You’ll find incredible Shootout Winning Triple Plus (A+++) sound on both sides of this wonderful Blue Note stereo pressing
Spacious and three-dimensional, as well as relaxed and full-bodied – this pressing was a big step up over every other copy we played
4 stars: “Silver’s Tokyo-influenced compositions fit right in with the subtle cross-cultural but very American hard bop he’d been doing all along… [his] compositions have a light, airy feel, with plenty of space, and no one used that space better at these sessions than Cook, whose tenor sax lines are simply wonderful, adding a sturdy, reliable brightness.”
If you know anything about Blue Note, you know that finding a copy that plays this quietly is rare. Add to that the excellent sound and music and you have yourself a real winner with this LP!(more…)
Even though this session was supposedly recorded in one day on April 14, 1957 we heard an anomaly that took us somewhat by surprise. The first and third track on side two sound amazing, better than anything on side one. However, the second track, You Stepped Out Of A Dream, has sound that is clearly a step down from anything else on the album. It’s smaller and more congested. Why that is we have no idea, but we felt it was worth pointing out.
Sonny’s horn on side two is especially big and rich, with huge amounts of Tubey Magic as befits an all-tube 1957 Blue Note recording. This is clearly the right sound for this music.
Side two of this stereo pressing is at least Super Hot – it’s huge, rich and tubey
Side one is Super Hot, musical, lively, clear and real sounding
Another classic late ’50s RVG recording of some of the greatest Jazz Giants who ever lived
“…a timeless session and a milestone in jazz history that gathered together some of the founding fathers of the post-bop era.”
Note that side one is not quite as tubey but makes up for it with energy and clarity that we found conveys the music beautifully.(more…)
This superb pressing boasts nearly Triple Plus (A++ to A+++) sound from start to finish – just shy of our Shootout Winner, with fairly quiet vinyl for a vintage Blue Note pressing
This shootout was years in the making – few copies survived in this kind of audiophile playing condition, and fewer still – far fewer still – sound as good as this one does (thanks RVG!), so Silver fans should get while the gettin’ is good
4 stars: “…every selection is full of soulful grooves and well-honed group interplay, the qualities that made this band perhaps the top hard bop outfit of the early ’60s. Silver was in the midst of a hot streak that wouldn’t let up for another few years, and Horace-Scope is another eminently satisfying effort from that period.”
Stunning Triple Plus (A+++) sound on both sides of this copy of The Horace Silver Quintet’s final album together
Only the second copy of Silver Serenade to ever hit the site, it is incredibly hard to find Silver’s records in stereo with the right stampers and good sound
Thanks to RVG, the sound here is wonderfully full-bodied, lively and musical with a relatively bottom end
4 stars: “The band had made five previous recordings for the label, all of them successful. The program here is comprised of Silver compositions. The blowing is a meld of relaxed, soulful, and swinging hard bop, as evidenced in the title track… This is another excellent recording by the greatest Silver quintet.”
The Cape Verdean Blues makes its Hot Stamper debut with outstanding Double Plus (A++) sound from first note to last – exceptionally quiet vinyl too
This vintage stereo LP is well balanced, big and lively, with wonderful clarity in the mids and highs, and a spacious soundfield
RVG in 1966 is hard to beat for you-are-there immediacy, and we guarantee this pressing delivers on that sound like no other copy you’ve ever heard, especially if all you’ve heard is the kind of vague, veiled, lifeless modern reissue that seems to be everywhere these days
4 stars: “… there’s a spirit of adventure that pervades the entire album, a sense of exploration that wouldn’t have been quite the same with Silver’s quintet of old…”
A stunning sounding copy with Shootout Winning Triple Plus (A+++) sound or close to it from the first note to the last
This copy was clearly cut with super-low distortion mastering equipment, and boy does it help the sound
Rudy Van Gelder did an outstanding job as usual engineering these 1968 quintet sessions, some of which include one of our favorite tenor men, Stanley Turrentine
4 1/2 stars: “One of the last great Horace Silver albums for Blue Note, Serenade to a Soul Sister is also one of the pianist’s most infectiously cheerful, good-humored outings… it’s hard to argue with musical results as joyous and tightly performed as Serenade to a Soul Sister.”
