The run of the mill heavy vinyl pressing is so dull and opaque that we think the run of the mill CD, on average, will sound better.
In this letter Dan tells us of his disappointment with the new reissues he’s been trying:
… And thanks again for that amazing “Who’s Next” record. It was startling to hear the difference between that and the Classic – and that was one of the better modern audiophile records!I can’t tell you how many modern reissues I’ve bought over the past couple months that have lost, and lost badly, to just my one single original or early pressing of an album. Reissues by AC/DC, The Who, ZZ Top, The Rolling Stones, and Patti Smith have all failed miserably against my merely average sounding originals. (more…)
Quadrophenia is back! This superb early UK pressing has a Shootout Winning Triple Plus (A+++) side four mated to three Nearly Triple Plus (A++ to A+++) others, which guarantees this copy is going to blow your mind
If you want to hear this music EXPLODE out of the speakers and come to life the way The Who wanted you to hear it. this record will do the trick
The sound here is so BIG, rich, and powerful it will surely make you rethink the recording itself
5 stars: “Some of Townshend’s most direct, heartfelt writing is contained here, and production-wise it’s a tour de force, with some of the most imaginative use of synthesizers on a rock record.”
We recently removed this title from our Top 100 List because it has become so difficult to get hold of clean UK copies nowadays. Who’s Next is even more difficult, but for some reason we left that one on the list, go figure.
Outstanding sound for all four sides with Shootout Winning Triple Plus (A+++) grades on side one and solid Double Plus (A++) grades on the remaining three sides
Exceptionally quiet vinyl too – they don’t come our way with audiophile quality surfaces like these very often, almost never in fact
Our early Black Label British Track pressing here has the rich, spacious, Tubey Magical sound that has the power to immerse you in the story of a deaf, dumb and blind boy named Tommy
Top 100, and clearly our pick for the best sounding album The Who ever made – when you play a copy that sounds as good as this one we think you’ll have no problem seeing our point
4 1/2 stars: “…Townshend’s ability to construct a lengthy conceptual narrative brought new possibilities to rock music.”
*NOTE: On all four sides, a very small warp is not audible.
I know of no other Who album with such consistently good sound — song to song, not copy to copy, of course. Just about every song on here can sound wonderful on the right pressing. If you’re lucky enough to get a Hot Stamper copy, you’re going to be blown away by the Tubey Magical Guitars, the rock-solid bottom end, the jumpin’-out-of-the-speakers presence and dynamics, and the silky vocals and top end.
Usually the best we can give you for The Who is “Big and Rockin,” but on Tommy, we can give you ’60s analog magic that will all but disappear in the decades to follow.
Acoustic guitar reproduction is key to this recording, and on the best copies the harmonic coherency, the richness, the body and the phenomenal amounts of Tubey Magic can be heard in every strum.(more…)
A hard-rockin’ copy – this British Track pressing boasts powerful Double Plus (A++) DEMO DISC sound on both sides
The recording is huge and lively with startling dynamics and in-the-room-presence like nothing you’ve heard
Drums so solid, punchy and present they put to shame 99% of the rock records on the planet
Cited as the best live rock recording of all time by The Daily Telegraph, The Independent, the BBC Q magazine, and Rolling Stone. In 2003, it was ranked number 170 on Rolling Stone’s list of the 500 greatest albums of all time.
Vintage covers for this album are hard to find in clean shape. Most of them will have at least some amount of seam wear, edge wear or crushed corners. We guarantee that the cover we supply with this Hot Stamper is at least VG, and it will probably be VG+. If you are picky about your covers please let us know in advance so that we can be sure we have a nice cover for you.
Get ready to rock out, as this is one of the BEST SOUNDING live albums ever recorded. Young Man Blues on a copy such as this has drums that are so solid, punchy and present they positively put to shame the drum sound on 99 out of 100 rock records! Keith Moon lives on!
The bass is AMAZING on this record. Present vocals and clear guitars in both channels are key to the best copies such as this one. Most pressings do not get the guitars to jump out of the speakers the way the best can. Few copies get the highest highs and the lowest lows but this one had it going on from top to bottom.
