_Conductors – Ansermet

Bartok & Beethoven – Music For Strings Percussion And Celeste / Grosse Fuge / Ansermet

More of the music of Ludwig van Beethoven (1770-1827)

More of the music of Bela Bartok (1881-1945)

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  • An outstanding copy of this wonderful release with solid Double Plus (A++) sound or BETTER from start to finish – exceptionally quiet vinyl too
  • I’ve never been a fan of the Grosse Fugue, but the Bartok piece on side two earned a Nearly White Hot stamper grade, and it is one of the best on record
  • Clear and transparent, with huge hall space extending wall to wall and floor to ceiling
  • Vintage Decca natural and relaxed sound, with wonderfully textured string tone – it’s all here and more
  • “… one of the best-known compositions by the Hungarian composer Béla Bartók.”

NOTE: our cover does not have the tear in the upper right corner shown in the picture. (more…)

Bizet – L’arlesienne And Carmen Suites – Ansermet

More of the music of Georges Bizet (1838-1875)

More music conducted by Ernest Ansermet

  • With a Triple Plus (A+++) Shootout Winning side one mated to a nearly as good side two, this pressing has the best sounding Carmen Suite we have ever heard – exceptionally quiet vinyl too
  • This is the best sounding and quietest Carmen Suite to ever make it to the site, and it was worth the wait – the sound of this vintage Blueback is absolutely breathtaking
  • If you’re looking to demonstrate just how good ’60s All Tube Analog can be, this killer copy should be just the record to do it
  • Recorded in 1961 using the amazing Decca Tree mic setup, it’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording

This is High Fidelity Audiophile Gold, with an orchestra that sounds so real it will take your breath away. The Golden Age tapes have clearly been mastered brilliantly onto this vintage London Blueback vinyl.

No doubt you have run into something like this in our classical listings:

This London is energetic, dynamic, spacious, transparent, rich and sweet. James Walker was the producer, Roy Wallace the engineer for these 1961 sessions in Geneva’s glorious Victoria Hall. It’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording Technology,

We were impressed with the fact that this pressing excelled in so many areas of reproduction. The illusion of disappearing speakers is one of the more attractive aspects of the sound here, allowing the listener to inhabit the space of the concert hall in an especially engrossing way. (more…)

Tchaikovsky / The Nutcracker – Ansermet (Reviewed in the ’90s)

Hot Stamper Pressings of The Nutcracker Available Now

More of the music of Peter Ilyich Tchaikovsky (1840 – 1893)

More Classical Music

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Sonic Grade: B?

Not sure if we would still agree with what we wrote back in the ’90s when this record came out, but here it is anyway.

Superb! New records just don’t sound any better! This is the complete Nutcracker Ballet as conducted by Ansermet for Decca, a record that sets a standard of performance and sound that is unlikely ever to be equaled, and almost certainly not to be surpassed.


More Heavy Vinyl Reviews

Here are some of our reviews and commentaries concerning the many Heavy Vinyl pressings we’ve played over the years, well over 200 at this stage of the game. Feel free to pick your poison.

Heavy Vinyl Commentaries

Heavy Vinyl Disasters

Heavy Vinyl Mediocrities

Heavy Vinyl Winners

There are many kinds of audiophile pressings — Half-Speeds, Direct-to-Discs, Heavy Vinyl Remasters, Japanese Pressings, the list of records offered to the audiophile with supposedly superior sound quality is a long one indeed.

Having been in the audiophile record biz for more than thirty years, it has been our misfortune to have played them by the hundreds,

In order to help you avoid the worst of the worst, we put a great many of them in a section of their own, which we call:

Bad Sounding Audiophile Records – The Complete List

How did we find so many bad sounding records? The same way we find so many good sounding ones. We included them in our shootouts, comparing them head to head with our best Hot Stampers.

When you can hear them that way, up against an exceptionally good record, their flaws become that much more obvious and, frankly, that much more inexcusable.

Weber / Overtures / Ansermet / Suisse Romande

Decca and London Hot Stamper Pressings Available Now

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GLORIOUS Super Hot Stamper sound or BETTER on side two of this original London Blueback UK pressing. Yes, it has the Decca / London sound we expect from Ansermet, the Suisse Romande orchestra, and the amazing Victoria Hall they recorded in — rich and spacious, with lovely texture to the strings.

