These are just some of the recordings we’ve auditioned recently and found wanting. Without going into specifics we’ll just say these albums suffer from poor performances, poor sound, or both, and therefore do not deserve a place in your collection, and may even belong in our Hall of Shame.
A Free Service provided to the Audiophile Public, courtesy of Better Records.
This wonderful classical release finally makes its Hot Stamper debut here with Shootout Winning Triple Plus (A+++) sound from start to finish
This copy showed us the balance of clarity and sweetness we were looking for in the violin and cello – not many Columbia recordings from this era can do that
This recording is big, clear, transparent and energetic, and is guaranteed to put to shame any Heavy Vinyl classical pressing you own
Some old record collectors (like me) say classical recording quality ain’t what it used to be – here’s the proof
This vintage Columbia 360 Stereo pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.(more…)
This Odyssey budget pressing has long been favorite of ours here at Better Records. It’s too bad that most of them don’t sound very good, with the shrill, hard string tone we’ve come to expect from Columbia in the ’60s. Fortunately this pressing does not have that problem! We played a number of these recently, and this copy was the best of them all on BOTH sides! Side one is really rich and warm with lovely, smooth strings that don’t get shrill. It’s very hard to believe that there’s a much better sounding copy out there. Side one of course has the complete Eine Kleine Nachtmusik. (more…)