Records that Sound Best on the Right Domestic Pressing

Peter Gabriel / Security

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  • One of the most important records in the Peter Gabriel canon, original and influential on so many levels
  • With the benefit of today’s technology, on a copy this good you hear into the soundfield in a way never possible before, picking out all the drummers and counting all the layers of multi-tracked choruses
  • “Security remains a powerful listen, one of the better records in Gabriel’s catalog, proving that he is becoming a master of tone, style, and substance…”

Man, does this album sound better than I remember it from back in the ’80s when I first played it. Stereos have come a long way since then, along with a host of other things that help records sound better, such as cleaning fluids, room treatments and all the rest. Now you can really hear INTO the soundfield in a way that simply was never possible before, picking out all the drummers and counting all the layers of PG’s multi-tracked choruses. On the best pressings, both sides are huge, and the music jumps out of the speakers. The balance is perfection.

This is not an easy album to find good sound for. Most copies are thick, opaque, turgid, veiled — pick your favorite adjective for mud, most copies fit the profile. When you find one like this, that has some real space and clarity, it’s amazing how much more sense the music makes.

The best copies have the kind of qualities that are not difficult to recognize:

  • presence, putting PG front and center;
  • dynamics, both micro and macro;
  • energy, allowing the rhythmic elements to bring out the life in the music;
  • transparency, so that we can hear all the way to the back of the studio; and
  • ambience, the air that surrounds all the players and their instruments

And of course we played the album VERY LOUD, as loud as we could. It’s the only way to get the massive drumming to sound right. (more…)

Van Morrison – A Sense Of Wonder

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Reviews and Commentaries for Van Morrison

  • This is probably the last domestically pressed record he made that still has the kind of sound we look for in a Hot Stamper
  • “Over the years, Morrison has gathered around him a band that plays, like the best jazz ensembles, with effortless empathy. The group follows him through all his moods and meanderings, from the lilting cadences of “Tore Down à la Rimbaud” and “Ancient of Days” to the stately auguring of “Let the Slave” and the airy, triumphal shimmer of “A New Kind of Man.” A Sense of Wonder is serenely uplifting. With astonishing commitment and profound belief, Van Morrison continues to push forward into the mystic.”

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Eric Clapton – There’s One In Every Crowd

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  • This outstanding pressing boasts solid Double Plus (A++) sound from start to finish
  • Balanced, musical and full throughout – this pressing is a big step up from many of the other copies we played
  • Bigger and bolder, with more bass, more energy, and more of that “you-are-there-immediacy” of ANALOG that set the best vintage pressings apart from reissues, CDs, and whatever else you care to name
  • The sound and music here are very similar to 461 Ocean Boulevard, so if you’re a fan of that title, you’ll find much to like here

It is tough to find copies of There’s One In Every Crowd that aren’t murky, overly smooth and/or lifeless. If you’re a fan of this music and want to hear it come to life, this copy can do it! (more…)

The Fleetwood Mac You Don’t Know – Kiln House

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More Recordings Engineered by Martin Birch

Kiln House is one of the all-time great Fleetwood Mac albums. It’s the first they recorded after Peter Green left. With Green gone, Jeremy Spencer’s influence came to the fore. He was apparently quite a fan of Buddy Holly. His songs are straightforward and unerringly melodic.

The co-leader here is Danny Kirwan and he rocks the hell out of this album. Three of the best songs the band ever did, regardless of incarnation, are here: Tell Me All The Things You Do, Station Man and Jewel Eyed Judy, all written by Kirwan (with the help of others). His guitar work on these three songs is blistering.

Any Fleetwood Mac greatest hits collection would be a joke without these tracks. Of course they are consistently missing from all such compilations, at least the ones with which I am familiar. The sad fact is that few people miss them because few people have ever heard them.

And Let’s Not Forget Christine McVie

It’s amazing to realize that this album was made by just four guys. Actually that’s not true. Christine McVie (known as Christine Perfect at the time) not only did the lovely artwork for the cover, but she sings uncredited background vocals on some of the songs. Her contribution to Station Man is especially lovely. She would officially join the band on their next album, a personal favorite of mine, Future Games. (more…)

Creedence Clearwater Revival – Self-Titled

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  • Wow – Shootout Winning Triple Plus (A+++) sound from start to finish for the band’s debut and vinyl that is about as quiet as we can find
  • These sides are exceptionally low-distortion, solid, dynamic, with the neutral tonality completely missing from the current spate of reissues
  • Featuring classics such as I Put a Spell on You, the extended-length jam Susie Q (8:37, perfect for Underground Radio), The Working Man, Porterville and more
  • 4 stars: “CCR’s self-titled debut album was gloriously out-of-step with the times, teeming with John Fogerty’s Americana fascinations. … the band’s sound is vibrant, with gutsy arrangements that borrow equally from Sun, Stax, and the swamp.”

