Month: April 2018

Dire Straits Debut from 1977 – Rhett Davies Knocked It Out of the Park

More Dire Straits

More Dire Straits – Dire Straits

xxxxx

  • SUPERB sound throughout, with both sides of this very special British pressing rating a strong Double Plus (A++) or BETTER! 
  • The sound is shockingly rich, full and solid with fantastic energy – you will not believe all the space and ambience on this copy
  • A Better Records Rock & Pop Top 100 title, a True Demo Disc, and our favorite by the band for both sound and music
  • “…the album is remarkably accomplished for a debut, and Dire Straits had difficulty surpassing it throughout their career.”

What superb sides such as these have to offer is not hard to hear:

  • The biggest, most immediate staging in the largest acoustic space
  • The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1978
  • Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
  • Natural tonality in the midrange — with all the instruments (and effects!) having the correct timbre
  • Transparency and resolution, critical to hearing into the three-dimensional studio space

No doubt there’s more but we hope that should do for now. Playing the record is of course the only way to hear all of the above. (more…)

Bach Organ Music – Richter on Vintage London Vinyl, in Stereo, from 1954 (!)

More JS Bach

More Organ Music / Richter

xxxxx

A distinguished member of the Better Records Orchestral Music Hall of Fame.

This London Whiteback pressing of CS 6173 has SUPERB SOUND! Like its brother, CS 6172, recorded by Richter in 1954, probably on the same day, the sound of this early stereo 2 mic recording is amazingly spacious and rich.

Here’s what I wrote about CS 6172: (more…)

Jimi Hendrix – Hendrix In The West

More Jimi Hendrix

More Hendrix In The West

xxxxx

  • With stunning Triple Plus (A+++) grades on both sides, this British Polydor pressing was rockin’ like crazy 
  • This is a fun live album with stellar performances by Jimi – the best of his many posthumous releases
  • The awesome version of Little Wing is just killer on this copy – it’s Jimi’s best performance of the song
  • 4 stars: “Hendrix in the West is a collection of extremely good live Hendrix performances between 1968-1970. Three different concerts are sampled on this 1972 release, one of the few official live Hendrix releases following his death.”

We’re still surprised at how well recorded the album is. It takes a pressing like this to really show you the live Jimi Hendrix magic Eddie Kramer got onto tape. Drop the needle on Little Wing and you are going to be FLOORED. (more…)

Getz Au Go Go and Its Live Jazz Club Sound

More Stan Getz

More Getz Au Go Go

xxxxx

  • Truly superb sound for this incredible recording, Triple Plus (A+++) on the second side and Double Plus (A++) on the first 
  • Amazingly present, immediate and REAL — musically and sonically, this is one of our favorite jazz albums
  • This is an incredibly tough album to find with the right sound and decent surfaces, which is the main reason it’s been years since we did the shootout
  • 4 stars on Allmusic: “Highly recommended for all dimensions of jazz enthusiasts.” [We would of course give it the full 5 Stars]

This Stan Getz record has the kind of LIVE JAZZ CLUB SOUND that audiophiles like us (you and me) dream of. More importantly, this ain’t no Jazz at Some Stupid Pawnshop — this is THE REAL THING. Stan Getz, Gary Burton, Kenny Burrell and the lovely Astrud Gilberto, the living embodiment of Cool Jazz, are coming to a listening room near you.

This is about as good a copy as has ever hit the site. Fans of cool jazz — in point of fact, some of the coolest jazz ever recorded — take note. (more…)

The Four Pillars of Success – Hot Stamper Shootouts

The Four Pillars of Success

More entries in our Thinking About Hot Stampers series

xxxxx

Finding Hot Stampers is all about doing shootouts with as many copies of the same title as you can get your hands on. There are basically four steps in this process and you have to achieve success with each of the four if you are going to be any good at discovering and evaluating your own Hot Stampers. 

We discuss each and every one of them in scores of commentaries and listings on this very site. Although none of it will come as news to anyone who has spent much time reading our stuff, we cobbled together this commentary to help formalize the process and hopefully make it easier to understand and follow.

If you want to make judgments about recordings — not the pressing you have in your collection, but the actual recording it was made from — you have to do some work, and you have to do it much more thoroughly than most audiophiles and record collectors think is necessary.

