_Conductors – Ansermet

Bizet – L’arlesienne And Carmen Suites – Ansermet

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  • With a Triple Plus (A+++) Shootout Winning side one mated to a nearly as good side two, this pressing has the best sounding Carmen Suite we have ever heard – exceptionally quiet vinyl too
  • This is the best sounding and quietest Carmen Suite to ever make it to the site, and it was worth the wait – the sound of this vintage Blueback is absolutely breathtaking
  • If you’re looking to demonstrate just how good ’60s All Tube Analog can be, this killer copy should be just the record to do it
  • Recorded in 1961 using the amazing Decca Tree mic setup, it’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording

This is High Fidelity Audiophile Gold, with an orchestra that sounds so real it will take your breath away. The Golden Age tapes have clearly been mastered brilliantly onto this vintage London Blueback vinyl.

No doubt you have run into something like this in our classical listings:

This London is energetic, dynamic, spacious, transparent, rich and sweet. James Walker was the producer, Roy Wallace the engineer for these 1961 sessions in Geneva’s glorious Victoria Hall. It’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording Technology,

We were impressed with the fact that this pressing excelled in so many areas of reproduction. The illusion of disappearing speakers is one of the more attractive aspects of the sound here, allowing the listener to inhabit the space of the concert hall in an especially engrossing way. (more…)

Offenbach et al / French Overtures – Ansermet – Reviewed in 2009

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This Minty London Blueback LP has a WONDERFUL Tubey Magical Super Hot Stamper Side One. I have never heard this music sound better. Of course Ansermet is exactly the right conductor for these light and colorful orchestral pieces; the performances are uniformly superb.

But as audiophiles we want to make sure the sound is what it should be, and here side one does not disappoint. The string tone is perfection. I defy anyone to find a Heavy Vinyl reissue with string tone even remotely as good. In my experience there simply is no such record.

With vintage classical records there are always trade-offs of course. Here the loudest passages suffer from compressor distortion, so common on these early pressings. A small price to pay for sound this lovely I say. The Zampa overture by Herold is probably the best sound on the album — it’s gorgeous!

Side two is not quite as good. We rated it A Plus, with real weight and energy but a bit too much compression in the loud passages to be completely satisfying. (more…)

Albeniz / Iberia – Ansermet

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

The sound of this copy is so transparent, undistorted, three-dimensional and REAL, without any sacrifice in solidity, richness or Tubey Magic, that we knew we had a real winner on our hands as soon as the needle hit the groove.

We were impressed with the fact that it excelled in so many areas of reproduction. The illusion of disappearing speakers is one of the more attractive aspects of the sound here, pulling the listener into the space of the concert hall in an especially engrossing way.

Side One – Iberia (1-4)

A huge hall, correct string tone, spacious and open as practically any orchestral recording you can find!

Listen to the plucked basses – clear, not smeary, with no sacrifice in richness. Take it from us, the guys that play classical recordings by the score, this is hard for a record to do!

Listen to how natural the cymbal crashes are. (more…)

Bizet – L’arlesienne And Carmen Suites

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

With a nearly Triple Plus (A++ to A+++) side two and an excellent Double Plus (A++) side one, this pressing is one of the best sounding Carmen Suites we have ever heard. If you’re looking to demonstrate just how good ’60s All Tube Analog can be, this killer copy should be just the record to do it. This is only the second Carmen Suite to make it to the site, and it was worth the wait – the sound of this vintage Blueback is absolutely breathtaking. Recorded in 1961 using the amazing Decca Tree mic setup, it’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording.

What To Listen For – Side to Side

My notes for side two read:

Could use more tubes.

Strings could be a bit smoother.

Needs a bit more weight down low.

Side one had all of this and more!

(more…)

Ravel & Dukas / Bolero & Sorcerer’s Apprentice / Ansermet

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

We are rarely able to find quality recordings (or performances) of either Bolero or The Sorcerer’s Apprentice, so this pressing comes as an especially welcome addition to the classical offerings on the site. 

