Top Engineers – Jack Higgins

Kenny Dorham / Cannonball Adderley – Blue Spring

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  • Dorham and Adderley’s 1959 collaboration finally arrives on the site with Shootout Winning Triple Plus (A+++) sound on side two with an outstanding Double Plus (A++) side one 
  • This superb recording is huge and lively with startling dynamics and in-the-room-presence like nothing you’ve heard
  • The trumpet and saxophone are so full-bodied and Tubey Magical you won’t believe it – where is that sound today?
  • 4 stars: “The set features plenty of Dorham’s varied and sophisticated horn work and four of his top-drawer originals. The theme is spring… Essential listening for Dorham fans.”

*CONDITION NOTES:

  • On side two, A mark makes 10 moderately light to light ticks three-quarter inches into track 3, Passion Spring.

To find a clean, 1959 Riverside pressing on the early Blue Label with vinyl any quieter and no groove damage whatsoever strikes us as practically impossible. This is the first pressing in audiophile playing quality we have ever seen, and we may never see its like again.

Jack Higgins was the engineer for these sessions. He recorded Chet Baker’s brilliant Chet album the same year, as well as another favorite of ours here at Better Records, Wynton Kelly’s wonderful (and very good sounding on ’80s OJC) Kelly Blue. (more…)

Wynton Kelly Trio & Sextet – Kelly Blue

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  • Wynton Kelly’s hard-to-find second album finally makes its debut, with outstanding Double Plus (A++) sound on both sides – exceptionally quiet vinyl too
  • A superb pressing, with lovely richness and warmth, good space and separation between the instruments and real immediacy throughout
  • Kelly brings in jazz greats Nat Adderley, Bobby Jaspar, and Benny Golson, as well as several of his bandmates from Miles Davis’ sextet, including Paul Chambers and Jimmy Cobb
  • 4 1/2 stars: “Kelly was renowned as an accompanist, but as he shows on a set including three of his originals and four familiar standards… A fine example of his talents.”
  • “Wynton Kelly demonstrates once again why he has been a major influence in the history of jazz piano.”

Jack Higgins was the engineer for these sessions. He recorded Chet Baker’s brilliant Chet album the same year, as well as many other albums for Riverside in New York in the ’50s and ’60s. (more…)