_Composers – Dvorak

Dvorak / Cello Concerto – Hard to Recommend in Living Stereo or on Heavy Vinyl

I have never heard a copy of this record sound better than decent. This title is very unlikely to have the wonderful sound of the best Living Stereo pressings that you can find on our site, each of which has been carefully evaluated to the highest standards.

If you can get one for cheap, go for it. Otherwise I recommend that you pass if what you are looking for is audiophile quality sound.

Perhaps the poor recording quality (I’m guessing; obviously I’ve never heard the master tape) explains the poor sound of the Classic Records remastered version from 1994.

Not that that stopped anybody from buying those awful 180 gram pressings! They may have been mastered by one of the greats, Bernie Grundman, but he was well past his prime when he was working for that awful label, as we explain here.

More Bad Sounding RCA Shaded Dog Pressings

Hot Stamper Living Stereo Classical and Orchestral Titles Available Now


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What to Listen For on Classical Records

Top Quality Classical “Sleeper” Recordings

Best Orchestral Performances with Top Quality Sound

Demo Disc Quality Orchestral Recordings

Well Recorded Classical Albums – The Core Collection

Well Recorded Classical Albums from The Core Collection Available Now

The Dvorak Violin Concerto with Accardo – Was Sound This Good Still Possible in 1980?

More Classical ‘Sleeper” Records We’ve Discovered


You’ll find amazing nearly White Hot Stamper sound on side two of this exceptionally quiet Philips recording.

Yes, it was still possible to record classical music properly in 1980, though few labels managed to do it.

A SUPERB performance from Salvatore Accardo, certainly competitive with the best we have heard.

Yes, it was still possible to record classical music properly in 1980, though not many labels managed to pull it off. (Londons from this era are especially opaque and airless. We find them as irritating and frustrating as most of the Heavy Vinyl releases being foisted on the audiophile public today.) (more…)

Every Label Made Mediocre Records – London Released this One in 1963

Opaque and veiled, much like the Heavy Vinyl reissues that are flooding the market these days. Definitely not our sound!

Looking for pressings with audiophile quality sound and mostly quiet surfaces?

These Decca/London recordings are currently available on our site.

As far as we can tell, based on this single copy, CS 6357 is not an album worthy of a Hot Stamper shootout.

We certainly can’t say that there aren’t good sounding pressings of the album though. If we hear a better one down the road, we would certainly be open to the possibility of doing a shootout and offering the best copies to our customers.

Perhaps you have one you like. If so, please let us know. You can email me at tom@better-records.com

More of the music of Franz Schubert (1797-1828)

More of the music of Antonin Dvorak (1841-1904)

We play mediocre-to-bad sounding pressings so that you don’t have to, a public service from your record loving friends at Better Records.


Pressings with Mind-Blowing Sound Quality

Pressings with Excellent Sound Quality

Pressings with Middling Sound Quality

Pressings with Weak Sound Quality or Music

and finally, invaluable information that can save you a fortune in record purchases:

Bad Sounding Audiophile Records – The Complete List

Overtures and Dances / Reiner

More Johann Strauss


This RCA Pink Label TAS List LP plays Mint Minus. Side one of this record sounds AMAZING, especially the Dvorak piece.

Here are the comments for the copy we recently sold on the site:

Superb string tone. This is one record that deserves to be on the tas list, and you have to give harry credit for going against the audiophile tide and recognizing a cheap, thin pink vic! Side one sounds incredible. I never recall hearing sound like this on this victrola! It’s demonstration quality sound!

Classic Records remastered this record not long ago and ruined it. This is what it’s supposed to sound like. (more…)

Dvorak / Cello Concerto – Munch / Boston – Hard to Recommend on Classic Records

More Antonin Dvorak

Sonic Grade: F

Hall of Shame pressing and another Classic Records LP debunked.

A Classic Records pressing (Remember the Sound!) that never sounded much good to me. But the original never impressed either, as you can see from our review of it.

I have never heard a copy of this record sound better than decent. This title is very unlikely to have the wonderful sound of the best Living Stereo pressings that you can find on our site, each of which has been carefully evaluated to the highest standards.

We love the Starker recordings on Mercury. Wish we could afford to buy some and do a shootout. At the prices they command these days, that is very unlikely to happen. (more…)

Dvorak / Symphony #1 / Kertesz / LSO – A Bit Too Smooth


CS 6523. This is an IMMACULATE Brand New Unplayed London LP with the old style paste-on back cover. We cracked open the factory seal just to make sure that this was a British pressing.