The sound is clear, with wonderful depth to the stage. As a rule, the classic ’50s and ’60s recordings of Ansermet and the Suisse Romande in Victoria Hall are as big and rich as any you may have encountered. These recordings strike us as the ideal blend of clarity and richness, with depth and spaciousness that will put to shame 98% of the classical recordings ever made.

Bolero (Ravel)

ZERO compression. ZERO distortion when loud. Which means it has ZERO compressor distortion, something not five out of a hundred Golden Age recordings can claim. Nice extended top too.

The strings are never dry nor shrill, and the brass is neither sour nor brash, but gets big and stays clear. No other copy could do all of these things.

There is depth and richness here to beat the band, as well as clarity and tonal correctness that let you forget the recording and just enjoy the music.

The timbre of the brass is right on the money. As we have noted before, the brass of the Suisse Romande is some of the best to have ever been committed to analog tape. (more…)

The Royal Ballet – Gala Performances – Classic Records Repress – Reviewed in the ’90s

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Sonic Grade: C or Better 

Probably a fairly good Classic Records album. When I played this record years ago I thought it was one of the better Classic RCA titles. You can be sure it won’t sound like the original — [almost] no Classic record does — but it might be pretty good all things considered (since the original sells for well over a thousand dollars!). Ansermet is the king of the ballet here and the Decca engineers do him proud. (more…)

Stravinsky / Song of the Nightingale / Ansermet – Reviewed in 2007

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

“Song of the Nightingale” is far more enjoyable in Ansermet’s hands than in Reiner’s or Dorati’s. The sound is significantly better on this pressing than on the Stereo Treasury, the RCA, and the Mercury versions. Once past the obvious saturation that opens this recording, the sound is perfection! The percussion leaps off of this LP like it does with a good Direct To Disc recording. The strength of this LP is “Song of the Nightingale”.

The “Pulcinella Suite”, also featured on this record, never sounds as good as “Song of the Nightingale”. But what does?

Tchaikovsky / Swan Lake / Ansermet – Our Shootout Winner from 2012

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

This London Small Red Label “Whiteback” (it’s white inside the box, not on the back but you get what I mean) UK Import 2 LP Set put every other recording we had of Swan Lake to shame. This is the one folks, assuming you want a nearly complete performance of the work. (We will have some single LP highlight pressings coming to the site down the road. The Fistoulari on London can be especially good on the right pressing.) 

The performance here by Ansermet and the Suisse Romande I rank second to none.

Ansermet is surely the man for this music, and the famously huge hall he recorded in just as surely contributes much to the wonderful sound here. (The Royal Gala Ballet is a good example. If you have the two grand to spend we highly recommend you find yourself a good one. And don’t waste your money on the Classic no matter what you may have read elsewhere.)

Speaking of bad sounding Heavy Vinyl, Speakers Corner reissued this very recording on 180g fifteen years ago or so and ruined it. Imagine that. (I happily admit their Nutcracker was quite good for a Heavy Vinyl reissue. It cannot hold a candle to a good vintage pressing but it will beat most of what’s out there on audiophile vinyl, which, truth be told, isn’t saying much.) (more…)

Chabrier / Orchestral Music / Ansermet – Reviewed in 2011

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A distinguished member of the Better Records Orchestral Music Hall of Fame

This Super Hot Stamper Decca reissue pressing has superb sound on both sides, with some of the loveliest orchestral music reproduction we’ve ever heard.

On both sides it is very RICH and TUBEY. Some might even say that it’s too “Tubey Magical”, but of course that’s a matter of taste. If you like the dry sterility of the modern Heavy Vinyl pressing, perhaps this is not the right record for you. Or maybe this is EXACTLY the record you need, the one that can show you what real vintage Golden Age Glorious Analog is all about. (more…)

Tchaikovsky / Sleeping Beauty / Ansermet / 3 LP Box Set

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

Big Decca sound! Powerful deep bass. Beautiful string tone and sharply articulated brass sound. This is a wonderful record. Ansermet is of course a master of the ballet. The performance here is outstanding, perhaps even definitive.