But that’s not all. This record is exceptionally DYNAMIC. If you like listening to your records at realistic levels — the only way to fly to our way of thinking — then you had better watch your levels! The huge bottom end makes those dynamic passages a thrill to experience. Make sure your VTA is carefully adjusted — a big deal with us these days — and you will be in for the ride of your life.

Side Two

A++ to A+++. The only reason we did not award the full three pluses was that there is a touch of congestion in some of the loudest passages. Other than that there is practically nothing to fault with the sound! No smear, present and clear. (more…)

Beethoven / Symphony No. 9 / Ansermet

More of the music of Ludwig van Beethoven (1770-1827)

Decca and London Hot Stamper Pressings Available Now

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  • A KILLER sounding copy with Shootout Winning Triple Plus (A+++) sound on the first side and solid Double Plus (A++) sound on the second
  • Both of these sides are wonderfully rich, lively and musical yet still super clear and spacious, making this pressing a Must Own Beethoven 9th
  • Both sides play reasonably well for a London pressing from 1960
  • “…the Orchestre de la Suisse Romande play very well, facing every challenge with musical integrity that reveals to the listener that emotional engagement with the score is far more meaningful than virtuosity for its own sake.”

A Great 9th

The is the best recording of the Beethoven 9th Symphony we have ever played here at Better Records

Ansermet’s performance is clearly definitive to my ear as well. The gorgeous hall the Suisse Romande recorded in was possibly the best recording venue of its day, possibly of all time; more amazing sounding recordings were made there than any other hall we know of.

Both sides are big, rich and clear, and both were showing us pretty much everything that’s good about a vintage symphonic recording.

The chorus on side two plays cleanly and sweetly all the way to the end, no mean feat for this particular work on vintage vinyl. (more…)

Letter of the Week – The Nutcracker and the Benefits of Big Speakers

One of our good customers had this to say about some Hot Stampers he purchased recently:

I’ll have a couple of returns for you from recent orders:

Tchaikovsky / The Nutcracker (Complete Ballet) / Ansermet (CS 6069)
Surprised to be returning this, but it just doesn’t do much on my system. Sounds like any old good discogs copy, not WHS for me. Cost wouldn’t have been a factor here for a copy that ’sang’ more.

He then bought some new, bigger speakers, because if you are going to play a work like The Nutcracker, you need big speakers!

  Hey Tom,   

The good news is with my new speakers + amp setup, the Nutcracker set I’d previously asked to return is sounding incredible. Previously it sounded little different to your average discogs copy, but I can hear now how much body I was missing with the smaller Harbeths. The drums are slammin’, the sweet treble notes are dropping like luminous honey, the field is deep and rich. My only beef is that this performance is a bit ‘fast’, in terms of tempo, but this is by-design. So, will hang on to this (which leaves $500 in your pocket).

Thanks,

C

Conrad,

We are glad to hear of your progress in audio. I’m guessing that a lot more of our records will meet with your approval now, and that most of your Heavy Vinyl pressings will sound even worse than before, or at least they will sound more second-rate than before, which is kind of the same thing.

We discuss the idea of Big Speakers in this boilerplate commentary all over the site:

Let’s face it, this is a BIG SPEAKER record. It requires a pair of speakers that can move air with authority below 250 cycles and play at fairly loud levels. If you don’t own speakers that can do that, this record will never really sound the way it should.

It’s the kind of recording that caused me to pursue Big Stereo Systems driving Big Dynamic Speakers for as long as I can remember. You need a lot of piston area to bring this recording to life, and to get the size of all the instruments to match their real life counterparts.

For that you need big speakers in big cabinets, the kind I’ve been listening to for more than forty years. (My last small speaker was given the boot around 1974 or so and I have never looked back.)

To tell you the truth, the Big Sound is the only sound that I can enjoy. Anything less is just not for me. (more…)

Rimsky-Korsakov / Scheherazade / Ansermet – Not the Sound or the Performance You Want

More Recordings of Scheherazade

Hot Stamper Decca and London Pressings Available Now

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In our experience this is not the recording of the work to buy, on either Decca or London. Of the two recordings by Ansermet, we much prefer the one made with the Suisse Romande to that of the Paris Conservatoire.

We did a monster shootout for this music in 2014, one we had been planning for more than two years. On hand were quite a few copies of the Reiner on RCA; the Ansermet on London (CS 6212, his second stereo recording, from 1961, not the earlier and noticeably poorer sounding recording from in 1959); the Ormandy on Columbia, and a few others we felt had shown potential.