As we’ve said before, Kertesz is the Dvorak man! He recorded the complete cycle for London; many of those LPs have superb performances and excellent sound.

We dropped the needle momentarily on this title and heard sound that was overly smooth for my taste. If you like your records on the smooth side, this should do the trick.

Rhapsody! – The Story of an Old Fave We Were Wrong About


A great example of an album We Was Wrong about.

As you can see by the commentary below, I used to think this was a wonderful sounding London “Sleeper” classical recording.

That was many years ago – five, six, seven, I cannot be sure. I ended up acquiring a half dozen copies of the album or so over the course of those years, had them cleaned up and proceeded to do a shootout.

It did not go well. Immediately I noticed that the pressings I was playing were sounding clean, clear and lively, but much too modern, too much like a good CD and not enough like the good Golden Age classical recordings we audition regularly.

Those recordings, on the right pressings, will take your breath away.  Rhapsody! was leaving me asking myself what was wrong. The more I listened the more obvious the faults of the recording became.

The pressings I played lacked warmth, richness, sweetness, space, and a number of other analog qualities I won’t belabor here. Too much of what makes listening to vintage vinyl so involving was just not on these records no matter how much I may have wanted them to be.

The extreme top and bottom were also lacking, giving the sound a “boxy” quality. The presentation was wide but not tall. Of the five levels of sound we discuss on the site in various listings, levels one and five were not as evident as they should have been.

This is, again, what progress in audio in all about. As your stereo improves, some records should get better, some should get worse. It’s the nature of the beast for those of us who constantly make improvements to our playback and critically listen to records all day.

We cannot rely on our previous judgments. With all the changes we’ve made over the years, we can now clean our records better and play our records better than ever before.

That means that some will rise and some will fall. This one fell, pretty hard in fact. Not a bad record, but not a good one either, and far from as good as I once thought.

Below is our previous commentary.  All of this was true for my old stereo and room, my critical listening skills at the time, my old cleaning regimen. And by old I mean my approach from only about five or six years ago!

Things have changed, dramatically, and nothing in all of audio could make me happier.

DEMO QUALITY SOUND! This is one of the greatest SLEEPER albums of all time.

This London reissue from 1979 of recordings from 1978 in Detroit, the year in which Dorati became director of the Detroit Symphony has the kind of orchestral sound we drool over here at Better Records. Dark and rich strings — the basses growl just like the real thing. Dynamic. Deep solid bass. Fluffy tape hiss, which sounds exactly the way it should. This tells you that the top end is untweaked. (Almost all Classic Records have funny sounding tape hiss as you may or may not know. It”s a dead give away that the top end is boosted. Tape hiss is like pink noise: it always sounds the same, unless somebody has fooled with it. Steve Hoffman taught me to listen for this quality and it was a lesson important to my growth as a critical listener.) (more…)

Brahms / Hungarian Dances / Dvorak / Slavonic Dances – Our Shootout Winner from 2011

The London pressing of this music used to be on the TAS List but appears to have been dropped at some point over the years. Not that I would notice what comes and goes on HP’s list, as I do not hold it in as high a regard as most audiophiles I have met over the years. For some reason there were those who tended to think it definitive or consistent. I can assure you it is neither.

The Brahms here (side one) is nothing special on this copy, but the Dvorak is SUPERB, sounding much better than the other Bluebacks we played and the Stereo Treasury copies as well. With Reiner at the helm both sides are lively and fun. (more…)

Brahms and Dvorak / Serenades / Kertesz – Reviewed in 2011

This London Whiteback LP (CS 6594) has Super Hot Stamper sound on side two, which is where the Dvorak Serenade for 10 wind instruments, cello and bass can be found. It has lovely space and depth, with dead on tonality and lots of Tubey Magic.

If you love the sound of wind instruments (and who doesn’t? British Band Classics springs immediately to mind as one of the most enjoyable classical recordings I own), then this just may be the classical chamber recording for you. (more…)

Dvorak / Symphony No. 7 / Monteux/ LSO – Reviewed in 2008

This fairly quiet (M-) Plum Label Victrola has LOVELY, SPACIOUS, tonally correct sound. Monteux and LSO are wonderful here, so this one gets a top recommendation from Better Records.