Best on Domestic Pressings

The right domestic pressings of these albums have the potential to sound better than even the best imports.

This may strike you as contrary to the received wisdom of most record collectors, but we have the superior sounding copies of these titles to back up everything we say.

Tchaikovsky / Saint-Saens – Variations on a Rococo Theme / Cello Concerto in A Minor / Starker

More of the Music of Tchaikovsky

More of the Music of  Saint-Saens

  • This original Plum Label Mercury pressing of Starker’s sublime performances boasts two textured, sweet, and natural Double Plus (A++) or BETTER sides
  • It’s also fairly quiet at Mint Minus Minus, a grade that even our most-well-cared-for vintage classical titles have trouble playing at
  • The cello is present and immediate, with sound that is wonderfully full and harmonically natural
  • This recording is not your typical dry, bright, nasaly, upper-midrangy Merc – the sound is rich and smooth like a good London, with a big stage and lovely transparency

(more…)

The Byrds – Untitled

More of The Byrds

  • This 2-LP set from 1970 boasts solid Double Plus (A++) grades or BETTER on all FOUR sides
  • The sound is Tubey Magical, lively and dynamic, with remarkable transparency and immediacy
  • We’re always blown away at just how much further the better copies are able to take the music – what a difference the right pressings make
  • 4 stars: “Among the later Byrds albums, Untitled was always the one to own … the group by this time was modifying its established sound into more of a 70s mode, and the influence of new members Gene Parsons and Skip Battin was showing up, pushing aside the familiar timbre of Roger McGuinn’s 12-string Rickenbacker in favor of a leaner country-rock orientation.”

(more…)

John Williams – The Missouri Breaks (Original Motion Picture Soundtrack)

More Soundtrack Recordings of Interest

  • With two very good Hot Stamper sides, you’ll have a hard time finding a copy that sounds as good as this original UA pressing
  • It’s richer and fuller than the average copy, with notably more presence, and that will be especially true when you compare it to whatever godawful Heavy Vinyl pressing may be currently available
  • This is true of even our lowest-priced, lowest-graded copies – they are guaranteed to sound much better than any pressing you can find on the market today, as well as any pressing you may already own
  • I recall this record being on the TAS list back in the day – it appears to have since dropped off the newer iterations, but we still think of it as a Super Disc
  • “While eschewing the grandiose string arrangements and heroic sweep of the composer’s best-known efforts, it’s nevertheless one of Williams’ most delightful and ambitious scores, applying traditional Western instrumentation like guitar, banjo, and harmonica to melodies rooted in contemporary pop and jazz.”

(more…)

Wes Montgomery – A Day In The Life

More of the Music of Wes Montgomery

  • A vintage copy of this 1967 jazz favorite with a KILLER Shootout Winning Triple Plus (A+++) side one mated to a solid Double Plus (A++) side two
  • Another triumph for Rudy Van Gelder and his unerring skill at getting all the musical elements to work together
  • The first album Creed Taylor produced for A&M was A Day in the Life with Wes Montgomery, just days after the release of the Beatles’ Sgt. Pepper (and which Wes never heard before recording this album!)
  • “There is a notable quality that each Wes recording seems to retain – they just seem to be getting better as the years go by.” – Pat Metheny

This superb album includes Montgomery’s great cover of A Day In The Life on side one and killer tracks like Eleanor Rigby, Willow Weep for Me, Windy and The Joker on side two.

It’s damn near impossible to find decent sounding early pressings, but the sound here is very good. There are plenty of dull, lifeless, overly compressed copies out there. That sound becomes especially offensive when the strings come in, most notably in the climactic middle section of “A Day In The Life.”

Fortunately for everyone who loves this kind of guitar-led jazz, our Hot Stampers have the warm, rich sound that let you enjoy this wonderful music without making your ears bleed. (more…)

Los Lobos – How Will The Wolf Survive?