The only recordings that held up all the way through — the fourth movement being THE Ball Breaker of all time, for both the engineers and musicians — were those by Reiner and Ansermet.

This was disappointing considering how much time and money we spent finding, cleaning and playing those ten or so other pressings.

Here it is a year later and we’re capitalizing on what we learned from the first big go around, which is simply this: the Ansermet recording on Decca/London can not only hold its own with the Reiner on RCA, but beat it in virtually any area. The presentation and the sound itself are both more relaxed and natural, even when compared to the best RCA pressings.

The emotional content of the first three movements (all of side one) under Ansermet’s direction are clearly superior. The roller coaster excitement Reiner and the CSO bring to the fourth movement cannot be faulted, or equaled. In every other way Ansermet’s performance is the one for me. (more…)

Beethoven – Symphony No. 6 (Pastoral) – Ansermet

More of the music of Ludwig van Beethoven (1770-1827)

More Classical Recordings

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  • With solid Double Plus (A++) grades or close to them on both sides, this is an outstanding find from our recent shootout
  • The texture on the strings is captured perfectly – this is an area in which modern pressings fail almost completely
  • Everything sounds so right on this record, so much like live music, there is almost nothing to say about the sound other than You Are There
  • Recorded in Geneva’s exquisite Victoria Hall in 1959, this is a top performance from Ansermet and the Suisse Romande, the best we know of

In our opinion this is the best sounding Beethoven 6th Symphony ever recorded. It is the most beautiful of them all, and has long been my personal favorite of the nine Beethoven composed.

Ansermet’s performance is clearly definitive to my ear as well. The gorgeous hall the Suisse Romande recorded in was possibly the best recording venue of its day, possibly of all time; more amazing sounding recordings were made there than any other hall we know of. There is a richness to the sound that exceeds all others, yet clarity and transparency are not sacrificed in the least. It’s as wide, deep and three-dimensional as any, which is of course all to the good, but what makes the sound of these recordings so special is the weight and power of the brass and the timbral accuracy of the instruments in every section.

Everything sounds so right on this record, so much like live music, there is practically nothing to say about the sound other than You Are There.

This is the kind of record that will make you want to take all your heavy vinyl classical pressings and put them in storage. None of them, I repeat none of them, will ever begin to sound the way this record sounds. Quality record production is a lost art, and it’s been lost for a very long time.

The texture on the strings is captured perfectly; this is, by the way, an area in which modern pressings fail almost completely. We have discussed this subject extensively on the site. The “rosin on the horsehair” is a sound that is apparently impossible to encode on modern vinyl. (more…)

Mendelssohn / Symphony No. 4 / Ansermet

More Mendelssohn

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Demo quality. This record has the same kind of amazing sound as the Chabrier disc on London, but it’s much more rare. I don’t think I’ve ever heard a better Mendelssohn 4th.

It even beats the excellent Solti on Blueback, which of course is much more common. Hard to imagine a better sounding record than this and the music is wonderful as well.

Falla – Three Cornered Hat / Ansermet

More of the music of Manuel de Falla (1876-1946)

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  • With outstanding Double Plus (A++) sound or close to it on both sides, this copy is a true Demo Disc in the world of vintage classical vinyl
  • When you play the best pressings of this title it’s almost hard to believe how well recorded it is – even Billboard in 1961 noted the brilliant sound jumped from their speakers
  • “Anyone interested in theatrical music will know that within a few months the work had earned the category of a ‘classic’ and since then has been placed in the annals of great ballets such as Petrushka and Schéhérazade.”

This is High Fidelity Audiophile Gold, with bells, drums, voices, trumpets, strings, woodwinds and more, all sounding so real it will take your breath away. The Golden Age tapes have clearly been mastered brilliantly onto this vintage London vinyl.

No doubt you have run into something like this in our classical listings:

This London is energetic, dynamic, spacious, transparent, rich and sweet. James Walker was the producer, Roy Wallace the engineer for these sessions from 1961 in Geneva’s glorious Victoria Hall. It’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording. 

We were impressed with the fact that this pressing excelled in so many areas of reproduction. The illusion of disappearing speakers is one of the more attractive aspects of the sound here, allowing the listener to inhabit the space of the concert hall in an especially engrossing way.

(more…)