Top Artists – Dave Mason

Traffic – Mr. Fantasy

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More Traffic

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  • This early Pink Label import pressing boasts Shootout Winning Triple Plus (A+++) sound or close to it on both sides, making this one of the best copies to hit the site in many years, if not THE best
  • We used to think that The Best of Traffic had better sound, but in a head to head comparison with this very copy, we were proved WRONG
  • Big, full-bodied and lively, with huge amounts of space and off the charts Tubey Magic, the sound here is Hard to Fault – thanks Eddie and Jimmy!
  • “Winwood is simply incredible. He has a top group of musicians with him and they have made an album which is one of the best from any contemporary group.” – Rolling Stone, 1968

This is one of the best sounding Traffic records ever made. Musically it’s hit or miss, but so is every other Traffic record, including my favorite, John Barleycorn. The best songs here are Heaven Is In Your Mind, Dear Mr. Fantasy, and Coloured Rain. The first of these is worth the price of the album alone, in my opinion. It’s a wonderful example of late ’60s British psychedelic rock. (more…)

Traffic / Mr. Fantasy – 25th Anniversary British Pressing

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This Minty looking Island 25th Anniversary British Import LP has SURPRISINGLY GOOD SOUND! I’d have to say it’s the best sounding record from this series I’ve ever heard. (Note that this is the British version and not the Italian one.)

I can’t vouch for other copies of this record — they may not sound as good as this one — but this one has the bass that’s missing from some of the Pink Label copies and is overall tonally Right On The Money (ROTM), with almost none of the transistory grain that you find on domestic pressings. If you don’t want to spend the big bucks for a Hot Stamper, this is probably the next best way to go.

Dave Mason – Alone Together on MCA Heavy Vinyl

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Sonic Grade: D

A Hall of Shame pressing. I confess I actually used to like and recommend the Heavy Vinyl MCA pressing. Rest assured that is no longer the case. Nowadays it sounds as opaque, ambience-challenged, lifeless and pointless as the rest of its 180 gram brethren.

We struggled for years with the bad vinyl and the murky sound of this album. Finally, with dozens of advances in playback quality and dramatically better cleaning techniques, we have now managed to overcome the problems which we assumed were baked into the recording. I haven’t heard the master tape, but I have heard scores of pressings made from it over the years. 

It is a surely a MASTERPIECE that belongs in any Rock Collection worthy of the name. Every track is good, and most are amazingly good. There’s not a scrap of filler here. The recording by Bruce Botnick is hard to fault as well.

1970 was a great time in music. Tea for the Tillerman, Bridge Over Troubled Water, Moondance, Sweet Baby James, Tumbleweed Connection, After the Goldrush, The Yes Album, McCartney, Elton John, His Band And Street Choir, Deja Vu, Workingman’s Dead, Tarkio, Stillness, Let It Be — need I go on?

Even in such illustrious company — I defy anyone to name ten albums of comparable quality to come out in any year — Alone Together ranks as one of the best releases of the year. (more…)

Dave Mason – It’s Like You Never Left

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  • Incredible Shootout Winning Triple Plus (A+++) sound throughout for this excellent Dave Mason title from 1973
  • Both of these sides are super clean, clear, present and musical with superb clarity and tons of bottom end weight — a huge step up from most copies
  • Mason’s comeback got help from Graham Nash, Stevie Wonder and George Harrison
  • “Mason is perhaps one of the most creative forces, lyrically, musically and vocally, in pop today.” — Billboard, 1973

I was a big fan of this album when it came out in 1973, used to play it all the time in fact. Now I hear why – it’s big and rich with a solid bottom end and a smooth, sweet top, perfect for the big but not especially sophisticated speakers (the Fulton J System) I had back in the day.

This album has the kind of sound that the typical CD just doesn’t want anything to do with. Not that the Compact Disc couldn’t pull it off — there are good sounding CDs in the world — but it doesn’t seem to want to even try.

Graham Nash helps out on vocals on tracks one, two and five on the first side. Stevie Wonder plays a lovely harmonica solo on The Lonely One on side two, and George Harrison guests on guitar on If You’ve Got Love, the third track on side one. (more…)

Dave Mason – Certified Live – Our Shootout Winner from 2015

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Unlike Frampton Comes Alive, recorded at different venues, Certified Live was recorded at one location, the Universal Amphitheatre, resulting in very little variation in the sound from track to track. The variation in the sound from side to side is the kind of variation we hear on virtually every pressing we play, since no two sides of a record ever really sound exactly the same. 

We like our ’70s Rock Records to be rich and full; that’s what live Rock Concerts have always sounded like to us and we see no reason to revise our biases now. It’s what good analog does effortlessly and what even the best digital finds difficult to achieve.

A common problem with many of the sides we played was strain or congestion in the loudest passages. Another was sound that’s too “clean.”

