Genre – Folk

Judy Collins / Fifth Album – Tubey Magical Folk Music from 1964

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  • Fifth Album finally makes its Hot Stamper debut here with outstanding Double Plus (A++) sound from first note to last on the Big Red E label
  • These sides are exceptionally good, especially compared to most of what we played – only the best early pressings managed to get Collins’ voice to sound natural and real
  • “… 5th Album, cut in late 1964, may very well be her definitive folk statement… A trio of Bob Dylan songs act as the album’s centerpiece, clearly showing Collins’ growth into more progressive songs. In addition to these, Gordon Lightfoot’s “Early Morning Rain” is given its classic reading, with Collins’ voice echoing the song’s melancholy and eerie but mellifluent precision and emotion. “

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Peter, Paul & Mary – Album

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  • The first copy of this classic from 1966 to hit the site in many years – arguably a better album than Album 1700!
  • Both sides of this original Warner Brothers Gold Label pressing earned Shootout Winning Triple Plus (A+++) grades
  • These sides are full of ’60s analog Tubey Magic – rich and warm with real immediacy and transparency
  • Features top musicians and PPM versions of folk classics like And When I Die and Kisses Sweeter Than Wine 

Finding great copies of this album is no easy task. Many of the copies we played were just too noisy, and most of the quiet ones just did not impress us sonically. After listening to so much mediocrity we were shocked and gratified that this very copy managed to show us a world of sound we did not expect to hear. (more…)

Simon and Garfunkel / Sounds of Silence – What to Listen For

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Hot Stamper Pressings of Sounds of Silence Available Now

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This album is the proverbial tough nut to crack, a mix of folkie tracks and ambitious big production numbers, all recorded on a four track machine and bounced down maybe just a few too many times along the way. Some got handed a troublesome case of Top 40 EQ — hey, this is 1965, it’s the way they thought pop records should sound.

But many of the best tracks survived just fine. They can sound wonderful, it’s just that they rarely do. This is precisely where we come into the picture.

The key to good sounding pressings of this record is to look for the ones with a top end. Now of course you can’t see the top end when you buy the record. But most of the copies of this album you pick up are going to sound like cassettes. There won’t be much over 8K, and that means hard, harsh, transistor radio sound.

Although the rock tracks certainly come to life and really do sound good on the hottest of the hot copies, the folkie tracks are the real reason to buy these early pressings. They have the Tubey Magic that’s missing from virtually any reissue or digital format version.

Best and Worst Tracks

For the best sounding tracks try Leaves That Are Green on side one, and April Come She Will on side two. 

Keep in mind that the big hit ”Sounds of Silence” will never sound much better than it does in the car. It’s basically the track from their previous album with rock instrumentation added, meaning an electric guitar, a second generation of tape and some extra distortion for good measure.

But on a superb copy, that track can still be surprisingly enjoyable. Not Demo Disc quality, just enjoyable. (more…)

Bud & Travis – …In Concert

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Original Liberty Black and Rainbow Label LP with exceptionally quiet vinyl and very good sound.

I played side one and thoroughly enjoyed it. These guys are very entertaining, especially their between song banter. What was surprising was how dynamic the vocals are on this recording. You would never hear a studio recording with these kinds of dynamics, I can tell you that. (more…)

Harry Belafonte – The Many Moods of Belafonte

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  • This outstanding pressing boasts solid Double Plus (A++) sound from start to finish – exceptionally quiet vinyl too
  • Lively, balanced and vibrant, with a healthy dose of the Tubey Magical Living Stereo full-bodied sound these recordings need to work their magic – qualities which are rarely evident on the modern reissues made from whatever tapes they are using
  • Several crowd-pleasers were introduced on this album for the first time: the calypso “Zombie Jamboree,” which soon replaced “Matilda” as Belafonte’s epic audience participation song; and the showtune “Try to Remember,” from the off-Broadway show The Fantasticks.

