_Performers – Katchen

Beethoven / Piano Concerto No. 3 – Katchen / Gamba

More of the music of Ludwig van Beethoven (1770-1827)

Classical and Orchestral Imports on Decca & London

CS 6096 Blueback LP.  This is one of the RAREST and BEST Londons I have ever heard. I think this is the first copy I ever played and it’s absolutely WONDERFUL. The sound is London at its best.

What’s especially striking is the quality of the piano — it’s absolute perfection. The quiet vinyl actually lets you hear the quietest piano parts clearly, no mean feat when it comes to Golden Age recordings.

I don’t know of a better Beethoven 3rd — this one sets the standard for me.

This is an Older Classical/Orchestral Review

Most of the older reviews you see are for records that did not go through the shootout process, the revolutionary approach to finding better sounding pressings we started developing in the early 2000s and have since turned into a veritable science.

We found the records you see in these older listings by cleaning and playing a pressing or two of the album, which we then described and priced based on how good the sound and surfaces were. (For out Hot Stamper listings, the Sonic Grades and Vinyl Playgrades are listed separately.)

We were often wrong back in those days, something we have no reason to hide. Audio equipment and record cleaning technologies have come a long way since those darker days, a subject we discuss here.

Currently, 99% (or more!) of the records we sell are cleaned, then auditioned under rigorously controlled conditions, up against a number of other pressings. We award them sonic grades, and then condition check them for surface noise.

As you may imagine, this approach requires a great deal of time, effort and skill, which is why we currently have a highly trained staff of about ten. No individual or business without the aid of such a committed group could possibly dig as deep into the sound of records as we have, and it is unlikely that anyone besides us could ever come along to do the kind of work we do.

The term “Hot Stampers” gets thrown around a lot these days, but to us it means only one thing: a record that has been through the shootout process and found to be of exceptionally high quality.

The result of our labor is the hundreds of titles seen here, every one of which is unique and guaranteed to be the best sounding copy of the album you have ever heard or you get your money back.

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Rachmaninoff / Piano Concerto No. 2 on Domestic STS – Would It Still Hold Up?

Reviews and Commentaries for the Music of Sergei Rachmaninoff

Classical and Orchestral Imports on Decca & London

This is a twenty year old review of a pressing we have not played in many years, so please take what we say with a very large grain of salt.

Beating that in mind, if you see one for cheap in your local record store, give it a good look and, for the five bucks they will probably be asking, take a chance to see if the record actually does have the sound we heard all those years ago.

Folks, what we are offering here is THE SLEEPER Hot Stamper pressing of all time. Side one earned an amazingly good grade of A++ with side two every bit as good. The buyer of this album is going to be SHOCKED when he sees what pressing it is. 

For those of you who cherish pressings for their best sound and performances — as opposed to the typical audiophile collector who prefers the “right” original labels on his records, of course produced only in the “right” countries — this is the record for you.

Hold it up for your (right-thinking or otherwise) audiophile friends to witness before you put it on your table and BLOW THEIR MINDS.

How did this kind of sound get produced so cheaply, so late in the game? From what tape, by what engineer? It is a mystery to me, one that is very unlikely to be explained to anyone’s satisfaction.

Side One

A++ Super Hot Stamper sound — rich strings, clear horns, a piano that is full-bodied and natural, with a solid low end (the kind you rarely hear on record but is always so strikingly obvious in the presence of the real instrument).

A bit of compression holds it back from A+++. What a record!

Side Two

A++, not quite as rich as side one but lively, transparent, present, with zero smear (always a problem with piano recordings — you want to hear those hammers striking the strings clearly). 

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Rachmaninoff / Piano Concerto No. 2 – Katchen / Solti

More of the music of Sergei Rachmaninoff

  • An outstanding UK reissue pressing of this superb recording with solid Double Plus (A++) sound on both sides
  • I’ve known how good this reissue can sound for more than twenty years – it is guaranteed to beat any and every pressing you have of the work or your money back
  • Big, clear, rich, dynamic, transparent and energetic – HERE is the sound that simply does not exist except in the world of the properly cleaned, properly pressed vintage LP
  • On both of these sides you’ll hear rich strings, clear horns, a piano that is full-bodied and natural, with a solid low end (the kind you rarely hear on record but is nonetheless strikingly obvious in the presence of the real instrument)
  • “Is the pulse even, building in steady crescendo, or do those famous opening measures find some subtle phrase within? Most settle for the former; not so, Katchen and Solti – and that pretty much describes the attitude of these artists in this piece altogether: searching for and finding the phrase within the obvious.”

