_Conductors – Ansermet

The Tale of Tsar Saltan and Our Rare Four Plus Grade

See all of our Rimsky-Korsakov albums in stock

More entries in our Well Recorded Classical Albums – The Core Collection

Well Recorded Classical Albums from The Core Collection available on our site

 

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  • This AMAZING side one with the complete Tsar Saltan was so good we gave it our rare 4+ grade
  • We freaked out when we heard this side – it took the sound beyond anything we had ever experienced for the work
  • It’s so rich and real, with huge WHOMP factor down low, as well as clear, uncolored brass and robust lower strings – wow!
  • We figure about one out of a hundred sides earn our Four Plus grade – you can’t get much more rare than that

James Walker was the producer, Roy Wallace the engineer for these sessions from April of 1959 in Geneva’s glorious Victoria Hall. It’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording.

The gorgeous hall the Suisse Romande recorded in was possibly the best recording venue of its day, possibly of all time. More amazing sounding recordings were made there than in any other hall we know of. There is a solidity and richness to the sound beyond all others, yet clarity and transparency are not sacrificed in the least.

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Wagner – Ansermet Conducts Wagner / Ansermet

More of the music of Richard Wagner (1813 – 1883)

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  • Another stunning classical release makes its Hot Stamper debut, here with Nearly Triple Plus (A++ to A+++) sound throughout – just shy of our Shootout Winner
  • Our first Hot Stamper for a recording of Wagner’s music – it took us a very long time to find a recording of his music that had the audiophile goods that this one does
  • Clear and transparent, with huge hall space extending wall to wall and floor to ceiling, this is a sound that the Modern Reissue fails to reproduce utterly
  • If you don’t have an amazing sounding Wagner record — the low brass is to die for here — this record needs to find a home in your collection
  • Some old record collectors (like me) say classical recording quality ain’t what it used to be – if you need proof, here it is

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Ansermet’s Scheherazade – Yes, Sometimes There Is Only One Set of Magic Stampers

More Scheherazade

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In 2015 we wrote:

There are certain stampers that seem to have a consistently brighter-than-it-should-be top end. They are tolerable most of the time, but the real magic can only be found on the copies that have a correct or even slightly duller top. Live classical music is never “bright” the way recordings of it so often are.

It’s rarely “rich” and “romantic” the way many vintage recordings are — even those we rave about — but that’s another story for another day.

We recently did the shootout again, and now with a much more clear, accurate upper midrange and an even more extended top end, the stampers that we used to find “brighter than they should be” are now just too damn bright, period.

We was wrong and we don’t mind admitting it.

Which leaves one and only one stamper that can win a shootout. Another stamper we like well enough to offer to our discriminating customers, but after that it is all downhill, and steeply.

Of course the right stampers are the hardest ones to find too. All of which explains why you rarely see a copy of the album for sale on our site.

Reviews and Commentaries for the music of Rimsky-Korsakov

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Beethoven – Symphony No. 5 / Ansermet / L’Orchestre De La Suisse

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  • This superb performance of the 5th makes its Hot Stamper debut here with outstanding Double Plus (A++) sound from start to finish – reasonably quiet vinyl too
  • The texture on the strings is captured perfectly – this is an area in which modern pressings fail almost completely
  • Clear and transparent and natural – your ability to suspend disbelief requires practically no effort at all
  • This is a wonderful recording in every respect – it’s guaranteed to put to shame any Heavy Vinyl pressing of orchestral music you own

Everything sounds so right on this record, so much like live music, there is practically nothing to say about the sound other than You Are There.

This is the kind of record that will make you want to take all your heavy vinyl classical pressings and put them in storage. Practically none of them will ever begin to sound the way this record sounds.

Quality record production is a lost art, and it’s been lost for a very long time. (more…)

Stravinsky / The Firebird Suite / Ansermet – Speakers Corner (Reviewed in the ’90s)

More on The Firebird

More of the music of Igor Stravinsky (1882-1971)

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Sonic Grade: B

One of the better Speakers Corner Deccas. We haven’t played a copy of this record in years, but back in the day we liked it, so let’s call it a “B” with the caveat that the older the review, the more likely we are to have changed our minds.

Not sure if we would still agree with what we wrote back in the ’90s when this record came out, but here it is anyway.

“Excellent sound with a wonderful performance from Ansermet.”

What We Think We Know about Beethoven’s Symphony No. 6 (Pastoral)

Beethoven’s Symphony No. 6 with Hot Stampers

More of the music of Ludwig van Beethoven 

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In our opinion this is the best sounding Beethoven 6th Symphony ever recorded. It is the most beautiful of them all, and has long been my personal favorite of the nine Beethoven composed.

