Records that Sound Best on the Right Domestic Pressing

Frank Sinatra – All The Way

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This vintage ’60s Capitol pressing was our clear winner, with Triple Plus sound on both sides. It has the all the Tubey Magic one could ask for, allowing Sinatra’s rich baritone to work its magic on every phrase. As you can well imagine, finding clean, scratch-free ’60s Sinatra records like this one, in stereo no less, is no walk in the park.

This group of singles and B-sides was recorded from 1957 to 1960 – it contain some of Sinatra’s better known songs arranged by Nelson Riddle. (more…)

Heart – Dreamboat Annie

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  • One of the best sounding copies of this quintessential Heart album to ever hit the site – Shootout Winning Triple Plus (A+++) sound on BOTH sides
  • Punchy and present, open and transparent, with real weight and power to the low end, nothing else in our shootout could compare to this bad boy
  • There is so much more LIFE to this recording than I ever thought possible, and only the best pressings let that energy come through
  • A Better Records Top 100 album, 4 1/2 stars on Allmusic: “Aggressive yet melodic rockers like ‘Sing Child,’ ‘White Lightning & Wine,’ and the rock radio staples ‘Magic Man’ and ‘Crazy on You’ led to the tag ‘the female Led Zeppelin.'”

Not many records have this kind of big, rockin’ sound, that’s for sure! Punchy and present, open and transparent, with real weight and power to the low end. If you’re an audiophile who loves classic rock, you just haven’t lived until you’ve heard side one of this album on a Hot Stamper pressing.

We’re pretty fond of these ladies here at Better Records. Their second album, Little Queen, has been a favorite test disc around here for years. When Heart is at their best, the music is wonderful. If you’re lucky enough to own the right pressing, this band can ROCK with the best of them.

What A Hot Copy Gets You

For one thing, the music just JUMPS out of the speakers. There is so much more LIFE to this recording than I ever thought possible, and only the best pressings let that energy come through. In a nutshell, those are the ones that earn the name Hot Stamper. (more…)

Led Zeppelin – Presence

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  • With two Shootout Winning Triple Plus (A+++) sides, we guarantee you’ve never heard anything like the massive amounts of Zeppelin Rock and Roll energy that are on this copy
  • Here is a pressing with the power, the dynamic contrasts, the low end whomp, as well as the in-the-room midrange presence (pun only slightly intended) you’ve been waiting for
  • Featuring a stripped down, harder rock sound, Presence really benefits from the killer bottom end found on this early LP
  • “Presence has more majestic epics than its predecessor, opening with the surging, ten-minute Achilles Last Stand and closing with the meandering, nearly ten-minute Tea for One.”

We just finished a massive shootout for this album and were reminded just how HARD this album rocks. Achilles Last Stand, For Your Life and Nobody’s Fault But Mine are KILLER on a Hot Stamper pressing like this one. (more…)

Cat Stevens – Mona Bone Jakon – Live and Learn

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When we said this album was not the sonic equal of Teaser and the Firecat or Tea for the Tillerman, boy, We Was Wrong and then some. Read all about it in this White Hot Stamper copy review below.

It’s been about a year since we last found Hot Stampers of this album, and having made a number of improvements to the stereo over that time, I’m here to report that this album got a WHOLE LOT BETTER, better than I ever imagined it could get. Mona Bone Jakon now ranks as a DEMO DISC of the highest order, every bit the equal of Teaser and Tea.

To think that all three of these records came out in one fifteen month period is astonishing. The only other artists to have produced music of this calibre in so short a time would have to be The Beatles, and it took four of them to do it.

Which is not what we used to think, as evidenced by this paragraph from a previous Hot Stamper listing.

This album is one of Cat’s top four titles both musically and sonically. Tea and Teaser are obviously in a league of their own, but this album and Catch Bull At Four are close behind. The music is WONDERFUL — the best tracks (including I Wish I Wish and I Think I See The Light) rank right up there with anything from his catalog. Sonically it’s not an epic recording on the scale of Tea or Teaser, but with Paul Samwell-Smith at the helm, you can be sure it’s an excellent sounding album — on the right pressing.

That last line is dead wrong. It IS an epic recording on the scale of Tea and Teaser. This copy proves it! Now that we know just how good this record can sound, I hope you will allow me to borrow some commentary from another classic Cat Stevens album listing, to wit:

Right off the bat I want to say this is a work of GENIUS. Cat Stevens made three records that belong in the Pantheon of greatest popular recordings of all time. In the world of folk-pop, Mona Bone Jakon, Teaser and the Firecat and Tea for the Tillerman have few peers. There may be other recordings that are as good but there are no other recordings that are better.

When you hear I Wish I Wish and I Think I See The Light on a Hot Stamper copy you will be convinced, as I am, that this is one of the greatest popular recordings in the history of the world. I don’t know of ANY other album that has more LIFE and MUSICAL ENERGY than this one. (more…)

Frank Sinatra – A Swingin’ Affair!

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This is a very nice looking original Capitol Grey/Black Label LP. As for sonics, the record starts off a little problematically but things really start cookin’ by track two when the sound becomes sweet and warm. By the way, this Capitol Label was only used from 1956 until 1957. This record plays Mint Minus Minus about as quiet as any early Capitol pressing you’re likely to ever hear.

