Top Engineers – Dave Sanders

Gary McFarland – Does The Sun Really Shine On The Moon?

xxxxx

 

Look at the track listing — these are pop tunes by The Beatles and The Beach Boys set to jazzy arrangements, perfect for your bachelor pad. Enjoy this one for what it is — enchanting pop tunes without the vocals, superbly well recorded and well played by jazz guys who know how to have fun with these kinds of songs. 

DCC did this title on CD and if you want one just drop us a note and we will include one with your order gratis.

This copy is dramatically more open and spacious than any of the other copies we’ve heard. The organ and bass are especially well recorded.

Drop the needle on God Only Knows to get a taste of how good side one sounds. (more…)

Gabor Szabo – 1969

xxxxx
xxxxx

  • A KILLER sounding copy and the first to hit the site in many years — Shootout Winning Triple Plus (A+++) sound or very close to it throughout
  • Both sides here are incredibly rich and full-bodied yet still clean, clear and spacious with a HUGE three-dimensional soundfield that really allows you to hear into the music
  • Superb choice of material, with a heavy emphasis on Beatles tunes — “Dear Prudence”, “I’ve Just Seen A Face”, “In My Life” and “You Won’t See Me”, all make an appearance here
  • “Szabo acknowledges that worthwhile popular music didn’t die with George Gershwin… [he] deserves credit for bringing a jazz perspective to songs that so many other improvisers were ignoring.” – All Music

(more…)

Ornette Coleman – Love Call – Reviewed in 2013

xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

EXCELLENT A++ SOUND and QUIET VINYL for both sides of this great Ornette Coleman Blue Note album. Ornette’s music clearly isn’t for everyone, but you’ve got to hand it to the guy when it comes to getting good sound on his records. We’ve heard a number of Ornette records that had excellent sound, the trick is finding the ones that sound good and aren’t so crazy musically that there’s still appeal to the average audiophile. This one’s a bit out there for sure, but we enjoyed it — the excellent sound throughout helped the music make sense.  

Of course, good recordings don’t always get you good sounding records, and this 2-pack helps prove that point. Each of these copies had one great sounding side backed with a flip that was much more typical. Fortunately, we ended up with an A++ side one and an A++ side two, which allowed us to pair them up. If you want to see just what the Super Hot Stampers give you that the average copy lacks, it’s as easy as flipping either record over and playing the side that didn’t earn a Hot Stamper grade. And as always, if you want to leave the tedium of playing mediocre sounding vinyl to the guys who sit through stacks of it every day (that’s us, natch), don’t worry — there won’t be a quiz at the end!

The sound on the A++ sides is bigger and livelier with more presence, better clarity and more extension up top. You get tighter bass with more weight, and more air and texture to the brass. If you’ve got a taste for free jazz, I think you’ll be very impressed with the winning sides. (more…)

Astrud Gilberto – Windy

xxxxx

  • A stunning sounding copy with Triple Plus (A+++) sound throughout, making this one of the best copies to ever hit the site
  • Forget whatever Heavy Vinyl imposter is in print – this vintage Verve stereo pressing has the kind of High-Rez Tubey-Magical Midrange that will bring Astrud’s soft samba music to life in your very own listening room
  • “… Windy nevertheless proves one of Astrud Gilberto’s most consistent and sublime efforts, artfully straddling the division between Brazilian bossa nova and American sunshine pop.” 

(more…)

Paul Desmond – Bridge Over Troubled Water

More Paul Desmond

More Bridge Over Troubled Water

xxxxx

  • Stunning sound throughout with both sides of this very well recorded Desmond album from 1970 earning Shootout Winning Triple Plus (A+++) grades
  • This pressing was noticeably richer, smoother and more natural than the competition – it’s also a big step up over many of the other CTI pressings of the man’s albums we’ve played
  • Desmond’s sax is wonderfully present and breathy, and a copy with top grades like these is surely the best way to hear Don Sebesky’s wonderful strings with all their satiny sheen intact
  • “Desmond finds something beautiful, wistful, and/or sly to say in each of these ten tunes, backed by Herbie Hancock’s Rhodes electric piano and a set of ravishing, occasionally overstated (as in “America”) orchestrations by Don Sebesky.” (more…)