This London Whiteback pressing of CS 6173 has SUPERB SOUND! Like its brother, CS 6172, recorded by Richter in 1954, probably on the same day, the sound of this early stereo 2 mic recording is amazingly spacious and rich.
With stunning Triple Plus (A+++) grades on both sides, this British Polydor pressing was rockin’ like crazy
This is a fun live album with stellar performances by Jimi – the best of his many posthumous releases
The awesome version of Little Wing is just killer on this copy – it’s Jimi’s best performance of the song
4 stars: “Hendrix in the West is a collection of extremely good live Hendrix performances between 1968-1970. Three different concerts are sampled on this 1972 release, one of the few official live Hendrix releases following his death.”
We’re still surprised at how well recorded the album is. It takes a pressing like this to really show you the live Jimi Hendrix magic Eddie Kramer got onto tape. Drop the needle on Little Wing and you are going to be FLOORED.(more…)
A hard-rockin’ copy – this British Track pressing boasts huge and powerful Double Plus (A++) sound on both sides
The recording is huge and lively with startling dynamics and in-the-room-presence like nothing you’ve heard
The drums are so solid, punchy and present they put to shame 99 out of 100 rock records you’ve ever played
5 stars in Allmusic – a Rolling Stone readers’ poll in 2012 ranked it the best live album of all time!
Cited as the best live rock recording of all time by The Daily Telegraph, The Independent, the BBC Q magazine, and Rolling Stone. In 2003, it was ranked number 170 on Rolling Stone’s list of the 500 greatest albums of all time.
Killer sound for this classic live album! Get ready to rock out, as this is one of the BEST SOUNDING live albums ever recorded. Young Man Blues on a copy such as this has drums that are so solid, punchy and present they positively put to shame the drum sound on 99 out of 100 rock records! Keith Moon lives on!(more…)
I’m afraid we have some bad news. [This was written back in 2011 when the record came out so it’s hard to imagine that what I am about to say is news to anyone at this stage of the game.] Regrettably we must inform you that the 2011 edition of Tea for the Tillerman pressed by Analogue Productions on Heavy Vinyl doesn’t sound very good. We know you were all hoping for the best. We also know that you must be very disappointed to hear this unwelcome news.
But the record is what it is, and what it is is not very good. Its specific shortcomings are many and will be considered in at length in our review below. (more…)
Truly stunning sound, with shootout winning Triple Plus (A+++) sound on all four sides
A shockingly well-recorded album that comes to life with the combo of a great copy and a hi-res, full-range system
Five stars in the AMG: “A stunning statement of purpose and one of the greatest rock & roll albums ever recorded.”
AUDIOPHILE SOUND FOR THIS PUNK ROCK CLASSIC?! You better believe it, baby! The sound here is superb for all four sides.
What really sets this album apart sonically is The Clash’s use of reggae and dub influences. You can really hear it when you tune in to the bottom end; your average late ’70s punk record won’t have this kind of rich and meaty bass, that’s for sure. Drop the needle on The Guns Of Brixton (last track on side two) to hear exactly what I’m talking about. On a Hot Stamper copy played at the correct levels (read: quite loud!) the effect is positively HYPNOTIC.
Bill Price engineered and as we like to day, he knocked this one out of the park. The best sounding record from 1979? I have the feeling it just might be.
Nobody would have accused The Clash of being an audiophile-friendly band, but a copy like this might make you think twice about that! We had a blast doing this shootout and we hope whoever takes this home has just as much fun with it.(more…)
You’ll find DEMO quality sound on this 6 Eye pressing, boasting outstanding Double Plus (A++) grades or BETTER on both sides
For his first LP, Ellington is freed from prior 3-minute constraints and the results are nothing short of breathtaking on a record this good
The early mono sound is shockingly real – not for the era, but for any era – it’s remarkably big, rich and Tubey Magical
4 1/2 stars: “…he and the band rose to the occasion with extended (11-minute-plus) “uncut concert arrangements” of “Mood Indigo,” “Sophisticated Lady,” and “Solitude,””
We’ve known about this wonderful album for decades, since first got hold of a red label copy from the ’70s. Although not in the league with the best 6 eye pressings, even that late reissue had enough Columbia magic left in its grooves to impress the hell out of me.
And the fact that a jazz album recorded in 1950 was still in print more than twenty years later is testament to the lasting power of Ellington’s music. As Kenny Burrell would say, “Ellington Is Forever.”(more…)
Our favorite performance of Night on Bald Mountain in Double Plus (A++) sound is back, guaranteed to blow your mind (and maybe a woofer or two)
Side one also boasts an excellent Danse Macabre, with a powerful finish that may remind you of the thrill of live orchestral music
Side two of this amazing sleeper LP contains a wonderfully exciting Sorcerer’s Apprentice, also in very good sound
Watch your levels on this record – it’s dramatically more DYNAMIC than most Golden Age recordings
If you like Orchestral Spectaculars, have we got the record for you!
This pressing clearly has DEMONSTRATION QUALITY SOUND — not in every way, but in some important ways. The ENERGY of both the sound and the performances is truly awesome. Fiedler brings this music to LIFE.(more…)
ENERGY and RAW POWER. Few audiophiles have any idea how well recorded this album is, simply because most pressings don’t do a very good job of encoding the life of the master tape onto the vinyl of the day, regardless of whether that day is in 1967 or 2017.
The first Doors album is without a doubt the punchiest, liveliest, most powerful recording in the entire Doors catalog.
Huh? I’m guessing this statement does not comport well with your own experience of the album, and there’s a good reason for that: not many copies of the album provide strong evidence for any of the above qualities. Most pressings are opaque, flat, thin, veiled, compressed, lifeless and sound exactly the way so many old rock records sound: like an old rock record.(more…)