- With superb sound on all six sides, this early British box set of All Things Must Pass will be very hard to beat
- If you’ve struggled with domestic pressings and later imports or Heavy Vinyl reissues, your troubles are over – here is the sound you were looking for
- 5 stars: “Without a doubt, Harrison’s first solo recording is his best. Drawing on his backlog of unused compositions from the late Beatles era, Harrison crafted material that managed the rare feat of conveying spiritual mysticism without sacrificing his gifts for melody and grand, sweeping arrangements.”
- This is clearly George Harrison’s best sounding album. Roughly 100 other listings for the Best Sounding Album by an Artist or Group can be found here.
- This is a Must Own Title from 1970, a great year for Rock and Pop Music
- The complete list of titles from 1970 that we’ve reviewed to date can be found here
- A great deal of tube compression was used in the mixing and mastering of the album, which makes this a difficult one to reproduce on anything but the highest quality equipment
- Excellent sound for Lou Reed’s Glam Rock Classic, Transformer, engineered to sound as Tubey Magical as Ziggy Stardust by none other than Ken Scott
- Here is an import pressing with the kind of Tubey Magical Midrange that modern records cannot BEGIN to reproduce
- A side one this good means Walk on the Wild Side is a Demonstration Quality track that will have your audiophile friends turning green with envy
- Transformer is an absolute tour de force of ’70s Glam Rock / Classic Rock / Alternative Rock
- “… Bowie and Ronson gave their hero a new lease on life — and a solid album in the bargain.”
- Transformer is his Masterpiece, a Core Collection title, and possibly a case of One and Done since it’s the only Lou Reed album we sell. (You, of course, may feel differently.)
Transformer is an absolute tour de force of ’70s Glam Rock / Classic Rock / Alternative Rock. You’ve got Lou Reed teamed up with David Bowie (in the producer’s chair!), Mick Ronson, Herbie Flowers and Klaus Voorman, and on top of that the album was recorded at Trident and mixed by the great Ken Scott.
Throw in the fact that this is the best set of post-Velvets material Lou would ever write and it is a recipe for success. There are so many good songs on here I won’t bother to list them one by one. Satellite Of Love is especially good though, if you ask me. If you agree, and you’ve never heard the VU demo version, make sure to seek it out. It’s completely different and good fun.
- This INCREDIBLE copy of Supertramp’s Masterpiece boasts Shootout Winning Triple Plus (A+++) sound or very close to it from the first note to the last
- Ken Scott engineered this one to have Cinerama-sized height, width and depth to rival the best rock albums you’ve ever heard
- Clearly their Magnum Opus, a great leap forward and a permanent member of our Rock & Pop Top 100 Album List
- “The tuneful, tightly played songs, pristine clarity of sound, and myriad imaginative sound effects, helped create an album that Sounds magazine likened to ‘Genesis, The Beach Boys…a smattering of [Pink] Floyd.'”
This is engineer Ken Scott‘s (and the band’s) MASTERPIECE, but the average copy sure can’t get your blood pumping the way this one will. We’ve long recognized that Crime of the Century is a true Demo Disc in the world of rock recordings; a member of our Rock & Pop Top 100 list right from the get go.
When you hear the guitars come jumping out of your speakers on “School” or “Bloody Well Right,” you can be sure that you’re playing a very special pressing of a very special recording indeed. (Yes, you need both. That’s why we’re here.)
- With excellent grades from start to finish, this early Warner Bros. Palm Tree pressing is doing just about everything right
- These sides are BIGGER and RICHER and have more of the rock solid energy that’s missing from the average copy
- “Master Tape” sound lets this compilation of gems hold its own against the originals
- 4 1/2 stars: “History: Greatest Hits perfectly spotlights both the polished and layered production of British studio legend George Martin and the West Coast tones of the band’s folk-pop style. An essential collection for fans who like their ’70s folk with a pop sheen, loads of hooks, and top-drawer arrangements.”
