Labels We Love – Island

Traffic – Self-Titled

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  • An incredible sounding Island pink label pressing and the first to hit the site in many years — Shootout Winning Triple Plus (A+++) sound or very close to it on both sides
  • Both of these sides are rich, full-bodied and Tubey Magical yet still incredibly open and spacious; there’s tons of bottom end weight too!
  • “As Mason’s simpler, more direct performances alternate with the more complex Winwood tunes, the album is well-balanced… their second consecutive Top Ten ranking in the U.K.; the album also reached the Top 20 in the U.S.” – All Music, 5 Stars

This vintage Island pink label pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

Traffic – The Best of Traffic

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More Traffic

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or those who wish to find their own Hot Stamper pressings of the album, we say more power to you. Our helpful advice can be found at the bottom of the listing,

  • Best of Traffic finally returns to the site with Nearly Triple Plus (A++ to A+++) sound on this Pink Label Island pressing – just shy of our Shootout Winner
  • Here are the full-bodied mids, punchy lows and clear, open, extended highs that let this 1969 release come alive
  • This amazing compilation boasts superb sound, often better than the very same tracks on many of the original British releases
  • Top 100 and 4 stars: “The entire second side of the LP, comprising ‘Medicated Goo,’ ‘Forty Thousand Headmen,’ ‘Feelin’ Alright,’ ‘Shanghai Noodle Factory,’ and ‘Dear Mr. Fantasy,’ was the kind of progressive rock that would define Traffic and give it its place in the rock pantheon.”

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Brian Eno / Before And After Science – A Must Own Eno Record (His Last, Sad to Say) from 1977

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More Arty Rock Records

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  • This outstanding copy of Before And After Science on the Island Black Label boasts solid Double Plus (A++) sound from first note to last
  • Here you will find that rare combination of silky highs and deep low end, with huge amounts of space in the middle, three qualities among many that make this album an especially magical listening experience
  • I know whereof I speak- I must have played this album at least two hundred times in the 43 years that have passed since I first bought a copy
  • If you’re a fan of Art Rock or Prog Rock or just like something a little different, this is an album that belongs in your collection
  • 5 stars: “Despite the album’s pop format, the sound is unique and strays far from the mainstream. The music on Before and After Science at times resembles Another Green World (“No One Receiving”) and Here Come the Warm Jets (“King’s Lead Hat”) and ranks alongside both as the most essential Eno material.”

Side one, the rock side, strongly relies on its deep punchy bass to make its material come to life and rock (or should we say art rock?). Eno’s vocals are clear and present with virtually no strain. Phil Collins’ drumming is energetic and transparent and perfectly complemented by Percy Jones’ simultaneously acrobatic and hard-driving bass work. (more…)

Traffic – The Best of Traffic

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  • You’ll find outstanding Double Plus (A++) sound on both sides of this British Pink Label Island pressing
  • Here are the full-bodied mids, punchy lows and clear, open, extended highs that let this 1969 release come alive
  • This amazing compilation boasts superb sound, often better than the very same tracks on many of the original British releases
  • Top 100 and 4 stars: “The entire second side of the LP, comprising ‘Medicated Goo,’ ‘Forty Thousand Headmen,’ ‘Feelin’ Alright,’ ‘Shanghai Noodle Factory,’ and ‘Dear Mr. Fantasy,’ was the kind of progressive rock that would define Traffic and give it its place in the rock pantheon.”

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Cat Stevens – Tea For The Tillerman on the UK Island Pink Label

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More Reviews and Commentaries for Tea for the Tillerman

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  • A STUNNING Pink Label Island Label UK pressing of TFTT – an album we consider the Pinnacle of British Folk Rock – with Shootout Winning Triple Plus (A+++) sound from start to finish
  • The emotional power of the songs is communicated completely – we can assure you the experience will be like playing the album for the first time
  • Here’s your chance to relive the experience of hearing this groundbreaking album for the first time, but with much better sound than you ever thought possible
  • 5 stars on Allmusic, a stunning Demo Disc, and a permanent member of the Better Records Top 100

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King Crimson – Larks’ Tongues In Aspic

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More Prog Rock

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  • The band’s superb 1973 release makes its modern Hot Stamper debut here with KILLER Shootout Winning Triple Plus (A+++) sound or close to it from start to finish
  • Bass and body are key to the best pressings, along with Prog Rock energy, and here you will find plenty of all three
  • A powerful, dynamic recording, yet the Island Tubey Magical Richness and Smoothness are always there to keep the proceedings from getting out of hand.
  • 4 1/2 stars: “… this lineup quickly established itself as a powerful performing unit, working in a more purely experimental, less jazz-oriented vein than its immediate predecessor.”

