This is a WONDERFUL London Whiteback pressing of works by Grieg and Franck, with some of the most natural piano concerto sound we’ve heard around here in quite a while. We had a couple of copies of this one — two to be exact — and this was clearly the better sounding of the two.
The recording has a mid-hall perspective, more like the sound of live music than the famous Rubinstein recording for RCA, just to take one example. The piano is warm and full-bodied, the strings rich and sweet — who can ask for more?
Transparency and an extended top end were both key to the better sounding copies. You really hear into the soundfield with the best pressings, and all the harmonics are clear and right when the top end is correct.(more…)
This IMMACULATE set has dry, edgy, screechy sound — until you reverse your absolute phase! Then it sounds pretty good! It certainly will never win any awards, but it’s practically unlistenable without the phase reversed.
Now I can’t say that’s true for all six sides. I play graded all six sides — they range from M- to slightly worse, about as quiet as these Soria pressings ever are — but I only reversed the phase on side one after dropping the needle on the other sides and suffering through the brittle sound.(more…)