

I Know I’m Losing You on this album rocks as hard as anything from the era. If you have BIG DYNAMIC SPEAKERS and the power to drive them to serious listening levels, you will be blown away by the power of this recording.

You know what this album is? It’s the Nirvana Nevermind of the early ’70s. It has that kind of power in the bass and drums.
(more…)

The Faces – A Nod Is As Good As A Wink – Our Shootout Winner from 2010

More The Faces

More A Nod Is As Good As A Wink

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This Warner Bros. Green Label LP has a STUNNING SIDE ONE backed with MASTER TAPE SOUND ON SIDE TWO! If you like your hard rock dirty and bluesy, you can’t do much better than this record. You’re going to freak out over the meaty guitars, the HUGE bass, and the ROTM (Right On The Money) vocals. We played a ton of copies and most of them couldn’t hold a candle to this one. 

  • This album was produced by one of our very favorite engineers around here, Mr. Glyn Johns. He’s the man behind tons of Better Records faves — Sticky Fingers, Eagles 1st, Joan Armatrading’s self-titled, Who’s Next, and many more.

But no Faces album — Glyn Johns-produced or not — will ever have Demo Disc Sound. It’s just not what the band was going for. The proper sound for a band like this is RAW AND ROCKIN’. Any phony EQ or overproduction would really make a mess of what the band does here, which put simply is kickin’ out the jams. It would be fair to call these guys a bar band, but they’re the best darn bar band I’ve ever heard!

The best Faces pressings have amazing live-in-the-studio sound that completely conveys the power of one of the hardest rockin’ bands of all time. What more can you ask for? (more…)