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Peter, Paul & Mary – Self-Titled

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Peter, Paul and Mary - Self-Titled - White Hot Stamper

  • The band’s debut finally arrives on the site with KILLER Shootout Winning Triple Plus (A+++) stereo sound throughout – relatively quiet vinyl for a pressing of this vintage
  • This TAS List title has real depth to the soundfield, full-bodied, present vocals, plenty of bottom end weight, and Tubey Magical analog warmth the likes of which you may have never heard
  • 4 stars: “The debut album by Peter, Paul & Mary is still one of the best albums to come out of the 1960s folk music revival. It’s a beautifully harmonized collection of the best songs that the group knew, stirring in its sensibilities and its haunting melodies as it crosses between folk, children’s songs, and even gospel”

Tubey Magical Acoustic Guitar reproduction is superb on the better copies of this recording. Simply phenomenal amounts of Tubey Magic can be heard on every strum, along with richness, body and harmonic coherency that have all but disappeared from modern recordings (and especially from modern remasterings). (more…)

Peter, Paul & Mary – A Song Will Rise

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  • Incredible sound for this Warner Brothers stereo pressing with both sides earning Shootout Winning Triple Plus (A+++) grades; the first copy to hit the site in years!
  • “The fifth album, A Song Will Rise, appeared in March 1965. It was, in a sense, the last of a quartet of albums that made up the early Peter, Paul and Mary sound. Again employing two-acoustic-guitars-and-acoustic-bass instrumentation, it featured a combination of recent cover tunes, songs associated with the groups’ predecessors, such as the Weaver’s ‘Wasn’t That A Time,” and a collection of revised traditional songs.”

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Simon and Garfunkel – Sounds of Silence

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  • You’ll find outstanding Double Plus (A++) sound or BETTER on both sides of Simon & Garfunkel’s sophomore release – exceptionally quiet vinyl too
  • Forget that critical listening stuff and just notice that these wonderful early pressings are simply more relaxed, musical and involving
  • Although the rock tracks come to life and really do sound good, the Tubey Magical folky tracks are the real reason to play the album
  • “A work of finely expressed folk. It’s arguably the duo’s big breakout, a crossover success with some handsome hits.” — COS

The sound is big, open, rich and full, with the performers front and center. This 360 Stereo pressing also has the MIDRANGE MAGIC that’s no doubt missing from whatever 180g reissue has been made from the 50+ year old tapes. As good as that pressing may be, we guarantee that this one is dramatically more REAL SOUNDING. It gives you the sense that Simon and Garfunkel are right in the room with you. (more…)

Donovan – A Gift From a Flower To a Garden

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  • An outstanding copy with Nearly Triple Plus (A++ to A+++) sound on side three mated with solid Double Plus (A++) sound or close to in for sides one, two, and four
  • This copy has real depth to the soundfield, full-bodied, present vocals, plenty of bottom end weight, and lovely analog warmth
  • Wear Your Love Like Heaven is superb here – rich, natural and relaxed
  • 4 1/2 stars: “… stands out as a prime artifact of the flower-power era that produced it… the sheer range of subjects and influences make this a surprisingly rewarding work.”

*NOTE: On side three, Track 5, The Mandolin Man And His Secret, plays closer to EX++.

This is a longtime Better Records favorite for both music and sound. It may not be one of the more popular titles we do our unique shootouts for, but for those of you who love folky, acoustic guitar pop — we often call it Hippie Folk Rock — you should find a lot to like about this album.

Tubey Magical Acoustic Guitar reproduction is superb on the better copies of this recording. Simply phenomenal amounts of Tubey Magic can be heard on every strum, along with richness, body and harmonic coherency that have all but disappeared from modern recordings (and especially from modern remasterings).

Natural vocal reproduction is absolutely key for this album. Many copies had “hyped-up” phony sound — fine for the old consoles and radios of the day (1967) but not too enjoyable on the modern, much more revealing rigs we use today. The tonality of the midrange — where the guitars and vocals are found of course — must be correct for this music to work. This copy really gets it right! (more…)

Doc Watson / Home Again – Another Dog from Cisco Records

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Folks, if you made the mistake of buying the Cisco Heavy Vinyl reissue of this album that came out in the early 2000s, you are in for treat if you are able to grab one of our Hot Stamper pressings.

Instead of Doc and his bandmates playing from behind a thick curtain at the back of your sound room, they can now be heard where they should have been all along: front and center between your speakers!

The difference between a truly outstanding vintage pressing and a modern mockery of analog could not be more striking.

We never got around to putting the Cisco pressing in our Hall of Shame (300+ strong!). There are just not enough hours in the day…

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