With superb Triple Plus (A+++) grades on side two and Double Plus (A++) sound on side one, this is one of the best copies of Silver’s 1957 classic we’ve ever heard
The last copy to hit the site went up in 2016 – clean Horace Silver records in stereo with the right stampers and good sound are hard to find!
Rich and solid, this is the kind of sound that makes us sit up and take notice – Thanks RVG, we love your work (when it sounds like this)
“All of Silver’s Blue Note quintet recordings are consistently superb and swinging…”
I chanced upon a clean copy of this album in a store last year. When I got home with it I found I loved the music and I loved the sound. I then went about buying them up as fast as I could, returning something on the order of half the copies I was sent: some for scratches, some for the wrong labels, some for being mono — you never know what you’re going to get when you order records online!
Except from us of course. Unless something goes terribly wrong you will always get a good sounding, reasonably quiet record from us.
RVG in ’57
The best copies are just bigger, fuller and more present than others. The sound is natural and REAL, with exceptional space and see-through transparency, something that practically no heavy vinyl modern pressing we’ve ever played can reproduce.
Classic Records remastered the album, Music Matters remastered it, and there are plenty of copies of both out there. If you have either one, do yourself a favor and order up this Hot Stamper. We’re pretty sure you will be amazed at how much more musical involvement you will find on it, involvement that will be lacking when you go back to the Heavy Vinyl LP.
A distinguished member of the Better Records Jazz Hall of Fame.
This Minty Blue Note LP has EXCELLENT LIVE JAZZ SOUND! It’s rich, full, and tonally correct from top to bottom. Just listen to the cymbals on the track Doin’ The Thing — you’ll hear how wonderfully extended the top end is.
“This live set (recorded at the Village Gate) finds pianist/composer Horace Silver and his most acclaimed quintet (the one with trumpeter Blue Mitchell, tenor saxophonist Junior Cook, bassist Gene Taylor and drummer Roy Brooks) stretching out on four selections, including his new song Filthy McNasty… [An] enjoyable and always funky hard bop session.”(more…)
A distinguished member of the Better Records Jazz Hall of Fame.
The really good RVG pressings (often on the later labels) sound shockingly close to live music — uncompressed, present, full of energy, with the instruments clearly located on a wide and often deep soundstage, surrounded by the natural space and cool air of his New Jersey studio. As our stereo has improved, and we’ve found better pressings and learned how to clean them better, his “you-are-there” live jazz sound has come to impress us more and more.
Present, clear, natural and balanced, with no smear on the piano (or anything else), this side was doing pretty much everything right. RVG has never had the best sounding piano in his studio but it sounds right on the Blue Note for a Blue Note.
Perhaps even a bit better, this side is big, lively and clear. If you can bring a bit more Tubey Magic to the sound so much the better.(more…)
This White Hot Stamper reissue pressing has the BEST SOUND WE HAVE EVER HEARD for this album — on either side! This copy has the kind of sound and quiet vinyl we have been trying to find for years, and now it is here!
This is our first Hot Stamper listing for the album, and believe me, it’s not for want of trying. The best sounding original copies I had picked up over the years were far too noisy and scratched to be acceptable to audiophiles, not to mention the fact that the originals were (and are) replete with mastering issues that often exacerbate problems in the recording itself.
Having said all that, every Hot Stamper copy we found had its own mastering strengths and weaknesses — the tubey magic and fullness in the best originals isn’t really heard on the later pressings, but the later pressings have a clarity and freedom from obvious compressor and cutter-head distortion that makes them appealing in their own right, not to mention much better brass sound: more dynamic and less smeared.