More Roots Rock

  • With INSANELY GOOD Shootout Winning Triple Plus (A+++) grades on both sides, this early Slash pressing is certainly as good as we’ve ever heard
  • Big, rich (for 1984), present and lively, with good weight to the bottom end, this is clearly the right sound for this music
  • 4 1/2 stars: “… the band’s exemplary taste, musical smarts, and road-tested maturity [is] in evidence on every cut. While rarely flashy, even a casual listen offers all the proof you might need that Los Lobos were a band of world-class musicians…”

(more…)

Bonnie Raitt / Sweet Forgiveness

More of the Music of Bonnie Raitt

  • Sweet Forgiveness returns to the site for the first time in over two years, here with INCREDIBLE Shootout Winning Triple Plus (A+++) grades from top to bottom
  • These are just a few of the things we had to say about this amazing copy in our notes: “rich and weighty vox”…”jumping out of the speakers”…”tubey drums and bass”…”big and rich and 3D”…”dynamic and relaxed”
  • Full-bodied and warm, with harmonically rich guitars as well as real immediacy to Bonnie’s heartfelt vocals, this is the classic sound of the Seventies
  • The sound is big, bold, clear, rich and dynamic, which wouldn’t mean anything if the music weren’t good, but this actually happens to be Bonnie’s best album in our opinion, with Home Plate a close runner-up

I learned recently that John Haeny is one of the two engineers on this album, which goes a long way toward explaining the excellent 70s analog sound. He worked on The Pretender, Don’t Cry Now, and many of the early and quite wonderful sounding albums Judy Collins did for Elektra in the earlier part of the decade. This guy knows sound. (more…)

The Robert Cray Band – Strong Persuader

More Electric Blues 

  • Both sides of this original Mercury pressing were giving us the big and bold sound we were looking for, earning INCREDIBLE Shootout Winning Triple Plus (A+++) grades – fairly quiet vinyl too
  • A tough shootout, as no other copy earned a 3+ grade on either side, which simply means that when you find a top copy, it sets such a high standard that everything else ends up getting marked down
  • This is the album that propelled Cray into the mainstream, earning him a spot on Rolling Stone’s list of the 100 greatest albums of the 80s, 5 stars on AMG, and endless accolades from critics and fans alike
  • Clear and open, but still fairly analog sounding, this copy has the right sound for the kind of electric blues Cray brought back from the dead in the 80s
  • 5 stars: “The set that made Cray a pop star, despite its enduring blues base… his innovative expansion of the genre itself that makes this album a genuine 1980s classic.”

(more…)

Donald Byrd – A New Perspective

More of the Music of Donald Byrd

  • A wonderful stereo pressing of one of our All Time Favorite Blue Note albums, here with solid Double Plus (A++) grades on both sides
  • “Cristo Redentor,” one of the most amazing pieces of music ever recorded, sounds outstanding on this side two
  • The gospel vocals are exceptionally well recorded (thanks, RVG!) – with the transparency of this copy, you can easily pick out and follow each singer
  • To hear the real RVG magic, play “Beast of Burden” on side one – that’s some real audiophile Demo Disc sound
  • 5 stars: “One of the most successful uses of a gospel choir in a jazz context. This is a memorable effort that is innovative in its own way, a milestone in Donald Byrd’s career.”

(more…)

Stevie Ray Vaughan – Soul To Soul

More of the Music of Stevie Ray Vaughan

  • This copy was giving us the sound we were looking for on this classic of Electric Blues guitar, with both sides earning killer Nearly Triple Plus (A++ to A+++) grades, just shy of our Shootout Winner – fairly quiet vinyl too
  • A superb pressing with hard-rockin’ energy, rich, solid bass, open top end, and freedom from congestion
  • This is one of the best copies to hit the site – good SRV albums are getting tough to find nowadays
  • “[SRV] wanted to add soul and R&B inflections to his basic blues sound, and Soul to Soul does exactly that. [T]he Curtis Mayfield-inspired closer, ‘Life Without You,’ captures Vaughan at his best as a composer and performer. It’s such a seductive number – such a full realization of his soul-blues ambitions…”

Vaughan’s guitar playing is as fiery as ever, and the addition of keyboards and saxophone here gives the music broader scope and range than was possible on his previous albums.

(more…)

Three Great Violin Concertos / Milstein

       More Hot Stamper Pressings Featuring the Violin

  • Three Great Violin Concertos debuts on the site with roughly Nearly Triple Plus (A++ to A+++) grades on all SIX sides of these vintage Blue Angel Stereo pressings – just shy of our Shootout Winner (sides two and five actually won the shootout)
  • Exceptionally spacious, rich and smooth – only vintage analog seems capable of reproducing all three of these qualities without sacrificing resolution, staging, imaging or presence
  • The immediacy of Milstein’s violin is simply in a league of its own, with some of the sweetest, richest, most “rosiny” violin tone we’ve had the good fortune to hear

(more…)