Top Artists – Brian Eno

Brian Eno – Music for Films

More Brian Eno

More Art Rock Records

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  • Music for Films makes its Hot Stamper debut here with Shootout Winning Triple Plus (A+++) sound or close to it throughout
  • Rich, smooth, tonally correct, spacious, this collection of recordings made between 1975 and 1978 was compiled and transferred with consummate skill, ensuring that the highest fidelity was maintained
  • We bought quite a few of these experimental albums, but condition problems forced us to give up on the project – this is one of the few copies we found in audiophile playing condition
  • “It is a conceptual work intended as a soundtrack for imaginary films, although many of the pieces had already appeared in actual films.”
  • 5 stars: “…it is essential Eno, and a landmark collection drawn from among his work.”

(more…)

Brian Eno – Before And After Science

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  • This outstanding copy of Before And After Science on the Island Black Label boasts solid Double Plus (A++) sound from first note to last
  • Here you will find that rare combination of silky highs and deep low end, with huge amounts of space in the middle, three qualities among many that make this album an especially magical listening experience
  • I know whereof I speak- I must have played this album at least two hundred times in the 43 years that have passed since I first bought a copy
  • If you’re a fan of Art Rock or Prog Rock or just like something a little different, this is an album that belongs in your collection
  • 5 stars: “Despite the album’s pop format, the sound is unique and strays far from the mainstream. The music on Before and After Science at times resembles Another Green World (“No One Receiving”) and Here Come the Warm Jets (“King’s Lead Hat”) and ranks alongside both as the most essential Eno material.”

*NOTE: On side one, a mark makes 1 loud stitch followed by 1 moderate pop one-quarter inch from the end of Track 3, Kurt’s Rejoinder. On side two, a mark makes 1 moderate, then 1 moderately light, stitch a quarter inch from the end of Track 1, Here He comes.

Side one, the rock side, strongly relies on its deep punchy bass to make its material come to life and rock (or should we say art rock?). Eno’s vocals are clear and present with virtually no strain. Phil Collins’ drumming is energetic and transparent and perfectly complemented by Percy Jones’ simultaneously acrobatic and hard-driving bass work. (more…)

David Bowie – Heroes

Dear Reader,

We have just recently moved our record business to our new Shopify store. None of the links to the old site will work anymore. We apologize for the inconvenience and hope to be able to rectify the situation soon. For now please check out Better Records, Mach II, home of the ultimate vinyl pressing, the White Hot Stamper.

Tom Port – Better Records

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  • An outstanding copy of Heroes with solid Double Plus (A++) sound from first note to last
  • This import is ALIVE with musical energy and Tubey Magical Analog sound the likes of which you may never have experienced
  • Until we discovered these amazing British reissues, we had no idea the album could sound as good as it does here
  • 5 stars: “Repeating the formula of Low’s half-vocal/half-instrumental structure, Heroes develops and strengthens the sonic innovations David Bowie and Brian Eno explored on their first collaboration. The vocal songs are fuller, boasting harder rhythms and deeper layers of sound.”

It has taken us years to get this shootout going. The reason for the long delay is simple. The domestic pressings we had on hand to play were not exactly thrilling us and even the best of them are no better than acceptable, and not likely to win a shootout.

Even worse, our intuition that the British originals would sound the best also turned out to be incorrect. (In the audiophile record collecting world intuitions have a bad track record, but more than a few audiophiles — many of whom seem to be addicted to sharing their “record knowledge” on audiophile forums — seem to be unaware of this unassailably true fact.) The original UK Orange Label pressings did not sound especially good to us, so we kept looking.

Over the course of the last few years, during which time we investigated every different pressing we could get our hands on, finally some good sounding copies of the album came our way. And they were not originals. The lucky owner of this copy will be one of the few to know what label the record is on, and in what country it was pressed.

OK, I suppose we can afford to be a bit more charitable than that. Here goes: the one thing we’re pretty clear on from our efforts to date is that our best Hot Stamper offerings are sure to be pressed in the UK.

If you have a copy of this groundbreaking album and were never impressed with the sound of it, we have a potential solution to your predicament — depending on our inventory — a Hot Stamper pressing. It will show you the kind of sound you never knew could exist on Heroes. (more…)

Brian Eno – His First Four Albums Are Best on Import, Right? – Well, Almost…

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[This commentary is quite old. You should take it with a grain of salt.]