The Four Cornerstones of Hot Stampers

That work is made up of these four steps. (more…)

The Who – Live At Leeds

More The Who

More Live At Leeds

xxxxx

xxxxx

  • A hard-rockin’ copy – this British Track pressing boasts huge and powerful Double Plus (A++) sound on both sides
  • The recording is huge and lively with startling dynamics and in-the-room-presence like nothing you’ve heard
  • The drums are so solid, punchy and present they put to shame 99 out of 100 rock records you’ve ever played
  • 5 stars in Allmusic – a Rolling Stone readers’ poll in 2012 ranked it the best live album of all time!
  • Cited as the best live rock recording of all time by The Daily Telegraph, The Independent, the BBC Q magazine, and Rolling Stone. In 2003, it was ranked number 170 on Rolling Stone’s list of the 500 greatest albums of all time.

Killer sound for this classic live album! Get ready to rock out, as this is one of the BEST SOUNDING live albums ever recorded. Young Man Blues on a copy such as this has drums that are so solid, punchy and present they positively put to shame the drum sound on 99 out of 100 rock records! Keith Moon lives on! (more…)

This Is Your Idea of Analog?

stevensteafor

Cat Stevens – 200 Grams of Tea for the Tillerman

Dear Record Loving Audiophiles of Earth,

I’m afraid we have some bad news. [This was written back in 2011 when the record came out so it’s hard to imagine that what I am about to say is news to anyone at this stage of the game.] Regrettably we must inform you that the 2011 edition of Tea for the Tillerman pressed by Analogue Productions on Heavy Vinyl doesn’t sound very good. We know you were all hoping for the best. We also know that you must be very disappointed to hear this unwelcome news.

But the record is what it is, and what it is is not very good. Its specific shortcomings are many and will be considered in at length in our review below.
(more…)

The Clash – London Calling

More The Clash

More London Calling

xxxxx

  • Truly stunning sound, with shootout winning Triple Plus (A+++) sound on all four sides 
  • A shockingly well-recorded album that comes to life with the combo of a great copy and a hi-res, full-range system
  • Five stars in the AMG: “A stunning statement of purpose and one of the greatest rock & roll albums ever recorded.”

AUDIOPHILE SOUND FOR THIS PUNK ROCK CLASSIC?! You better believe it, baby! The sound here is superb for all four sides.

Dub Style!

What really sets this album apart sonically is The Clash’s use of reggae and dub influences. You can really hear it when you tune in to the bottom end; your average late ’70s punk record won’t have this kind of rich and meaty bass, that’s for sure. Drop the needle on The Guns Of Brixton (last track on side two) to hear exactly what I’m talking about. On a Hot Stamper copy played at the correct levels (read: quite loud!) the effect is positively HYPNOTIC.

Bill Price engineered and as we like to day, he knocked this one out of the park. The best sounding record from 1979? I have the feeling it just might be.

Nobody would have accused The Clash of being an audiophile-friendly band, but a copy like this might make you think twice about that! We had a blast doing this shootout and we hope whoever takes this home has just as much fun with it. (more…)

Highway 61 Revisited – Not So Good on Sundazed in Mono

More Bob Dylan

More Highway 61 Revisited

xxxxx

Sonic Grade: D

A Hall of Shame Pressing and another Sundazed record debunked.

I don’t think mono works for this album, so we never carried this pressing nor recommended it.

Here are some other records that we don’t think sound very good in MONO.

Here are some we think can sound amazing in MONO.

Masterpieces By Ellington from 1950

More Duke Ellington

More Masterpieces By Ellington

xxxxx

xxxxx

  • You’ll find DEMO quality sound on this 6 Eye pressing, boasting outstanding Double Plus (A++) grades or BETTER on both sides 
  • For his first LP, Ellington is freed from prior 3-minute constraints and the results are nothing short of breathtaking on a record this good
  • The early mono sound is shockingly real – not for the era, but for any era – it’s remarkably big, rich and Tubey Magical
  • 4 1/2 stars: “…he and the band rose to the occasion with extended (11-minute-plus) “uncut concert arrangements” of “Mood Indigo,” “Sophisticated Lady,” and “Solitude,””

We’ve known about this wonderful album for decades, since first got hold of a red label copy from the ’70s. Although not in the league with the best 6 eye pressings, even that late reissue had enough Columbia magic left in its grooves to impress the hell out of me.

And the fact that a jazz album recorded in 1950 was still in print more than twenty years later is testament to the lasting power of Ellington’s music. As Kenny Burrell would say, “Ellington Is Forever.” (more…)