To that end we have created exercises, experiments and tests that you can do at home for fun and profit. We can all agree that the better our stereos sound, the more enjoyable they become. Learning how to get better sound from the equipment and recordings you own doesn’t cost a dime. It simply requires that you improve your critical listening skills.
Those skills develop through practice, by challenging yourself to understand what is really on your records — to figure out, to the best of your ability, what is right and what is wrong on every record you own. Same with your stereo. You can’t fix a problem that you haven’t yet recognized is a problem, right?
There is a tendency in the recording to be a little “hot” tonally on the vocals and snare. The better copies like this one keep it under control, with the lesser copies getting much too lean and gritty to play loudly. What good is a raver like Fat Bottomed Girls if you can’t turn it up and really rock out with it?(more…)
We are HUGE fans of the album at Better Records, but it’s taken us a long time to pull together enough clean copies to make the shootout happen. Boy, was it worth all the trouble.
The presence and immediacy here of Nat King Cole’s vocals are ’50s Capitol Recording Magic at its best. Set the volume right and Nat is right between your speakers, putting on the performance of a lifetime. The selection of material and the contributions of all involved are hard to fault.
The sound is big, open, rich and full, with loads of Tubey Magic. The highs are extended and silky sweet. The bass is tight and punchy.
Midrange Magic to Die For
This Rainbow Label Capitol LP also has the MIDRANGE MAGIC that’s missing from the DCC reissue (and no doubt any others that will be coming down the pike). As good as some think that pressing is, this one is dramatically more REAL sounding.(more…)
The best copy to hit the site in close to two years, with both sides rating at or near our top grade of Triple Plus (A+++)
Huge, spacious and three-dimensional with plenty of rich Tubey Magic – who knew it could sound this good?
75% of the songs on both sides are absolute Little Feat Classics. What other album can boast such consistently good songwriting?
Emmylou Harris, Bonnie Raitt and Fran Tate (the future Mrs. Billy Payne) contribute the lovely background vocals
“If Dixie Chicken represented a pinnacle of Lowell George as a songwriter and band leader, its sequel Feats Don’t Fail Me Now is the pinnacle of Little Feat as a group, showcasing each member at their finest.”
It’s getting mighty hard to find clean copies of practically all the pre-Waiting For Columbus titles.
The good news we have to offer this time as opposed to last is that we can now clearly say that Feats Don’t Fail Me Now is the best sounding album of the first four the band recorded. We think the songs are great too; we would hope that goes without saying. Waiting For Columbus — their live masterpiece and inarguably the definitive recording statement by the band — has at least one song from this album on each of its four sides. That ought to tell you something. If only we could find good sounding copies! But enough about that album. Let’s talk about this one.(more…)
Another in our series of Home Audio Exercises with advice on what you should be listening for when critically evaluating your copy (or ours) of the album.
Want to hear what the best copies of Mr. Tambourine Man can do? Play Chimes of Freedom, one of the best sounding tracks on side two, if not THE best. Listen to how breathy Jim (later Roger) McGuinn’s vocals are. Byrds records almost never sound like that.
I Knew I’d Want You is another one that sounds amazingly Tubey Magical on the best pressings.(more…)
These two sides offer bigger brass, more transparency and more presence than every other side we played save one!
This may become one of your favorite big band albums to demo or test with. Or you can just enjoy the hell out of it if you prefer. So transparent and tonally correct, this is a killer sounding copy. We put this one right up there with the best of the Verve jazz titles we’ve done to date.
This album sounds like a big room full of musicians playing live, which it surely was. The Tubey Magical richness of the 1962 recording is breathtaking – no modern record can touch it.
The best copies recreate a live studio space the size of which you will not believe.(more…)
What I hear on this pressing is sound that is absolutely free from any top end boost, much the way live music is. There’s plenty of tape hiss and air; the highs aren’t rolled off, they’re just not boosted the way they normally are in a recording.
A few years back I had a chance to see a piano trio play locally; they even performed a piece by Schubert. The one thing I noticed immediately during their performance was how smooth and natural the top end was. I was no more than ten feet from the performers in a fairly reverberant room, and yet the sound I heard was the opposite of what passes in some circles for Hi-Fidelity.
This is the OPPOSITE of those echo-drenched recordings that some audiophiles seem to like, with microphones placed twenty feet away from the performers so that they are awash in “ambience.” If you know anything about us, you know that this is not our sound.
I have never heard live music sound like that and that should settle the question. It does in my mind anyway. The CHESKY label (just to choose one awful audiophile label to pick on) is a joke and always will be. How anyone buys into that phony sound is beyond me, but any audio show will prove to you that there is no shortage of audiophiles who love the Chesky “sound”, and probably never will be.(more…)
If you’re looking for quiet vinyl and good sound on this title I don’t think we will have anything for you for the foreseeable future. But of course you never know, we could luck into some killer copies on any one of our regular record hunting days. It’s pure luck to find any early stereo copy in good shape, let alone one that has the right stampers, the right sound and good surfaces. Each of our last two shootouts took us five years to make happen if that tells you anything.
This Reprise Tri-Color stereo pressing has killer Hot Stamper sound on both sides, which means it came out on top in our recent shootout, only the second we’ve done since 2006 (!).
This AMAZING side one with the complete Tsar Saltan was so good we gave it our rare Four Plus (A++++) grade
We freaked out when we heard this side – it took the sound beyond anything we had ever experienced for the work
It’s so rich and real, with huge WHOMP factor down low, as well as clear, uncolored brass and robust lower strings – wow!
We figure about one out of a hundred sides earn our Four Plus grade – you can’t get much more rare than that
We award this copy’s side one our very special Four Plus (A++++) grade, which is strictly limited to pressings (really, individual sides of pressings) that take a recording to a level never experienced by us before, a level we had no idea even existed. We estimate that about one per cent of the Hot Stamper pressings we come across in our shootouts earn this grade.
This London pressing contains a stunningly BEAUTIFUL Tale of the Tsar Saltan Suite. It’s clearly one of the great Demo Disc Quality recordings from the Golden Age (or any age for that matter), with everything that a top Golden Age Orchestral recording should have: all the magic; all the timbral and harmonic subtlety; all the sweetness and warmth; all the Tubey Magical richness.
All that and more. Folks, this is the kind of record that makes you sit up and take notice. Finally, HERE is the kind of sound that can bring an orchestra to life in your very own listening room. (more…)