A distinguished member of the Better Records Rock and Pop Hall of Fame.
THE FIRST WHITE HOT STAMPER FOR THIS ALBUM TO EVER HIT THE SITE! We love this music, but let me tell you the truth — this is not a shootout we ever look forward to doing. The sound of the average copy is POSITIVELY PAINFUL. If you play a couple dozen copies, you’ll probably turn up a good one eventually, but you’re better off letting us do that dirty work.
This original Columbia 360 Sound pressing has EXCELLENT SOUND on side one and SUPERB SOUND on side two. If you know anything about this album and its recording history, you know how BOLD a statement that is. The typical copy of this album is a sonic disaster.
You would have to look far and wide to find a copy that isn’t plagued with transistory, gritty, opaque and/or unmusical sound. Fortunately for you, dear Better Records customer, you don’t have to look any further than your email in-box to find an amazing sounding BOTW, because we found it for you. And here it is!
Side two has MASTER TAPE SOUND. It’s more open and more transparent than any other copy we played, and the clarity is mind-boggling. The bottom end is PERFECTION, the voices are silky and delicate, and the acoustic guitars are Right On The Money. When you drop the needle on The Only Living Boy In New York, you’re not going to believe the tubey magical analog that’s going to pour out of your speakers. It’s rich, warm, and sweet, yet incredibly clean and clear. That’s what a White Hot Stamper is all about.
Side one is excellent as well, if not quite in a league with the all-time best side two. It’s open, transparent, and natural with real depth to the soundfield. The vocals are breathy and sweet, just what you want from an S + G record. Cecilia sounds incredible here, with lots of punch and great energy.
The Latest Findings
One of the most interesting findings in this shootout was that no Red Label copy scored as high as the best 360 Label copies. The later labels can be very clean and clear, but ultimately they lack the midrange magic, warmth and sweetness of the best early pressings. Since this recording has a problem in all those areas to start with, most red label copies are completely devoid of the Simon & Garfunkel magic, the kind of magic that is so wonderfully evident on their two previous outings: Parsley, Sage… and Bookends. (more…)