The record was number one in the UK for 7 straight weeks! (more…)

Bob Dylan – The Times They Are A-Changin’

Dear Reader,

We have just recently moved our record business to our new Shopify store. None of the links to the old site will work anymore. We apologize for the inconvenience and hope to be able to rectify the situation soon. For now please check out Better Records, Mach II, home of the ultimate vinyl pressing, the White Hot Stamper.

Tom Port – Better Records

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  • This 360 stereo pressing offers outstanding sound from first note to last, with both sides earning solid Double Plus (A++) grades – relatively quiet vinyl too
  • The keys to this stark recording – just Bob, his acoustic guitar, and harmonica – is correct tonality, as well as vocal presence with breathy intimacy, and here you get a good helping of all three
  • If you’ve played the MoFi or Sundazed LP, on the CD, the Tubey Magic here might just blow your mind
  • “These are beautifully crafted, tightly focused mini-masterpieces. And they have a radical edge, a political toughness, that one rarely finds in the folk music of the period. …the songs are uncompromising in their anger and unsparing in their analysis.”

Just about everything you could want in the sound is here: wonderful clarity, mindblowing transparency, clearly audible transients on the guitar, breathy texture to the vocals, full-bodied acoustic guitars, and more. If you’ve played other copies of the album — on MoFi, Sundazed or Columbia LP, on the CD, on whatever — the immediacy of the vocals and the Tubey Magic of the midrange are going to blow your mind. (more…)

Frank Sinatra – Nice and Easy – Our Shootout Winner from 2013

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

It’s been a long time coming but we’re pretty sure whoever takes this bad boy home will agree that it’s been worth the wait. Here’s the first White Hot Stamper of The Chairman’s classic Nice ‘n’ Easy to ever hit the site! This killer pressing has an A+++ side one, an A++ side two, and unusually quiet vinyl throughout. Take this one home and play it against the MoFi pressing for a good laugh — this thing will positively SMOKE whatever other version you might have in your collection, guaranteed. 

Definitely one of the most fun Sinatra albums, especially when it sounds like this!

It’s tough to find great sound for this album — most copies are pretty mediocre and the MoFi is godawful. That piece of garbage gets Frank’s voice completely wrong, thinning it out and boosting it at the top of his range. No one else besides MoFi ever managed to make Frank Sinatra’s voice sound this way, so what are the chances that they’re right and everybody else is wrong? (more…)

Frank Sinatra – Close To You – Sounds Great in Mono

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This nice looking Capitol Rainbow Label pressing has SUPERB SINATRA SOUND! His voice is PERFECTION. Rich, sweet, and completely free of phony EQ (Mobile Fidelity take note!), this record will put a living, breathing Sinatra between your speakers. Normally I’m not a big fan of these slower, ballady Sinatra records, but he’s so good here, it’s difficult to find fault with music and sound like this. (more…)

Bryan Ferry – The Bride Stripped Bare

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  • A strong copy, with a Double Plus (A++) side two and a side one that’s nearly as good
  • These two sides show us just what a monster rocker this album can be when it’s mastered and pressed right
  • I’m a big fan of the record – it’s as original and as moving as practically anything the man ever did
  • Bryan Ferry owned the ’70s as much as David Bowie did; they’re both artistic giants in my book

It’s been years since I last played this album, and I’m happy, ecstatic even, to report that it sounds way better than I remember it. In the old days, I recall it sounding dry, flat and transistory. Now it’s BIG and BOLD, revealing a band that’s on fire in the studio.

These two sides show us just what a monster rocker this album can be when it’s mastered and pressed right. The reviews were mixed when the album was released in 1978 but time has been kind to it — after hearing the killer copies I would rank it up at the top with the best of Ferry’s and Roxy’s bodies of work.

We were a bit surprised to find that the domestic copies we played were clearly better sounding than the UK imports. It may be counterintuitive but these are the kinds of things you find out when doing shootouts. We have little use for intuitions (UK recording, UK pressing) and rules of thumb (original equals better). Hard data — the kind you get from actually playing the records — trumps them all. (more…)

The Rolling Stones – Emotional Rescue

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  • This amazing copy of the Stones’ 1980 release boasts Shootout Winning Triple Plus (A+++) sound throughout  
  • Dance (Pt. 1) and She’s So Cold sound out of this world on this copy, and the title track, Emotional Rescue, is every bit as good
  • An underrated Stones album — too good to call a guilty pleasure — and very well-recorded by Chris Kimsey
  • Maybe it’s good because “Mick Jagger sounds like he’s having a great time…”

This amazing pressing delivers the kind of killer sound you surely did not expect from this underrated Stones album.

We had a great time shooting this one out — we had forgotten how good the music was and were pleasantly surprised by how good the best copies can sound. It’s tough to get great Stones sound, I’m sure most of you know that, but there’s lots of it here and a bunch of good songs. She’s So Cold, Summer Romance, Dance, the title track… not a bad line-up, and probably the last great album these guys put out.

As you might expect, we heard lots of dry, grainy, thinned-out sound on the copies that didn’t make the cut. When you get a Hot copy with a punchy bottom end and some richness, it’s an entirely different story. It lest a song like the leadoff track Dance come to life, giving you bigger, livelier, fuller sound than you ever expected to hear on this record. (more…)