- If you’re a fan of the band, and what audiophile wouldn’t be?, this classic from 1975 belongs in your collection.
- The complete list of titles from 1975 that we’ve reviewed to date can be found here.
THE BIG SOUND on both sides lets this Greatest Hits compilation hold its own against the originals. They have plenty of bottom end that drives these songs with energy and life. Listen for the bells on ‘Tin Man‘; they have the correct transients and harmonics.
You never quite get back all of the Tubey Magic of the originals, but the detail and richness should be enough to make you fall in love with this high quality George Martin (re)production.
It’s exceedingly difficult to find audiophile quality sound on The White Album. The Beatles were breaking apart, often recording independently of each other, with their own favorite engineers as enablers, and George Martin nowhere to be found most of the time. They were also experimenting more and more with sound itself, which resulted in wonderful songs and interesting effects. However, these new approaches and added complexity often result in a loss of sonic “purity.”
Let’s face it, most audiophiles like simplicity: A female vocal, a solo guitar — these things are easy to reproduce and often result in pleasing sound, the kind of sound that doesn’t take a lot of expensive equipment or much effort to reproduce.
Dense mixes with wacky EQ are hard to reproduce (our famous Difficulty of Reproduction Scale (DORS) comes into play here), and the White Album is full of that sound, taking a break for songs like Blackbird and Julia.
Some of the Tubey Magic that you hear on Pepper is gone for good. (Play With a Little Help from My Friends on a seriously good Hot Stamper pressing to see what has been lost forever. Lovely Rita would probably work just as well, too.)
Looks at the lineup for side one. Is there a rock album on the planet with a better batch of songs?
Having done shootouts for the White Album by the score, we can also say with some certainty that side one is the most difficult side to find White Hot stamper sound for. It’s somewhat rare to find a side one that earns our top Triple Plus (A+++) sonic grade, even when all the other sides do. (Actually what happens more often than not is that we take the best second discs and mate them with the best first discs to make the grades consistent for the whole album. But don’t tell anybody.) (more…)
- Outstanding sound throughout this vintage UK pressing of Bowie’s 1973 post-Ziggy classic, earning solid Double Plus (A++) grades on both sides – exceptionally quiet vinyl too
- Remarkable richness, smoothness and warmth, something that all the best Ken Scott Tube Recordings are renowned for
- Plenty of Bowie Classics: “Watch That Man,” “Aladdin Sane,” “Panic in Detroit,” “Cracked Actor,” “The Jean Genie,” “Lady Grinning Soul,” and more
- Here are more of our favorite Hot Stamper pressings of recordings with exceptionally Tubey Magical Sound
- And some reviews and commentaries for the most Tubey Magical Recordings we have ever played
- If you’re a David Bowie fan, this title of his from 1973 has to be considered a Must Own
- The complete list of titles from 1973 that we’ve reviewed to date can be found here.
THE BIG BOWIE SOUND for this wonderful follow-up to Ziggy Stardust! We just finished shooting out a number of import pressings of the album, and this import was one of the better copies we heard. This one’s got the kind of Tubey Magical Richness that takes these Glam Rockers to a whole new level. (more…)
We award the Four Plus A++++ grade so rarely that we don’t have a graphic for it in our system to use in the grading scale. So the side two here shows up on the chart as A+++, but when you hear this copy you will know why we gave it a fourth plus. [We no longer give Four Pluses out as a matter of policy, but that doesn’t mean we don’t come across records that deserve them from time to time.)
When I hear a record with a side this phenomenally good, with the stereo tuned-up and tweaked within an inch of its life to reproduce the album at the highest level I can manage, I will sometimes sit my wife down and play her a track or two. I did it for a Four Plus Deja Vu earlier this year  as a matter of fact, playing Country Girl: Whiskey Boot Hill on side two, with that crazy HUGE organ blasting out of the right speaker — what a thrill!
