1962 turned out to be a great year for recorded music.
Click HERE to see the records currently on the site that were recorded or released in 1962.
[This is an older listing from 2016. Back then we could find most of the albums you see below. Now, not so much. Still, plenty of good records with Hot Stampers are available these days, just not the same titles.]
Classic albums on the site as I write this:
Jazz Impressions of Black Orpheus
Sings the Harold Arlen Song Book #2
I Left My Heart In San Francisco
Shorty Rogers Big Band
Cannonball Adderley – Bill Evans
Know What I Mean?
Here is what we have as of 6/20/2021
1975 turned out to be a great year in music.
Click HERE to see the records currently on the site that were recorded or released in 1975.
1970 turned out to be a great year in music. I wouldn’t want to be without any of the albums listed below.
Tea for the Tillerman,
Bridge Over Troubled Water,
Tumbleweed Connection and the Self-Titled Album,
After the Goldrush,
The Yes Album,
Elton John Self-Titled,
Van Morrison / His Band And Street Choir,
Let It Be,
and there are surely many other Must Owns from 1970 we could name if we simply took the time to list them.
Note that on any given day we do not have a single Hot Stamper pressing on the site of much more than a few of the albums you see listed. All of them are getting very hard to find with Hot Stampers in audiophile playing condition.
This book tells the story of four of these albums well, and comes highly recommended:
We’re big fans of this album, and a Shootout Winning Hot Stamper copy like this one will show you exactly why. It’s a favorite recording of ours here at Better Records for one very simple reason: Candy-O has got The BIG ROCK SOUND we love!
Drop the needle on Let’s Go and check out the sound of the big floor tom. When the drummer bangs on that thing, you FEEL it! It’s similar to the effect of being in the room with live musicians — it’s the difference between hearing the music and feeling the music. That difference is what you get from our best Hot Stamper copies when you turn them up good and loud and let them ROCK your world.
A New Wave Classic
What other New Wave band ever recorded an album with this kind of demonstration quality sound? The sound of the best copies positively JUMPS out of the speakers. No album by Blondie, Television, The Pretenders or any of their contemporaries can begin to compete with this kind of huge, lively, powerful sound, with the possible exception of the Talking Heads’ Little Creatures.
Before I get too far into the story of the sound, I want to say that this album appears to be criminally underrated as music nowadays, having fallen from favor with the passage of time.
It is a surely a MASTERPIECE that belongs in any Rock Collection worthy of the name. Every track is good, and most are amazingly good. There’s not a scrap of filler here. The recording by Bruce Botnick is hard to fault as well.
1970 was a great time in music. Tea for the Tillerman, Bridge Over Troubled Water, Moondance, Sweet Baby James, Tumbleweed Connection, After the Goldrush, The Yes Album, McCartney, Elton John, His Band And Street Choir, Deja Vu, Workingman’s Dead, Tarkio, Stillness, Let It Be — need I go on?
Even in such illustrious company — I defy anyone to name ten albums of comparable quality to come out in any year — Alone Together ranks as one of the best releases of 1970. (more…)
1959 turned out to be a great year for recorded music.
Click HERE to see the records currently on the site that were recorded or released in 1959.
Fred Plaut was a recording engineer and amateur photographer. He was employed by Columbia Records during the 1940s, 1950s, and 1960s, eventually becoming the label’s chief engineer.
Plaut engineered sessions for what would result in many of Columbia’s famous albums, including the original cast recordings of South Pacific, My Fair Lady, and West Side Story, jazz LPs Kind of Blue and Sketches of Spain by Miles Davis, Time Out by Dave Brubeck, Mingus Ah Um and Mingus Dynasty by Charles Mingus.
CBS 30th Street Studio, also known as Columbia 30th Street Studio, and nicknamed “The Church”, was an American recording studio operated by Columbia Records from 1949 to 1981 located at 207 East 30th Street, between Second and Third Avenues in Manhattan, New York City.
