A distinguished member of the Better Records Rock and Pop Hall of Fame.
TWO INCREDIBLE SIDES ON QUIET VINYL! This White Hot Stamper Side Two had off the charts ENERGY and DRIVE — the music on this copy simply COMES ALIVE in a way that no other pressing we played was able to match. I can honestly say I’ve never heard these songs sound better.
This record has the LIFE OF THE MUSIC in its grooves like nobody’s business. No other copy could touch it. Sure, it has a little smile curve problem — the top and bottom are a little hotter than they should be.
But a minute into this amazing side one and you will have forgotten all that audiophile stuff and just be groovin’ to the Loggins and Messina magic. It just doesn’t get any better.
Practically all copies have a bit of boost in the bottom end; the kick drum really kicks, more than it should in fact. And almost all copies have too much top end right around 10k. (The ones with the worst case of boosted highs and boosted bass sound like they were mastered by Stan Ricker and pressed in Japan, much like those by a certain famous LABEL that many audiophiles to this day don’t seem to realize made some of the phoniest sounding records ever pressed.
There is also a fairly serious sibilance problem with the recording. Some copies keep it under control, while other, more crudely mastered and pressed ones suffer greatly from spitty vocals, especially noticeable on Danny’s Song.
This copy manages to keep the EQ anomolies within bounds, while giving us full-bodied pianos; rich, lively vocals, full of presence and brimming with enthuisam; harmonically-rich guitars, and a three-dimensional soundstage that reveals the space around them all. (more…)