NOTE: This copy has a label misprint – Side 1 has a Roxy Music Avalon label even though it’s a King Crimson Record, while Side 2 has the correct label.

*CONDITION NOTES:

  • On side one, the first half-inch of Track 1, Larks’ Tongues In Aspic, Part One, is moderately ticky.

Sometimes the copy with the best sound is not the copy with the quietest vinyl. The best sounding copy is always going to win the shootout, the condition of its vinyl notwithstanding. If you can tolerate the problems on this pressing you are in for some amazing King Crimson music and sound. If for any reason you are not happy with the sound or condition of the album we are of course happy to take it back for a full refund, including the domestic return postage.


Like any KC record, this album alternates its soft parts and its heavy parts. The soft parts sound oh so sweet and delicate, each intricacy revealed to perfection by the out-of-this-world recording quality, while the heavy parts sound big and bold, augmented by Fripp’s meaty, fuzzed-out guitar and Bill Bruford’s savage percussion.

What’s uncanny about this pressing is how the softness and heaviness play off each other, transitioning into one another, WITHOUT LOSING A THING. With most prog rock records, once the bombast starts kicking in, all the intricacies of the midrange and top end get washed out. But when this pressing’s rockin’, the subtle contribution of the mellotron in the background can still clearly be recognized, floating above the clouds, tying everything together, with all of Bill Bruford’s intricate percussion effects along for the ride. (more…)

Steve Winwood – Back In The High Life

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More Traffic

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  • Both sides of this UK copy of Steve Winwood’s Solo Masterpiece earned outstanding Double Plus (A++) grades or BETTER
  • This early British pressing is guaranteed to be dramatically bigger, richer, fuller and smoother than anything you’ve heard
  • Higher Love with better than Double Plus sound? You’re gonna love it! And there’s really not a bad track on the album
  • “The first undeniably superb record of an almost decade-long solo career … the passion long smoldering in his finest work explodes in the album-opening duet with Chaka Khan, Higher Love…” — Rolling Stone

On the best copies, the sound is spacious and high-resolution. The bright, dry, grainy, analytical sound is replaced with something warmer, richer, fuller, sweeter, smoother — in other words, more ANALOG sounding. (more…)

Jethro Tull – Stand Up

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  • An outstanding UK import LP with solid Double Plus (A++) sound from start to finish — exceptionally quiet vinyl too
  • This is a True Tull Classic – my favorite by the band – and a VERY tough record to come by with this kind of sound and surfaces this quiet, as quiet as any copy we have ever played
  • Both of these sides give you richness, Tubey Magic, clarity and resolution few copies can touch – these are the Hot Stampers, folks
  • “Stand Up! has great textural interest, due, in part, to a more sophisticated recording technique, in part to the organ, mandolin, balalaika, etc., which Anderson plays to enrich each song. The band is able to work with different musical styles, but without a trace of the facile, glib manipulation which strains for attention.”

Need a refresher course in Tubey Magic after playing too many modern recordings or remasterings? These Island pressings are overflowing with it. Rich, smooth, sweet, full of ambience, dead-on correct tonality — everything that we listen for in a great record is here. We must give thanks to the brilliant engineer Andy Johns. (more…)

Jethro Tull – This Was

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More British Blues Rock

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  • A KILLER copy of Tull’s debut with a Shootout Winning Triple Plus (A+++) side two mated with an outstanding Double Plus (A++) side one
  • We’ve only had a handful of copies go up since 2013 – it’s tough to find these vintage UK pressings in clean condition with this kind of sound
  • Guaranteed to soundly trounce any Pink Label Island original you may have heard – these are the Hot Stampers and it doesn’t take a pair of golden ears to hear it
  • Melody Maker thoroughly recommended the album in 1968 for being “full of excitement and emotion” and described the band as a blues ensemble “influenced by jazz music” capable of setting “the audience on fire.” Wikipedia

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Cat Stevens – Catch Bull At Four

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  • With Shootout Winning Triple Plus (A+++) sound or close to it on both sides, this very specific UK pressing is STUNNING from start to finish
  • Bigger, more dynamic, more lively, more present and just plain more EXCITING than anything we heard – that’s why it won our shootout
  • Hard to believe, but it’s true: there is only one stamper that consistently wins shootouts, and the unfortunate fact of the matter is that it took us twenty years to discover it, ouch
  • This British pressing with the right stamper – can show you the sweeter, tubier Midrange Magic that we is the hallmark of all the best Cat Stevens’ recordings
  • “Though some of the lyrics retain Cat’s fanciful imagery… he shows a new emotional directness, especially on side two, the albums “down” side. This is reflected in Cat’s singing, which becomes more assured and more emotive with each album.”

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