Labels We Love – Track

Which Album by The Who Has the Best Sound?

whotommy

We Think It’s This One

I don’t know of another Who album with such consistently good sound — song to song, not copy to copy, of course. Just about every song on here can sound wonderful on the right pressing. If you’re lucky enough to get a Hot Stamper copy, you’re going to be blown away by the Tubey Magical Guitars, the rock-solid bottom end, the jumpin’-out-of-the-speakers presence and dynamics, and the silky vocals and top end. Usually the best we can give you for The Who is “Big and Rockin,” but on Tommy, we can give you ’60s analog magic like you will rarely hear in the decades to follow.

Acoustic guitar reproduction is key to this recording, and on the best copies the harmonic coherency, the richness, the body and the phenomenal amounts of Tubey Magic can be heard in every strum.

What do high grades give you for this album? Silky, sweet vocals; huge weight to the bottom end; “you are there” immediacy; BIG drums, off the charts rock and roll energy, and shocking clarity and transparency.

No other Who album has all these things in such abundance.

The Tubey Magic Top Ten

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The Who – Direct Hits – Not Bad on Track, Awful on Classic Heavy Vinyl

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This is a very nice looking original Track Black Label British Import LP. As anyone who knows the Who’s back catalog can attest, most of these songs were poorly recorded. Like all compilations, the sound here varies from track to track. Side two definitely has the better sound.

We guarantee that this pressing sounds better than the Classic reissue, which was so bad we never carried it.

TRACK LISTING

Bucket “t”
I’m a Boy
Pictures of Lily
Doctor! Doctor!
I Can See for Miles
Substitute
Happy Jack
The Last Time
In the City
Call Me Lightning
Mary Anne with the Shaky Hand
Dogs

AMG  Review (more…)

The Who – Quadrophenia – Our Shootout Winner from 2012

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A distinguished member of the Better Records Rock Hall of Fame and another in the long list of recordings that really comes alive when you Turn Up Your Volume.

This may be the best sounding copy to ever hit the site – White Hot on 3 sides, and nearly White on the 4th! The sound is so BIG, rich, and powerful it will surely make you rethink the recording itself. When the sound is this immersive your experience of the music becomes breathtakingly REAL. One of the True Must Own Classics by the band. 

In four words, this is about AS GOOD AS IT GETS!

If you want to hear this music EXPLODE out of the speakers and come to life — the way The Who wanted you to hear it — this practically All White Hot Stamper pair of pressings will take you there. Drop the needle on any song to hear it better than you’ve ever heard it before — guaranteed. We’ve played tons of copies– Imports, Domestics, Reissues — and trust me here, you gotta play a whole lot of copies to come up with one that sounds like this! (more…)

The Who – Tommy – Our First Big Shootout Winner from Way Back in 2008

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A distinguished member of the Better Records Rock Hall of Fame.  

This British Track Black Label pressing DEMOLISHED our expectations for this album. I don’t think I’ve ever heard The Who sound this good.

Three out of four sides rate our top grade of A+++, and side three ain’t far behind at A++. What do such high grades give you for this album? Tubey magical guitars, silky vocals with lots of texture, unbelievable weight to the bottom end, “you are there” immediacy, BIG drums sound, OFF THE CHARTS rock and roll energy, and shocking clarity and transparency.

This is only the second $1000 Classic Rock Hot Stamper we’ve ever listed on the site. We know there’s always a rise in trash talk on the vinyl message boards when we throw this kind of record on the site, but we can’t worry about that silly business. Our job is to find you guys the best of the best, and here’s a record that we’re very proud to put at the very top of our top shelf. (more…)

The Who – Live At Leeds – Our Shootout Winner from 2013

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A distinguished member of the Better Records Rock Hall of Fame and another in the long list of recordings that really comes alive when you Turn Up Your Volume.

TWO STUNNING A+++ SIDES! Get ready to rock out, as this is one of the BEST SOUNDING live albums ever recorded. Young Man Blues on a copy such as this has drums that are so solid, punchy and present they positively put to shame the drum sound on 99 out of 100 rock records you’ve ever played. Keith Moon lives on!

Both sides here are absolutely As Good As It Gets! The bass is big and tight, the drums are killer, and the whole thing has the kind of rockin’ energy that this music demands. A+++, White Hot Stamper material all the way!

“Crackling Noises O.K. – Do Not Correct!!”

There are some crackling noises throughout that sound like noisy vinyl, but they are part of the recording, as indicated on the labels. This is raw and brutal rock and roll, so a little bit of crackle doesn’t really spoil the party. (more…)

Making Audio Progress – Step One: Weed Out the Heavy Vinyl

 

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In his latest letter Dan tells us of his disappointment with the new reissues he’s been trying:

… And thanks again for that amazing “Who’s Next” record. It was startling to hear the difference between that and the Classic – and that was one of the better modern audiophile records!I can’t tell you how many modern reissues I’ve bought over the past couple months that have lost, and lost badly, to just my one single original or early pressing of an album. Reissues by AC/DC, The Who, ZZ Top, The Rolling Stones, and Patti Smith have all failed miserably against my merely average sounding originals.
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The Who – Quadrophenia – What to Listen For

More The Who

More Quadrophenia

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of the album.

