_Composers – Rossini

Rossini Overtures with Reiner on RCA and Gamba on London – Audiophiles Should Give These Two a Miss


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None of the pressings we played of this RCA were remotely competitive with Maag and the PCO on London. The sound of this recording was consistently boxy and congested, a case of the “old school” sound that is found on far too many vintage pressings.


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No good either. Opaque, up front and completely lacking in layered depth.

Here is the kind of sound that makes Heavy Vinyl so unpleasant to those of us who have Big Speaker systems that reproduce space, depth and soundstaging well.

What We’re Listening For on Rossini Overtures

  • Energy for starters. What could be more important than the life of the music?
  • Then: presence and immediacy.
  • The Big Sound comes next — wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
  • Then transient information — fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
  • Tight punchy bass — which ties in with good transient information, also the issue of frequency extension further down.
  • Next: transparency — the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
  • Extend the top and bottom and voila, you have The Real Thing — an honest to goodness Hot Stamper.

Rossini Bio (more…)

Rossini / Overtures with Maag – The Best on Record

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  • With a Triple Plus (A+++) Shootout Winning side one and a side two that’s not far behind, the orchestral power of display here is positively PHENOMENAL
  • This Decca Tree recording is overflowing with the kind of rich, spacious, Tubey Magical sound that can only be found on vintage vinyl
  • Performances and sound like no other – Maag’s William Tell is in a league of its own
  • “You’d think Maag would approach the scores the way most conductors do: gung-ho and hell bent for leather. He doesn’t. In fact, Maag displays a good deal of reserve, calculating his interpretations for the biggest payoff. For instance, in William Tell he keeps the opening sections in check, and then he builds the final segment into a most-exciting whirlwind, the conclusion carrying you away.”

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Rossini-Respighi / La Boutique Fantasque / Fiedler – Reviewed in 2008

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

DEMO QUALITY. It’s hard to find a better record with more Tubey Magical hear-all-the-way-to-the-back-of-the-hall sound than this, at least on side one.  

Fiedler has a way with the Ibert piece here like nobody’s business; the performance is definitive, although the sound is not as good as La Boutique Fantasque, which is nothing short of amazing. The Kay piece sounds excellent here and is beautifully performed. Fiedler is hard to beat on music like this.

It’s Records Like This that Give Reissues a Bad Reputation

Apparently mastered with no regard to sound quality, this Decca SPA reissue is muddy, dull and smeary.

How do we know that? We go out of our way to play every pressing we can get our hands on, even cheap reissues such as this. That’s our job.  We play everything so you don’t have to.

Some of them are good, some of them are mediocre, and some, like this one, are ridiculously bad.

We know this music well, having done shootouts for all four of these works. They are Demonstration Quality recordings if you have the right import pressings on Decca or London, and the performances are second to none.

More reviews of the recordings of Rossini

More reviews of the recordings of Mendelssohn

Rimsky-Korsakov / Rossini / Tchaikovsky / Fiedler

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  • This exceptionally rare and practically-impossible-to-find-in-audiophile-playing-condition Shaded Dog from 1958 has outstanding Double Plus (A++) sound on both sides
  • Plenty of Tubey Magic, utilizing a closer mic setup than many early recordings – this provides more immediacy at the expense of less soundstage depth and width relative to other Hi-Fi Specataculars from this era
  • “R. D. Darrell’s notes for the 1958 stereo LP release state that the three selections were specifically designed for demonstrate the newest heights yet attainable in the never-ending but ever-closer approach to perfect sonic replicas of the original “live” symphonic performances.”

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Ballet Music From The Opera / Fistoulari – VICS 1206 – Reviewed in 2013

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A distinguished member of the Better Records Orchestral Music Hall of Fame

Better than Super Hot Stamper sound on side one of this lovely Victrola reissue from 1960, one of the best in the entire series. Pay attention to the brass — yes, it may have some tubey smear, but listen to how HUGE and POWERFUL it is! Drop the needle on the first side and watch (or listen) as the sound comes jumping out of your speakers. Modern records can’t do that.

These Decca-derived recordings are highly sought after, and with good reason. It’s hard to imagine a more wonderful audiophile disc, both in terms of the programme and the quality of the sound.

This is the precisely the kind of big, bold, lifelike sound Decca engineers were able to capture on tape, and RCA mastering engineers were able to master from that analog tape, fifty or so years ago. (more…)

The Royal Ballet – Gala Performances – Classic Records Repress – Reviewed in the ’90s

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Sonic Grade: C or Better 

Probably a fairly good Classic Records album. When I played this record years ago I thought it was one of the better Classic RCA titles. You can be sure it won’t sound like the original — [almost] no Classic record does — but it might be pretty good all things considered (since the original sells for well over a thousand dollars!). Ansermet is the king of the ballet here and the Decca engineers do him proud. (more…)

Verdi, Rossini, et al. / Venice – Solti – Classic Records Debunked

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Sonic Grade: F

A Hall of Shame pressing and another Classic Records LP debunked.

Classic Records remastered LSC 2313 (VICS 1119) and even the people that like the sound of Classic’s Heavy Vinyl complain about it, so you can imagine what we think.

What a piece of garbage. Smeary and shrill, it gives no indication of the beauty that is on the tape. 

Rossini Overtures with Maag and the PCO

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The London and Decca original pressings are the best, right?

Not in our experience. We think that’s just another Record Myth.

Bad vinyl, bad mastering, who knows why so many copies sound so thick, dull and veiled? 

This Stereo Treasury pressing of Maag’s 1958 recording is shockingly good in many ways. It sure doesn’t sound like a budget reissue. If anything it sounds more original than the originals we played against it! (more…)

The Royal Ballet – Gala Performances – Ansermet – Our Shootout Winner from 2005

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

This is a QUIET RCA Soria Shaded Dog Box Set with some of the BEST SOUND I HAVE EVER HEARD for this music on Disc One. This is truly DEMONSTRATION QUALITY SOUND if what you are demonstrating is not the merely Hi-Fi, but the relaxed beauty and naturalness of what many consider to be the finest example of Living Stereo Magic brought to the greatest performances of ballet music ever committed to tape.

Allow me to paraphrase some commentary from another Shaded Dog (8972307) we currently have up on the site: 

This record shows off Living Stereo sound at its best. The full range of colors of the orchestra are here presented with remarkable clarity, dynamic contrast, spaciousness, sweetness, and timbral accuracy. If you want to demonstrate to a novice listener why modern recordings are unsatisfactory, all you have to do is play this record for them. No CD ever sounded like this.

I don’t think the RCA engineers can cut this record any better — it has all the Living Stereo magic one could ask for, as well as the bass and dynamics that are missing from so many other vintage Golden Age records. This is pretty much as good as it gets, folks.

All of which is true. The interesting thing about the Royal Gala Ballet Box is how FEW of them sound as good as their press would have you think. And the little shootout we conducted for this set was more evidence of this very fact. (more…)