It’s not hard to figure out what the best pressings do well that the average ones struggle with.

The Shootout Winning sides are simply bigger, fuller, more clear, more present, more transparent, more punchy, and have more space and energy than the other pressings we played. A couple of minutes in on any side and you know if it has The Big Sound or not. We’re happy to report these four sides are some of the biggest and liveliest we heard.

I’ve actually seen Dave Mason twice in the last five years or so; he tours relentlessly and always puts on a good show. Check him out if he comes to your town. Remarkably he plays these songs nowadays about as well as he ever did, which is very well indeed. (more…)

Dave Mason – Headkeeper

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  • An excellent copy with Double Plus (A++) sound from the first note to the last – reasonably quiet vinyl too
  • Some of the best sound Dave Mason ever managed, so let’s give credit where credit is due, to the amazing engineer Al Schmitt
  • If you’re a Dave Mason fan this is one of the better albums he’s put out and it deserves a place in your collection
  • “The spare, acoustic solo performance of “Can’t Stop Worrying, Can’t Stop Loving” heard here, for example, makes the undistinguished full-band studio version instantly obsolete. And the live version of “World In Changes” is one of the best pieces of early ’70s rock, period.”

This is some of the best sound Dave Mason ever managed, so let’s give credit where credit is due, to the amazing Al Schmitt. He recorded and mixed this album and he sure knocked it out of the park.

We know his work well; he happens to have engineered many albums with SUPERB SOUND: Aja, Hatari, Breezin’, Late for the Sky, Toto IV – the guy’s won 13 Grammies, which ought to tell you something.

Side one of the album is recorded in the studio, side two live from the Troubador. Many of the songs on side one would be recorded again by Mason, and not as well in most cases. Mastered at Artisan (where Kevin Gray got his start) by none other than the owner, Bob MacLeod, this record got the A Team treatment from start to finish. (more…)

Traffic – Mr. Fantasy – Our Shootout Winner from 2006

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A distinguished member of the Better Records Rock Hall of Fame.

This British Sunray Label pressing has THE BEST SOUND I’VE EVER HEARD FOR THIS ALBUM! None of the Pink Label originals that we played had the deep, powerful, punchy bass that this pressing has, coupled with an extended, sweet top end.

This is one of the best sounding Traffic records ever made. Musically it’s hit or miss, but so is every other Traffic record, including my favorite, John Barleycorn. The best songs here are Heaven Is In Your Mind, Dear Mr. Fantasy, and Coloured Rain.

The first of these is worth the price of the album alone, in my opinion. It’s a wonderful example of late ’60s British psychedelic rock.  (more…)

Dave Mason – Alone Together

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  • This outstanding copy of Mason’s Masterpiece boasts solid Double Plus (A++) sonic grades on both sides – exceptionally quiet vinyl too
  • Listen to how big and rich the dynamic chorus gets on the first track, Only You Know and I Know – what a thrill to hear it like that
  • A killer Bruce Botnick recording – Tubey Magical Analog, smooth and natural, with the whole production sitting on a rock solid bottom-end foundation
  • 4 1/2 stars: “Alone Together represents Dave Mason at his peak… everything comes together perfectly.”

Before I get too far into the story of the sound, I want to say that this album appears to be criminally underrated as music nowadays, having fallen from favor with the passage of time.

It is a surely a masterpiece that belongs in any Rock Collection worthy of the name. Every track is good, and most are amazingly good. There’s no filler here. (more…)

Dave Mason – Split Coconut

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

TWO EXCELLENT SIDES, including a near-White Hot A++ to A+++ side one! We just finished our first-ever shootout for this album, and we were shocked at just how good it can sound. Bruce Botnick did the engineering, and this record has his signature sound all over it. Nobody captures deep, punchy bottom end like he does! Crosby and Nash are here too, providing excellent backing vocals to a few songs. (more…)

Traffic – Best of Traffic – Our Shootout Winner from 2011

More Traffic

Best of Traffic

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A distinguished member of the Better Records Rock Hall of Fame.

This Island British Pink Label pressing has SOME OF THE BEST TRAFFIC SOUND YOU’LL EVER HEAR! We’ve been flipping out over Hot Stamper copies of this greatest hits comp for ages for a very simple, yet likely shocking, reason — the sound on the best copies can be BETTER than the best original pressings! How can that be you ask, dumbfounded by the sheer ridiculousness of such a statement? Well, dear reader, I’ll tell you. Follow me over the jump to find out. 

It’s a dirty little secret in the record biz that sometimes the master for the anticipated Hit Single (or singles) is pulled from the album’s final two track master and used to make the 45, the thinking being that the 45 is what people are going to buy, or, having heard it sound so good on the radio, cause them to buy the album. One way or another, it’s the single that will do the selling of Traffic’s music. (more…)