On the best copies the energy factor is OFF THE CHARTS. The highs are silky sweet, the bottom end is meaty, the drums are punchy and the vocals are present and tonally correct. The piano has real weight, the synths float breathily in the air, and there’s wonderful three-dimensional depth to the soundfield. 

There’s a POWER to the sound that the average copy only hints at. The crashing guitar chords that are the hallmark of The Who Sound often lack the weight of the real thing; they don’t punch you in the gut the way Townsend no doubt wanted them to.

Moon’s drums need to blast away like cannons. This is the quintessential Who sound. Everybody who’s ever seen them live knows it. I saw them back in the day when Moon was still behind his kit and it’s a sound I’ll never forget. 

Most copies don’t have nearly this much Tubey Magic — you aren’t going to believe all the richness, sweetness, and warmth here. The clarity and transparency are superb in their own right, and the impressive dynamic range really allows this copy to communicate the explosive energy of The Who at their peak.. (more…)

Who’s Next… to Remaster the Album Badly? Our Audiophile LP Overview

More The Who

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The following was written in the early 2000s.

Who’s Next has been remastered for audiophiles many, many times, more often than not quite badly in our opinion. To be fair we should point out that our opinion has changed quite a few times over the course of the last twenty years.

This then is our story.

MCA MASTERPHILE
Back in the days when I was foolishly in the thrall of half-speed mastered audiophile pressings, I thought that the MCA Masterphile was king. That was probably the mid to late ’80s.

BRITISH TRACK LABEL ORIGINALS
By the early ’90s I had discovered how good the Black Label Original British Track pressings could be and started preferring those. A bit murky but tubey-magical, full and rich, precisely the way a good British rock recording (Faces, Jethro Tull) should be.

JAPANESE AND GERMAN
Of course by then I had played numerous Japanese and German pressings, none of which sounded right to my ears, then or now.

MCA HEAVY VINYL
In 1995 the MCA Heavy Vinyl version came out, mastered by Kevin Gray. I quite liked it at the time but no longer do; it’s brightened up and much of the fine detail of the recording is missing. It’s also notoriously badly pressed, resulting in stitches in the vinyl that are quite audible on practically every copy.
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Who’s Next – An Album We Are Clearly Obsessed With

More The Who

More Who’s Next

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WHO’S NEXT is an album we admit to being obsessed with — just look at the number of commentaries we’ve written about it.  

We love the album and we hope you do too. If you have some time on your hands — maybe a bit too much time on your hands — please feel free to check out our commentaries.

Maximum Volume

Now if you like to play records at 70 db, little of the following discussion will make much sense. There are some dumb ideas floating out there in Audiophile land, but playing music at quiet levels surely has to be one of the dumbest. You Want to Turn The Volume DOWN? Are You Out of Your Mind?

Anybody who plays a record like Who’s Next at moderate levels should be taken out and hosed down. How do you think Townsend went deaf, by playing his music too softly? He played his music LOUD because that’s the way he wanted you to hear it. Moon beats the hell out of his drums because he likes the sound of drums beaten HARD. If you don’t have the stereo to play this record right, don’t make excuses and DON’T make up bizarre theories about volume levels in the home. You’re not fooling anybody with those kinds of rationalizations. If your speaker distorts that’s your problem, pal. Don’t lay that trip on me.

Some of us have done our homework and take pride in what we’ve managed to accomplish. We’ve been challenging ourselves and our systems with records like Who’s Next and Aqualung for thirty years. We know how good these records can sound on systems that have what it takes to play them. If you’re not going to turn up the volume, don’t waste your money on a good Track pressing. Buy the Classic; at 70 db it will probably sound good enough for you. Spend the money you save on wine and cigars.

The Who – Live At Leeds

More The Who

More Live At Leeds

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  • A hard-rockin’ copy – this British Track pressing boasts huge and powerful Double Plus (A++) sound on both sides
  • The recording is huge and lively with startling dynamics and in-the-room-presence like nothing you’ve heard
  • The drums are so solid, punchy and present they put to shame 99 out of 100 rock records you’ve ever played
  • 5 stars in Allmusic – a Rolling Stone readers’ poll in 2012 ranked it the best live album of all time!
  • Cited as the best live rock recording of all time by The Daily Telegraph, The Independent, the BBC Q magazine, and Rolling Stone. In 2003, it was ranked number 170 on Rolling Stone’s list of the 500 greatest albums of all time.

Killer sound for this classic live album! Get ready to rock out, as this is one of the BEST SOUNDING live albums ever recorded. Young Man Blues on a copy such as this has drums that are so solid, punchy and present they positively put to shame the drum sound on 99 out of 100 rock records! Keith Moon lives on! (more…)