_Composers – Strauss, Richard

Deodato / Prelude – Our Shootout Winner from 2017

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Yet Another Well Recorded Album that Should Be More Popular with Audiophiles

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Listen to the trumpet on the second track on side one — it’s so immediate, it’s practically JUMPING out of the soundfield, just bursting with energy. Rudy can really pull off these big productions on occasion, and this session was clearly one of them. If you have the kind of stereo that’s right for this music (the bigger the better) you could easily find yourself using this record as a demonstration disc. It’s very unlikely your audiophile friends have ever heard anything like it.

Both sides are especially full and rich. The congas are present in the mix and very full-bodied — this allow them to really drive the rhythmic energy of the music. We know this because the copies with congas that were veiled or thin never seemed to get up go. The bass on these two sides was some of the best we heard as well.

The top is most often the problem with these CTI pressings. Both sides here seem to give you all the top end that was on the tape.

There is wonderful transparency and openness to the soundstage, as well as less congestion in the loudest parts. Also Sprach (2001) is on side one of the album and it is KILLER here.

Both sides are also surprisingly sweet and Tubey Magical, nice qualities for a CTI record to have since so many of them are aggressive and edgy to the point of distraction. (more…)

Strauss / Death and Transfiguration and Till Eulenspiegel / Reiner

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200+ Reviews of Living Stereo Records

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This Plum Label Victrola has SUPERB better than Super Hot Stamper sound on side two, the side with Death and Transfiguration. It’s Tubey Magical, rich and sweet in the best Living Stereo tradition of recordings made during the Golden Age, in this case 1958. We had a Shaded Dog pressing of the recording in hand, LSC 2077, and it was better on side one but this Victrola was clearly better on side two.

And Reiner’s performance with the Vienna Phil is outstanding in every way. I have never heard the work performed better or sound better than it does on this very copy.

Side Two

A++ to A+++, nearly White Hot, and with a little more bottom end it would have been.

Clear, transparent, rich, big, spacious, tonally correct, with Tubey Magical textured strings, this record is doing practically everything we want it to.

Side One

A+ to A++, very much like side two but even more bass shy, which may become wearisome over the course of the whole side, depending on how loud you play the record and how full-bodied your system is.

A superb performance of the famous piece, played with verve. (more…)

Strauss / Horn Concertos – Tuckwell / Kertesz – A Top Copy from 2009

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This is a fairly quiet 1967 Decca British LP with lovely sound. It’s tonally Right On The Money. The strings have lovely texture. The horn has a nice smooth quality, just like the real thing.

A solid record, guaranteed to beat the pants off the Speakers Corner 180 gram pressing, which is not a bad record, just not remotely as good as this one.

FURTHER READING

The sonic signature of the modern Heavy Vinyl Classical Reissue in Four Words: Diffuse, Washed Out, Veiled, and Vague 

Strauss / Don Quixote / Reiner on Soria Living Stereo

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6S/ 5S. RCA Soria pressing in like new condition, which means it plays about M–, maybe a little better. This is the best sounding copy of this album I have ever heard. Far from the best RCA Living Stereo has to offer, this copy is not nearly as dreadful as I remember the last one sounded. The quieter passages are especially lovely. The climaxes are strained as usual but I’ve never heard a copy of this record that didn’t have that problem. (more…)

Debussy / La Mer / Reiner – Reviewed in 2005

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Album Reviews of the music of Claude Debussy

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1S RCA Shaded Dog. This is an exceptionally good sounding copy, full of that RCA Living Stereo magic. Excellent performance from Reiner as well. On a work like La Mer the timbre of the instruments is critical to the enjoyment of the piece, as they often play solo and in small groupings. This record captures those qualities perfectly.

This record also includes Strauss’ Don Juan, which never sounds good on this title and is best left unplayed. 