For this record I played her Salvation, with one huge chorus following another, like powerful waves crashing on the shore, until Elton takes a deep breath and belts out the final, biggest chorus, hitting his peak an octave higher and taking the song to a level neither one of us had ever experienced. We followed it up with the lovely Mona Lisas and Mad Hatters, and that was about as much Elton John live in my listening room at practically concert hall levels we could take in one sitting.
Hearing Elton with such energy, standing right in front of use, with instruments and singers encircling him from wall to wall and floor to ceiling, was so powerful and immersive it left us both with tears in our eyes.
That’s what gets you a Fourth Plus around these parts. (more…)
- An excellent reissue LP with Double Plus (A++) grades or close to them from start to finish – exceptionally quiet vinyl too
- Easily – and by a wide margin – the best sounding record Jeff Beck ever made – thanks Ken Scott!
- This pressing embodies the Big Rock Sound that we go crazy for here at Better Records (particularly on side two)
- Really fun music – it’s a blast to hear Rod Stewart fronting such a heavy rock band
- 5 stars: “…almost as groundbreaking and influential a record as the first Beatles, Rolling Stones, or Who albums.”
Vintage covers for this album are hard to find in clean shape. Most of them will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG, and it will probably be VG+. If you are picky about your covers please let us know in advance so that we can be sure we have a nice cover for you.
This is a SHOCKINGLY good sounding pressing of Truth, Beck’s As-Heavy-As-I-Can-Make-It Rock debut, the kind of record that would define Classic Rock for the next forty plus years.
The soundstage is absolutely HUGE, while the presence and transparency of this copy go way beyond most pressings. Great rock and roll energy too of course — without that you have nothing on this album.
Note how spacious, big, full-bodied and DYNAMIC both sides are. That’s why they’re Super Hot. I am pleased to report that the whomp factor on these sides was nothing short of MASSIVE. With tons of bass these sides have what it takes to make the music ROCK. (more…)
- An excellent copy of Magical Mystery Tour with Double Plus (A++) sound or BETTER from beginning to end – exceptionally quiet vinyl too – this copy is guaranteed to blow your mind
- A stunning pressing with some of the best Beatles sound money can buy – superb work from Ken Scott here
- Demo Quality Sound for “I Am The Walrus,” “Strawberry Fields Forever,” “Baby You’re A Rich Man” and more
- You won’t believe how powerful the sound is – it’s big, rich, open and lively beyond any expectations you may have had
- A longtime Top 100 album and Psych Masterpiece that knocks us out every time we do the shootout
The soft cardboard covers for these German pressings almost always show some seam wear. We will include the best cover we have at the time of your order. Of course, your satisfaction is always guaranteed.
Please ignore the sticker in the image. It’s the best picture we could find. Our records do not come with stickers except under rare circumstances, and not so here.
Drop the needle on “Fool On The Hill” and you’ll see why we get so worked up over top copies that sound as good as this one does. This is a STUNNING recording, but you need a killer Hot Stamper pressing to appreciate just how well recorded the album is.
- An outstanding British pressing of The White Album, with solid sound on all four sides
- This copy of the Beatles’ Masterpiece (my personal favorite of all their albums) is going to thrill and delight the lucky person who snags it
- If you’ve heard the half-speed and Heavy Vinyl versions of The White Album, then you know how riddled they are with erroneous and unacceptable mastering choices
- They are simply not enjoyable on high-quality equipment (or shouldn’t be if your stereo is doing its job right), unlike this wonderful pressing, which is guaranteed to be an unalloyed joy to play
- “If there is still any doubt that Lennon and McCartney are the greatest song writers since Schubert, then next Friday – with the publication of the new Beatles double LP – should surely see the last vestiges of cultural snobbery and bourgeois prejudice swept away in a deluge of joyful music making…” Right On!
Our Hot Stampers have always been a BIG hit with the folks who’ve been lucky enough to snare them. If you’re ready for a High-Quality copy of The White Album that’s sure to massacre all the pressings you’ve heard until now, you should jump right on this bad boy. (more…)