It’s unlikely you will be demonstrating your system with this record, but you may find yourself enjoying the hell out of it for what it is — an early example of Roots Rock that still holds up today.

This is an album that’s nearly impossible to find with excellent sound and clean surfaces. This is one of the best copies we’ve managed to come across. (more…)

David Gilmour – About Face

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  • About Face makes its Hot Stamper debut here with STUNNING Shootout Winning Triple Plus (A+++) sound on side two mated with outstanding Double Plus (A++) sound on side one – exceptionally quiet vinyl too
  • Here you will find sound quality that is both cleaner and clearer, with much less grit and grain – richness is also key to these better copies
  • 4 1/2 stars: “About Face is well-honed rock album that is riveting from beginning to end.”

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Creedence Clearwater Revival – Pendulum

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  • This Fantasy stereo pressing boasts outstanding Double Plus (A+++) sound from start to finish
  • Bigger and bolder, with more bass, more energy, and more of that “you-are-there-immediacy” of ANALOG that set the best vintage pressings apart from reissues, CDs, and whatever else you care to name
  • 4 stars: “John Fogerty spent time polishing the production, bringing in keyboards, horns, even a vocal choir. His songs became self-consciously serious and tighter, working with the aesthetic of the rock underground — Pendulum was constructed as a proper album, contrasting dramatically with CCR’s previous records, all throwbacks to joyous early rock records where covers sat nicely next to hits and overlooked gems tucked away at the end of the second side.”

This copy will surely beat any pressing you put it up against. This will be especially true if you put it up against the Analogue Productions Heavy Vinyl from years back, which will sound thick, opaque, airless and congested next to a properly mastered Fantasy pressing (deep groove or otherwise) such as this one. (more…)

John Cougar Mellencamp – Uh-Huh

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  • You’ll find STUNNING Shootout Winning Triple Plus (A+++) sound from first note to last on this original pressing of Mellencamp’s 1983 release – exceptionally quiet vinyl too
  • The sound is HUGE – wide, deep, and open, with a solid bottom end and rhythmic energy to spare
  • 4 1/2 stars: “… the first half — with the dynamic rocker ‘Crumblin’ Down,’ his best protest song, ‘Pink Houses,’ the punky ‘Authority Song,’ the melancholy ‘Warmer Place to Sleep,’ and the garage rocker ‘Play Guitar’ — makes the record his first terrific album.”

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Creedence Clearwater Revival – “I’ve listened to it numerous times and it just does not have that sound stage I was expecting.”

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A customer recently contacted us after making his first purchase and being disappointed with the White Hot Stamper pressing we had sent him.

Hi,

Wondered who I can talk to about this record that I purchased. I’ve listened to it numerous times and it just does not have that sound stage I was expecting.

I am not looking for a refund. In fact, I refuse a refund. However, I would appreciate the opportunity to speak to someone about the factors that make this a “White Hot Pressing.”

I’m sure you need to understand what amplifier, speakers, setting, etc. I am using. Without Going into the details, I have a McIntosh amplifier and Focal 936 speakers. I know how much of a difference equipment makes in the sound of a record.

I love to hear amazing records, some of which I have in original pressings I purchased when they were released and can truly feel it when there is something special about the record. This one does not seem to have it to me, but I am interested in finding and purchasing one from you that gives that amazing feeling.

Please let me know if there is someone I can speak to about finding that record.

Thank you,
Sanjay

I replied with an overwhelming amount of information (and opinions!) designed to help Sanjay understand more about records, as follows:

Sanjay,

Tom here. Let me see if I can help.

The first thing I would need to know is what version of the album do you have that you think sounds better, or, if not better, comparable?

[He had no other pressing, not surprising as our White Hot copies are almost impossible to beat.]

Assuming you don’t have a better copy — we would be very surprised if you did — we would say that it’s likely there are two factors at play:

White Hot does not mean amazing Demo Disc sound. It means the best sound we can find for this recording, relative to the others we play. In other words, the best there is within the limitations of the recording.

We can’t fix the recording, we can only find you the best available pressing. If you were expecting more, something along the lines of Dark Side of the Moon, then I understand your disappointment. (more…)

Frank Sinatra – Sinatra ’65

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  • Sinatra ’65 finally returns to the site with Big, Bold, Shootout Winning Triple Plus (A+++) sound or very close to it from first note to last
  • This original Green and Blue label Reprise pressing boasts clean, clear, full-bodied, lively and musical ANALOG sound from first note to last
  • Forget whatever dead-as-a-doornail Heavy Vinyl they’re making – the Tubey Magic, size and energy of this very special vintage pressing simply cannot be beat
  • “. . . this is a big, bold and beautiful Sinatra album. Sinatra is at his zenith. [His] voice is in super top form on every selection in this album.”

Is the title a play on Capitol’s gazillion selling Beatles ’65? Only Frank really knows.

This original Green and Blue Reprise stereo pressing has the sound we look for — big, rich and tubey.

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