Tchaikovsky / Romeo & Juliet and Strauss / Til Eulenspiegel / Munch

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Album Reviews of the music of Tchaikovsky

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M- to M– 11s/ 8s early Red Seal copy with superb sound, especially on the Strauss side, which on most Shaded Dog copies is not very good. This copy is about as quiet as I’ve ever heard. For whatever reason, this title is never pressed on particularly quiet vinyl. Beautiful RCA Living Stereo sound.

Woodwinds have wonderfully correct timbre as usual. Hard to fault the sound here. Munch is brilliant.

Strauss / Sinfonia Domestica / Mehta

More of the music of Richard Strauss (1864 – 1949)

Richard Strauss Records We’ve Reviewed

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This London Whiteback LP (CS 6663) is one of Mehta’s famous Royce Hall recordings from the early ’70s, here presented with Super Hot Stamper sound on both sides!

Side One

A++, perhaps a bit less, maybe A+ to A++ is more accurate but it’s either A++ or something very close to it.

The strings are rich and textured, especially considering this recording is a bit late for London. The sound starts heading south in the late ’60s and by the ’70s not many Londons have the sound we prize here at Better Records. Just play any Solti record from the ’70s to hear what I mean.

This one still has most of the analog magic we expect from London, with a wide, deep stage. The sound is lively, fairly transparent, but a bit dark.

Side Two

Side two has a bit more top end extension, somewhat more resolution, while still retaining the bass and dynamics of side one. A slightly stronger side two, still about A++. (more…)

Strauss / Ein Heldenleben / Reiner on Victrola – Reviewed Way Back When

More of the music of Richard Strauss (1864 – 1949)

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This Plum Label original Victrola pressing has EXCELLENT SOUND on side one, earning a grade of A++. It’s quite a step up from the other copies we played. As you may know, this is one of the earliest RCA stereo recordings, dating from 1954 and the same sessions as the famous Reiner recording LSC 1806. This two microphone, two-channel recording, however, was never released in stereo on vinyl until the Victrola era ten years later.  

The sound on side one is very transparent, with nice texture to the strings and brass. It’s not nearly as dark as the average copy.

Side two suffers from some of that dark quality and rated an A Plus grade. It has more of a distant quality.

One further note: we used to like the RCA Half-Speed pressing of the work, but playing it recently made me realize just how dark, smeary and thick it is. Don’t know what I ever saw in it to tell you the truth.

Rachmaninoff / Piano Concerto No. 1 / Janis / Reiner – 1957 Living Stereo

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  • This wonderful Romantic era piano concerto makes its Hot Stamper debut here with STUNNING Shootout Winning Triple Plus (A+++) sound from start to finish
  • Both sides of this vintage Victrola pressing are big, full-bodied, clean and clear, with a wonderfully preset piano and three-dimensional space around the musicians
  • Some old record collectors (like me) say classical recording quality ain’t what it used to be – here’s all the proof anyone with two working ears and top quality audiophile equipment needs to make the case
  • I used to think that the Classic was better than the Victrola, but that was a long time ago, and I hear a lot of midrange magic on this LP that I don’t think you can find on practically any modern remaster, by Classic Records or anyone else
  • The Classic will be quieter though – we had a devil of a time finding Vics pressings with audiophile quality vinyl

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Strauss – Also Sprach Zarathustra / Reiner

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  • This wonderful classical release makes its Hot Stamper debut here with nearly Triple Plus (A++ to A+++) sound from start to finish – just shy of our Shootout Winner
  • The vibrant colors of the orchestra are captured brilliantly in All Tube Analog by the RCA engineers, creating an immersive and engrossing listening experience for the work that is simply without equal in our experience
  • There is plenty on offer for the discriminating audiophile, with the spaciousness, clarity, tonality and freedom from artificiality that are hallmarks of the best Living Stereo recordings
  • “Reiner’s close familiarity with the score and personal relationship with Strauss himself add extra weight to the authority and importance of his interpretation of Also sprach Zarathustra.

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