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Rachmaninoff / Piano Concerto No. 2 – Katchen / Solti

More of the music of Sergei Rachmaninoff

  • A superb copy of this stunning classical recording with Nearly Triple Plus (A++ to A+++) sound from start to finish – just shy of our Shootout Winner
  • This Demo Disc Quality recording is big, clear, rich, dynamic, transparent and energetic – HERE is the sound that simply does not exist except in the world of the properly cleaned, properly pressed vintage LP
  • On both of these sides you’ll hear rich strings, clear horns, a piano that is full-bodied and natural, with a solid low end (the kind you rarely hear on record but is nonetheless strikingly obvious in the presence of the real instrument)
  • “Is the pulse even, building in steady crescendo, or do those famous opening measures find some subtle phrase within? Most settle for the former; not so, Katchen and Solti – and that pretty much describes the attitude of these artists in this piece altogether: searching for and finding the phrase within the obvious.”

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Letter of the Week – “What a privilege! A big big thank you.”

More of the Music of Sergei Rachmaninoff (1873-1973)

Reviews and Commentaries for the Music of Rachmaninoff

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom,

Saturday morning 06.15 waking up, checking messages, news and of course your site. Actually a daily routine.

Finding there Rachmaninov 2. For so many, as for me, an astonishing work.

So once again excited. Then checking reviews on the performance (you just take it for granted what an amazing thing this internet is). Searching, finding and reading about this specific performance is fun, thrilling in a way and in the process you learn more about the composer and piece.

The reviews show the performance as a stand out; for some brusque and maybe too fast leaving out the drama, but for many an exhilarating benchmark.

Afterwards going back to the better-records site to read about the recording. What a great story about Wilkie and the Decca tree.

And then of course being able to actually buy that record. What a privilege! A big big thank you. (more…)

Rachmaninov / Piano Concerto No. 2 – Speakers Corner Reviewed

More of the music of Sergei Rachmaninoff (1873-1943)

Reviews and Commentaries for Rachmaninoff’s Piano Concertos

Sonic Grade: Unknown

In the late ’90s, we described the sound of this pressing this way:

“Outstanding Rachmaninoff, dark and rich. Highly recommended.”

Since we have not played a copy of the album in over ten years [now 20], we have taken down our previous Sonic Grade of B as we have no idea how the record would fare today on our much-improved system.

For all we know it may have been recut, which is another problem with our older reviews of records we used to like: the new version could have very different sound from the one we played (and that’s not even taking into account the pressing variability, which we all know is sometimes huge).

Brahms / Variations And Fugue On A Theme By Handel / Katchen

Near Mint copy with excellent sound! Superb piano tone for these solo pieces and very quiet vinyl add up to a wonderful listening experience. This surprisingly quiet British vinyl is going to be hard to beat by other Golden Age labels. (Finding solo piano recordings on RCA or Mercury from this era that play quietly is practically impossible.)

Side one is super TRANSPARENT — the piano is so clear! It lacks a bit of weight on the first side; perhaps that’s the way it is actually supposed to sound, who can say? On side two it sounds a little better to my ear, big and dark and very solid. It’s pretty amazing in its own way. And Katchen’s performance is of course superb. All in all a very find piano recording.

This lovely album also includes Variations on a Theme by Paganini. (more…)

Bartok / Piano Concerto No. 3 / Kertesz / Katchen – Reviewed in 2009

More of the music of Bela Bartok (1881-1945)

This Super Rare original London pressing has EXCELLENT SOUND and lovely music.

The piano is especially well recorded, with the orchestra exhibiting the patented lovely, rich, rossiny string tone, with tons of depth and spaciousness to the sound.

This is the first copy of the album I have run into, and my first exposure to the Bartok Piano Concerto, which is actually wonderful.