Side two of this two-eye Columbia pressing has EXCELLENT sound, rating a sonic grade of A+ to A++. With a grade such as that it ranks somewhere in the Top Five Per Cent of Columbia pressings I would guess, only because so many Columbias are just plain awful. Is even one out of ten passable? I doubt it. But this one is! It’s quite good in fact, with an extended top end and lovely texture to the strings.(more…)
1S RCA Shaded Dog. This is an exceptionally good sounding copy, full of that RCA Living Stereo magic. Excellent performance from Reiner as well. On a work like La Mer the timbre of the instruments is critical to the enjoyment of the piece, as they often play solo and in small groupings. This record captures those qualities perfectly.
This record also includes Strauss’ Don Juan, which never sounds good on this title and is best left unplayed.
This VERY RARE 2 LP Shaded Dog pressing has Super Hot Stamper sound. Much of what’s good about Golden Age recordings is heard here, with side one for example having the sound of a HUGE hall and that Three-Dimensional quality that the best vintage recordings are able to convey so well.
We constantly knock Heavy Vinyl here at Better Records for the simple reason that we play vintage recordings such as this by the score every month and can hear what they do so well. Unfortunately the huge hall and the 3-D soundstaging they effortlessly reproduce cannot be found on any Heavy Vinyl pressing we know of.
Such qualities allow this record to sound — in some ways, to be sure not all — like live music. Heavy Vinyl just plain doesn’t.(more…)
White Hot Stamper sound on side two of this solo piano recording. It’s big, rich and above all REAL sounding, with natural studio space. The legendary soloist Leonard Pennario is presented here at the height of his powers. Superb choice of material, from Clair De Lune to Liebestraum to the Hungarian Rhapsody No . 2.
On the rare Stereo pressing of course — we want to hear all that studio space reproduced, just as your two ears would have heard it (more or less).(more…)
Can you believe this bright and phony sounding piece of junk was once on the TAS Super Disc List? Sad, isn’t it? At least Harry had the good sense to delete it way back in the ’80s, along with all the rest of the awful MoFi’s that were on it at the time.
Hey, I sure liked a lot of my MoFi’s in the ’80s too. Thank god I didn’t have my own Super Disc list at the time. It would be every bit as embarrassing as Harry’s list is these days, of that you can be sure.
This killer pressing earned solid Double Plus (A++) grades on both sides – exceptionally quiet vinyl too
The brass and percussion are amazing on 2001 (and every other track) – thanks RVG
We had no idea there was space this huge in the recording until we heard the best copies
“Also Sprach Zarathustra (2001),” won the 1974 Grammy Award for Best Pop Instrumental Performance
Both sides are surprisingly sweet and Tubey Magical, nice qualities for a CTI record to have since so many of them are aggressive and edgy to the point of distraction.
Listen to the trumpet on the second track on side one — it’s so immediate, it’s practically JUMPING out of the soundfield, just bursting with energy. Rudy can really pull off these big productions on occasion, and this session was clearly one of them. If you have the kind of stereo that’s right for this music (the bigger the better) you could easily find yourself using this record as a demonstration disc. It’s very unlikely your audiophile friends have ever heard anything like it.(more…)