A distinguished member of the Better Records Rock and Pop Hall of Fame.
This very nice looking original Deram British Import LP has that good old Heavy British Rock sound. It’s lively if a bit crude, but that’s pretty much the way these bands were recorded. The sound varies quite a bit from track to track, with some sounding noticeably better than others. Not much new there.
’Me and My Baby’ is a particularly good sounding song here. It sounds like it was recorded live in the studio, and it probably was! (more…)
I had no idea the band’s first album was recorded this well. I expected it to sound something like an old Rolling Stones Decca — tubey magical but plagued by a fair amount of compression, distortion and limited at both ends of the frequency spectrum.
Instead, when the needle hit the groove, out of the speakers poured truly MASTER TAPE SOUND! Who knew? Clear as a bell, super-transparent, zero-distortion, spacious, and tubey magical in the best sense of that phrase — not fat and sloppy, but rich and sweet. To my ear there is practically no processing to the sound.
For a recording from 1967 to sound this good is a bit of a shock. Sgt. Pepper came out in 1967, but it’s full of studio trickery. The kind of purity and freedom from distortion that characterizes this Ten Years After record puts it at the opposite end of the artificial recording spectrum. I can’t think of another record from this far back that has this kind of sound. More than anything it proves it could be done; they had the technology.
Oh how far we have fallen. And you can be sure of one thing: the domestic pressings are not going to sound like this one. The Moody Blues on domestic Deram pressings are a joke next to the imports. Those tapes are in England, baby, and I doubt they ever crossed the pond.
A Space in Time is just one of the recordings that made me pursue Big Stereo Systems driving Big Speakers, right from my earliest days in audio. You need large dynamic drivers with plenty of piston area – the kind that can move a lot of air – in order to bring the power of the music to life.
If you have big speakers and a penchant for giving the old volume knoban extra click or two, it just doesn’t get any better than A Space in Time.(more…)
By the way, the BGO Import CD of this album is excellent. No match for a Hot Stamper of course, but dramatically better than the average classic rock CD, and quite a bit better than the domestic CDs we’ve auditioned.
The Audio Fidelity Gold CD mastered by Steve Hoffman is even better. If you don’t want to buy a Hot Stamper LP, that CD is your best bet (assuming it sounds as good as mine).
Two superb sides, Triple Plus (A+++) for the second side and Double Plus (A++) for the first
One of the most Tubey Magical rock recordings out there, and a copy like this captures and delivers all of it
The sound is big, rich and full-bodied with massive size and tons of space
A Better Records Psych Rock Favorite with the hit single “I’d Love To Change The World”
This is some of the best high production value rock music of the ’70s. The amount of effort that went into the recording of this album is comparable to that expended by the engineers and producers of bands like Supertramp, Yes, Jethro Tull, Ambrosia, Pink Floyd and too many others to list. It seems that no effort or cost was spared in making the home listening experience as compelling as the recording technology of the day permitted. (Of course, as it turns out, recording technology only got worse as the decade wore on, and during the ’80s the sound of most records went off a cliff.)(more…)