Dorham and Adderley’s 1959 collaboration finally arrives on the site with Shootout Winning Triple Plus (A+++) sound on side two with an outstanding Double Plus (A++) side one
This superb recording is huge and lively with startling dynamics and in-the-room-presence like nothing you’ve heard
The trumpet and saxophone are so full-bodied and Tubey Magical you won’t believe it – where is that sound today?
4 stars: “The set features plenty of Dorham’s varied and sophisticated horn work and four of his top-drawer originals. The theme is spring… Essential listening for Dorham fans.”
On side two, A mark makes 10 moderately light to light ticks three-quarter inches into track 3, Passion Spring.
To find a clean, 1959 Riverside pressing on the early Blue Label with vinyl any quieter and no groove damage whatsoever strikes us as practically impossible. This is the first pressing in audiophile playing quality we have ever seen, and we may never see its like again.
Jack Higginswas the engineer for these sessions. He recorded Chet Baker’s brilliant Chet album the same year, as well as another favorite of ours here at Better Records, Wynton Kelly’s wonderful (and very good sounding on ’80s OJC) Kelly Blue.(more…)