The domestic pressings of Before And After Science are typically grainy and hard sounding — hardly competitive with the smoother British Polydors. But our best Hot Stamper pressing isn’t an import; it was made right here in the good old U. S. of A.

Say what? Yes, it’s true. We were SHOCKED to find such hot stamper sound lurking in the grooves of a domestic Eno LP. It’s the One and Only. In thirty plus years of record playing I can’t think of any domestic Eno LP that ever sounded this good.

Now hold on just a minute. The British pressings of Eno’s albums are always the best, aren’t they?

For the first three albums, absolutely. But rules were made to be broken. This pressing has the knockout sound we associate with the best British originals of Eno’s albums, not the flat, cardboardy qualities of the typical domestic reissue.

Kinda Blind Testing

Since the person listening and making notes during the shootouts has no idea what the label or the pressing of the record is that he is evaluating — this is after all a quasi-scientific enterprise, with blind testing being the order of the day — when that domestic later label showed up at the top of the heap, our jaws hit the floor.

Both sides have that rare combination of silky highs and deep low end that make any record magical. Side one, the rock side, strongly relies on its deep punchy bass to make its material come to life and rock (or should we say art rock?). Eno’s vocals are clear and present with virtually no strain. Phil Collins’ drumming (how did these guys get together? We forget that Collins was in the proggy Brand X) is energetic and transparent and perfectly complemented by Percy Jones’ simultaneously acrobatic and hard-driving bass work. (more…)

Roxy Music’s Debut Is a Masterpiece

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  • Andy Hendriksen’s engineering (over the course of a week!) is superb in all respects and practically faultless
  • A Top 100 album, the band’s Masterpiece, and truly a Must Own Desert Island Disc of Glamorous Arty Rock
  • “Falling halfway between musical primitivism and art rock ambition, Roxy Music’s eponymous debut remains a startling redefinition of rock’s boundaries. Simultaneously embracing kitschy glamour and avant-pop, Roxy Music shimmers with seductive style and pulsates with disturbing synthetic textures.”

Folks, this is a true Demo Disc in the world of Art Rock. It’s rare to find a recording of popular music with DYNAMICS like these. (more…)

Brian Eno’s Masterpiece – An Album We Are Clearly Obsessed With

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  • TRIPLE TRIPLE (A+++) – it’s been ages since we’ve heard a copy that sounds as amazing as this one
  • Superb Demo Disc sound on both A+++ sides, huge and open like you will not believe
  • The superb clarity and transparency here let you appreciate all of Eno’s mastery — amazing texture and detail
  • 5 stars on Allmusic, a Top 100 title, and without a doubt Eno’s Masterpiece
  • Highest Recommendation from your friends at Better Records. This is an album we think you will love!

TWO SUPERB SIDES on this Killer White Hot Stamper pressing of Brian Eno’s MASTERPIECE — one of my All Time Favorite Albums, a real Demo Disc of twisted pop. This British Sunray original pressing takes the sound to a level BEYOND all others. This copy has deep, punchy bass that exceeded my wildest expectations, energy like I couldn’t believe, and a wonderful smoothness that you just don’t get on most copies.

If you have a big speaker and the kind of high quality playback that is capable of unraveling the most complicated musical creations, with all the weight and power of live music, this is the record that will make all your audio effort and expense worthwhile. That’s the kind of stereo I’ve been working on for thirty years and this album just plain KILLS over here.

Art Rock

That being said, it may not be the kind of thing most music loving audiophiles will be able to make much sense of if they have no history with this kind of Art Rock from the ’70s. I grew up on Roxy Music, 10cc, Eno, The Talking Heads, Ambrosia, Supertramp, Yes and the like, bands that wanted to play rock music but felt shackled by the chains of the conventional pop song. This was and still is my favorite kind of music.

When it comes to the genre, I put this album right at the top of the heap along with several other landmark albums from the period: More Songs About Buildings and Food, Roxy Music’s first, Sheet Music, Crime of the Century, Ambrosia’s first two releases, The Yes Album, Fragile and perhaps a handful of others, no more than that. (more…)

David Bowie / Heroes – It Took Ages to Break the Sound Barrier (Because the Conventional Wisdom Turned Out to Be Wrong))

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Our intuition that the British originals would sound the best turned out to be incorrect. (In the audiophile record collecting world intuitions have a bad track record, but more than a few audiophiles — many of whom seem to be addicted to sharing their “record knowledge” on audiophile forums — seem to be unaware of this unassailably true fact.) The original UK Orange Label pressings did not sound especially good to us, so we kept looking.