The seven minute long Magic Bus that finishes out the side is The Who at their best. Rock fans will have a hard time finding a better sounding Who pressing than this one, on either side.(more…)
Both sides of this British Track original are Super Hot and rockin’
Superb energy and punch, with mostly rich, natural tonality — a top quality side one
Magic Bus on side two sounds great – big down low, smooth up top, tubey and fun
“…condensing their highlights to just the singles is an electrifying experience.”
Much of this material is not available on album so this compilation is essential for true Who fans. As is often the case with these compilations the tracks vary quite a bit in sound quality. That’s just the nature of the beast.
Just listen to “I Can’t Explain” on side one — the sound is Right On The Money! Rich and clear, with good top end extension, there aren’t many sides out there that get as much right as this one.
On side two check out the Tubey Magic on “Pinball Wizard”!(more…)
Wow — an original Black Label Track British Import pressing that plays QUIET and sounds about as good as any compilation of this material can hope to sound. We had about a half-dozen copies to compare against each other and none of them were as good as this one. I really doubt you can do much better. Like any comp the sound ranges from track to track, but relative to the other copies we played we award this one a conservative overall sonic grade of A+ to A++. The vinyl plays Mint Minus or better.
Those of you who follow the site won’t be surprised to learn that some of the best sound on here is found on the tracks that Glyn Johns worked on.
This one comes in the original cool cover that’s die-cut to appear ripped. The later covers fake the effect.(more…)
I don’t know of another Who album with such consistently good sound — song to song, not copy to copy, of course. Just about every song on here can sound wonderful on the right pressing. If you’re lucky enough to get a Hot Stamper copy, you’re going to be blown away by the Tubey Magical Guitars, the rock-solid bottom end, the jumpin’-out-of-the-speakers presence and dynamics, and the silky vocals and top end. Usually the best we can give you for The Who is “Big and Rockin,” but on Tommy, we can give you ’60s analog magic like you will rarely hear in the decades to follow.
Acoustic guitar reproduction is key to this recording, and on the best copies the harmonic coherency, the richness, the body and the phenomenal amounts of Tubey Magic can be heard in every strum.
What do high grades give you for this album? Silky, sweet vocals; huge weight to the bottom end; “you are there” immediacy; BIG drums, off the charts rock and roll energy, and shocking clarity and transparency.
No other Who album has all these things in such abundance.
This is a very nice looking original Track Black Label British Import LP. As anyone who knows the Who’s back catalog can attest, most of these songs were poorly recorded. Like all compilations, the sound here varies from track to track. Side two definitely has the better sound.
We guarantee that this pressing sounds better than the Classic reissue, which was so bad we never carried it.
This may be the best sounding copy to ever hit the site – White Hot on 3 sides, and nearly White on the 4th! The sound is so BIG, rich, and powerful it will surely make you rethink the recording itself. When the sound is this immersive your experience of the music becomes breathtakingly REAL. One of the True Must Own Classics by the band.
In four words, this is about AS GOOD AS IT GETS!
If you want to hear this music EXPLODE out of the speakers and come to life — the way The Who wanted you to hear it — this practically All White Hot Stamper pair of pressings will take you there. Drop the needle on any song to hear it better than you’ve ever heard it before — guaranteed. We’ve played tons of copies– Imports, Domestics, Reissues — and trust me here, you gotta play a whole lot of copies to come up with one that sounds like this!(more…)
This British Track Black Label pressing DEMOLISHED our expectations for this album. I don’t think I’ve ever heard The Who sound this good.
Three out of four sides rate our top grade of A+++, and side three ain’t far behind at A++. What do such high grades give you for this album? Tubey magical guitars, silky vocals with lots of texture, unbelievable weight to the bottom end, “you are there” immediacy, BIG drums sound, OFF THE CHARTS rock and roll energy, and shocking clarity and transparency.
This is only the second $1000 Classic Rock Hot Stamper we’ve ever listed on the site. We know there’s always a rise in trash talk on the vinyl message boards when we throw this kind of record on the site, but we can’t worry about that silly business. Our job is to find you guys the best of the best, and here’s a record that we’re very proud to put at the very top of our top shelf.(more…)