Ansermet’s performance is clearly definitive to my ear as well. The gorgeous hall the Suisse Romande recorded in was possibly the best recording venue of its day, possibly of all time; more amazing sounding recordings were made there than any other hall we know of. There is a richness to the sound that exceeds all others, yet clarity and transparency are not sacrificed in the least.

It’s as wide, deep and three-dimensional as any, which is of course all to the good, but what makes the sound of these recordings so special is the weight and power of the brass and the timbral accuracy of the instruments in every section.

We have a section of classical recordings that we nominate for The Best Performances with Top Quality Sound, and this record is of course one of its founding members. (more…)

Ravel and Ansermet Produce The Best Bolero on Vinyl

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Including this amazing Bolero, the best copy we’ve ever heard!

  • Both sides here earned our highest grade of Triple Plus, making this the best copy to ever hit the site
  • Full, rich, spacious, BIG and present, with energetic performances the likes of which you may have never heard
  • Side one has outstanding depth – the snare drum sounds like it’s located at least fifty feet behind the speakers
  • One of the best Ansermet recordings with the Suisse Romande from Victoria Hall – best performances too

Side two sounded so much better than any copy I have ever heard that I was sorely tempted to give it our coveted Four Plus grade, for the kind of sound that breaks all the rules. Cooler heads have since prevailed, but that doesn’t detract in the least from side two of this remarkable pressing, which has by far the best sound for The Sorcerer’s Apprentice I have yet to hear.

We are rarely able to find a quality recording or performance of Bolero or The Sorcerer’s Apprentice, so this pressing comes as a welcome addition to the classical offerings on the site.

The sound is clear, with wonderful depth to the stage. As a rule, the classic ’50s and ’60s recordings of Ansermet and the Suisse Romande in Victoria Hall are as big and rich as any you may have ever heard. These recordings may just be the ideal blend of clarity and richness, with depth and spaciousness that will put to shame 98% of the classical recordings ever made. (more…)

Stravinsky – Petrushka – Speakers Corner (Reviewed in the ’90s)

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Sonic Grade: B (I’m guessing)

One of the better Speakers Corner Deccas. We haven’t played a copy of this record in years, but back in the day we liked it, so let’s call it a “B” with the caveat that the older the review, the more likely we are to have changed our minds. Not sure if we would still agree with what we wrote back in the ’90s when this record came out, but here it is anyway.

“One of the best of the Deccas. Superb sound. Ansermet’s performance here is definitive.”

Respighi / Pines & Fountains Of Rome / Ansermet

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EXCELLENT SOUND! Not a Demo Disc by any means, but a well-recorded, well-mastered Pines. The problem with Pines is normally too much close miking. This London places the orchestra in a more natural perspective, which I much prefer. This is also an exceptionally quiet copy. Side one is M-, but side two is about as quiet as an old London gets. Side two, the Pines, also has the best sound. 

Azimuth, VTA, Anti-Skate and Tracking Weight – We Got to Live Together

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With a shout out to my man Sly!

In this listing you can find commentary and advice about tonearm azimuth adjustment, Ansermet’s recordings, Speakers Corner 180g pressings, and more.

The Borodin title you see pictured has DEMO QUALITY SOUND OF THE HIGHEST ORDER!

One of the great London records. The performance by Ansermet is definitive, IMHO, and this recording ranks in the Top Ten Decca/ Londons I’ve ever heard.

The powerful lower strings and brass are gorgeous. Ansermet and the Suisse Romande get that sound better than any performers I know. You will see my raves on record after record of theirs produced in this era. No doubt the wonderful hall they record in is the key. One can assume Decca engineers use similar techniques for their recordings regardless of the artists involved. The only real variable should be the hall. Ansermet’s recordings with the Suisse Romande have a richness in the lower registers that is unique in my experience. His Pictures At Exhibition has phenomenally powerful brass, the best I’ve ever heard. The same is true for his Night On Bald Mountain. Neither performance does much for me — they’re both too slow — but the sound is out of this world. Like it is here.

One of the reasons this record is sounding so good today (1/12/05) is that I spent last weekend adjusting my Triplanar tonearm. The sound was bothering me somewhat, so I decided to start experimenting again with the azimuth adjustment. I changed the azimuth in the smallest increments I could manage, which on this turnable are exceedingly small increments, until at some point the bass started to go deeper, dynamics improved, and the overall tonal balance became fuller and richer. Basically the cartridge was becoming perfectly vertical to the record. I don’t think this can be done any other way than by ear, although I don’t know that for a fact. (more…)