Over the course of the last few years, during which time we investigated every different pressing we could get our hands on, finally some good sounding copies of the album came our way. And they were not originals. The lucky owner of this copy will be one of the few to know what label the record is on, and in what country it was pressed.

OK, I suppose we can afford to be a bit more charitable than that. Here goes: the one thing we’re pretty clear on from our efforts to date is that our best Hot Stamper offerings are sure to be pressed in the UK.

If you have a copy of this groundbreaking album and were never impressed with the sound of it, we have a potential solution to your predicament, depending on our inventory: a Hot Stamper pressing.

It will show you the kind of sound you never knew could exist on Heroes.

(more…)

801 Live – It’s All About the Bass (Except for that One Time When It Wasn’t)

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What’s especially interesting about this copy is that we went crazy for it even though it did not have the best bass of the copies we played, which, as you will see below, clearly contradicts what we had previously written. We thought that the copies with the best bass had the best everything else too, but that was not what we heard this time around.

THIS copy got the music to work its magic, and it did it with most, but not all, of the bass of the best. Not sure how to explain it. Rules were made to be broken maybe?  (more…)

Talking Heads – More Songs About Buildings and Food – Our Shootout Winner from 2009

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A distinguished member of the Better Records Rock Hall of Fame.

THE BEST SIDE ONE WE’VE EVER HEARD — BAR NONE! I will stop short of awarding it more than three pluses, because the recording certainly has its share of limitations, but never before have we heard these songs sound so BIG, BOLD and ALIVE! Side two is darn good as well, rating a very strong A++. If you thought you’d never hear a truly great pressing of this album, here’s the copy that will prove you wrong!

This side one does it all. We’re crazy about this album — we’ve done this shootout many times and found some really exceptional copies, but I don’t remember ever hearing a side one quite like this. The top end is extended and sweet, the bottom end is big and punchy, and the overall sound is as rich and full-bodied as you could expect from this zany art-rock. Side two misses just a bit of the energy of side one, but it’s still much better than the average copy.

The vocals have the kind of presence that put David Byrne right there in your living room, and not under a blanket or behind the speakers as on a majority of pressings we’ve played.

You’ve got to play a whole lot of copies to find one with this kind of energy, clarity, and high resolution. The kick drum is really punchy, the synths and organ sound incredible, and the vocals sound just right.

The bass on this copy is the best we’ve heard for More Songs — tight, punchy, and as deep as it’s ever gonna get. We sure wouldn’t mind if some of the tracks were mixed with a bit more punch to the bottom end, but far be it from us to tell Brian Eno and Rhett Davies how to do their jobs! At least on this copy, the bass has the kind of power that brings a song like Take Me To A River to heights you probably wouldn’t have imagined before. (more…)

Phil Manzanera – Diamond Head – Rhett Davies Truly Awesome Engineering FIX ME?

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You may recall reading this bit about RHETT DAVIES engineering on Dire Straits’ debut:

“…until something better comes along, THIS IS HIS MASTERPIECE. It has to be one of the best sounding rock records ever made, with Tubey Magic mids, prodigious bass, transparency and freedom from hi-fi-ishness and distortion like few rock recordings you have ever heard.”

Well, something better has now come along, and it’s called Diamond Head.

It has some of the BIGGEST, BOLDEST SOUND we have ever heard. Diamond Head isn’t known as an audiophile album but it should be — the sound is GLORIOUS — wall to wall, floor to ceiling, and as rich and dynamic as it gets.

It’s clearly a BIG SPEAKER album. Play it one as loud as you can. The louder you play it the better it sounds.

The best copies have ROOM SHAKING DEEP BASS with the kind of WHOMP FACTOR that can drive this music to practically unexplored heights.

It’s also super TRANSPARENT, with a large, deep soundfield that really allows you to hear INTO the music and the studio space in which it was created. The clarity is SUPERB with all the detail and texture one could hope for, but the real kicker is the amount of ENERGY and musical DRIVE that this side has going for it. This is what the Master Tape is really capable of — Mind Bogglingly Good Sound.

Looking for TUBEY MAGIC? Rhett Davies is your man. Just think about the sound of the first Dire Straits album or Avalon. The best pressings of those albums — those with truly Hot Stampers — are swimming in it. (more…)