It was considered by some in the music industry to be the best sounding room in its time and others consider it to have been the greatest recording studio in history. A large number of recordings were made there in all genres, including Miles Davis’ Kind of Blue (1959), Leonard Bernstein’s West Side Story (Original Broadway Cast recording, 1957), Percy Faith’s Theme from A Summer Place (1960), and Pink Floyd’s The Wall (1979). (more…)
Click HERE to see the records we have on the site that were (mostly) recorded in 1958.
- This early pressing on the rainbow label earned excellent Double Plus (A++) grades for its wonderful sound
- Both sides here are BIG, rich and Tubey Magical, yet clear and not the least bit thick or opaque
- Turn down the lights and drop the needle to hear a living breathing Nat King Cole singing right in your very own listening room
- “Highlights include “The Very Thought of You,” “But Beautiful,” “This Is All I Ask,” “For All We Know,” and “The More I See You”.
We are HUGE fans of the album at Better Records, but it’s taken us a long time to pull together enough clean copies to make the shootout happen. Boy, was it worth all the trouble.
The presence and immediacy here of Nat King Cole’s vocals are ’50s Capitol Recording Magic at its best. Set the volume right and Nat is right between your speakers, putting on the performance of a lifetime. The selection of material and the contributions of all involved are hard to fault.
The sound is big, open, rich and full, with loads of Tubey Magic. The highs are extended and silky sweet. The bass is tight and punchy.
Midrange Magic to Die For
This Rainbow Label Capitol LP also has the MIDRANGE MAGIC that’s missing from the DCC reissue (and no doubt any others that will be coming down the pike). As good as some think that pressing is, this one is dramatically more REAL sounding. (more…)
1955 turned out to be a great year for recorded music.
Click HERE to see the records currently on the site that were recorded or released in 1955.
- Not only the first copy to hit the site in many years but also the BEST, with both sides rating a Triple Plus (A+++)
- As Good As It Gets — bigger, richer, fuller, more spacious and with more Tubey Magic than every other copy we played
- Definitely one of the best early Contemporary LPs we’ve ever played – this is why audiophiles love mono!
- “Guitarist Barney Kessel’s string of recordings for Contemporary in the 1950s included some of the finest work of his career … highly recommended to fans of straight-ahead jazz.” – All Music
This Early Contemporary Yellow Label Mono LP sure has AMAZING SOUND! (more…)
1986 – Not the best year for recording quality
This original domestic pressing offers two superb sides for Crowded House’s wonderful debut.
Note that this copy won our shootout on side one, and since side one has the best batch of songs here, that works out well for everyone who loves great sounding sophisticated pop music, a group that includes us to be sure.
1986 – Not a great year for recording quality!
Exhibit A: Paul Simon’s Graceland. Exhibit B: Peter Gabriel’s So.
I rest my case. Fortunately for us audiophiles, Crowded House’s debut here is big, rich, smooth, natural and, above all, ANALOG. (I really don’t know if it is actually is analog or not, but it sounds like analog, and that’s really all that matters.)
Musically side one is absolutely brilliant from first note to last. Crowded House may have wanted to be the New Beatles, but those are some pretty big shoes to fill. They fell a bit short — who can compete with The Beatles? — but in their heyday, 1985-1993, they were better at making intelligent, original, melody-driven pop than practically any other group I was listening to at the time.
(We love Squeeze’s albums from this period as well but the ’80s sound is just too processed and artificial on even the best pressings to be enjoyed on modern high-resolution audiophile equipment.)
When people ask me what kind of music I like, a common question from non-audiophiles seeing a house full of records and a custom sound room stuffed with equipment and room treatments, Crowded House is one band I’m happy to namecheck (10cc and Roxy Music and Little Feat being a bit too obscure for most people by now).
Sophisticated Pop Albums with Audiophile Quality Sound make up a large part of my record collection, with Crowded House taking its place up near the top, not on the same plane as The Beatles, say, but not that far below either. (Woodface is an album that I have played many hundreds of times over the course of the last twenty years and have yet to tire of.)
The first Crowded House album is a record that belongs no less in your collection than it does in mine. Their songs still get played on the radio and to these ears they’re holding up just fine. (more…)