Top Artists – Barney Kessel

Barney Kessel / Carmen – A Great Disc for Testing Transparency

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Reviews and Commentaries for the Music of Barney Kessel

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We highly recommend you make every effort to find yourself a copy of this album and use it to test your system. The right pressing can be both a great Demo Disc and a great Test Disc.

Transparency Is Key

The best Hot Stamper Original pressings have the Tubey Magic we’ve come to expect from Contemporary circa 1958, with that warm, rich, full-bodied sound that RVG often struggles to get on tape. However, some pressings in our shootout managed to give us an extra level of transparency and ambience that most original pressings rarely did.

There’s a room around this drum kit. So many copies don’t show you that room, not if they have the full sound that a copy like this does.

It’s amazing all the detail you can hear in a leaned-out record, but what good is that? The sound is all leaned out.

If you like that sound, buy the OJC or the CD. Leave these originals to those of us who are after this sound. (more…)

Julie London / Julie Is Her Name – Listen for Barney Kessel’s Guitar Tone

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On the first track of side one, focus on how rich the bottom end is on Barney Kessel’s guitar. The Tubey Magic on this side is off the charts. Some copies can be dry, but that is clearly not a problem on the best pressings.

Now compare the sound of that guitar — just the guitar, nothing else — you hear on a good original pressing to the sound of the same guitar on the awful Boxcar Heavy Remaster.

We think there is a very good chance you will be quite shocked.

Unsurprisingly, everything else is worse on the Boxcar record as well. It has no reason to exist. The CD is likely better.

So Natural

The naturalness of the presentation puts this album right at the top of best sounding female vocal albums of all time.

To take nothing away from her performance, which got better with every copy we played. Julie’s rendition of Cry Me a River may be definitive.

If only Ella Fitzgerald on Clap Hands got this kind of sound! As good as the best copies of that album are, this record takes the concept of intimate female vocals to an entirely new level. (more…)

The Poll Winners – Straight Ahead

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  • This superb collaboration has KILLER Shootout Winning Triple Plus (A+++) sound or very close to it on both sides
  • Musically, this is by far our favorite Poll Winners record – these guys got back together after 15 years and were eager to prove that they still had their youthful exuberance, and even better chops, which they did have and did prove!
  • 4 1/2 stars: “Kessel in particular is heard in excellent form… Overall this is the best all-around recording by The Poll Winners and is easily recommended to bop fans.”

These guys play with more spunk here than on any other album of theirs I’ve heard. And you have to love those ’70s leisure suits they’re wearing on the cover. I remember my commentary when this record was around, mentioning that Roy DuNann had lost none of his engineering skills in the intervening years either.

This is a very dynamic recording, one of his best. You almost never hear cymbals sound this good on an RVG Blue Note, that’s for sure. The bass definition on this record is amazing — you can really hear Ray Brown pulling and bending the strings of the instrument. He’s tearing it up. (more…)

Hampton Hawes – Four!

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More Contemporary Label Jazz

  • Four! finally makes its Hot Stamper debut with stellar Shootout Winning Triple Plus (A+++) sound or close to it from first note to last
  • The timbre of the instruments in this brilliant jazz quartet is so spot-on it makes all the hard work and money you’ve put into your stereo more than pay off
  • Roy DuNann engineered some of the best sounding records we have ever heard – here’s a textbook example of what the audiophiles at Contemporary were able to achieve in the studio
  • 5 stars: “Pianist Hampton Hawes’ 1950s recordings for the Contemporary label are at such a high level that they could all be given five stars.”

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Barney Kessel / Music to Listen to Barney Kessel By

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More Jazz Featuring the Guitar

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  • Music To Listen To Barney Kessel By finally returns to the site with KILLER Shootout Winning Triple Plus (A+++) Contemporary Stereo sound on both sides
  • Their stuff just doesn’t get any better than this. Tubey Magic, richness, sweetness, dead-on timbres from top to bottom — this is a textbook example of Contemporary sound at its best
  • For those of you who appreciate what Roy DuNann (and Howard Holzer on other sessions) were able to achieve in the ’50s at Contemporary Records, this LP is a Must-Own
  • Unless you already have it, which is doubtful considering how hard it is to find a copy in clean condition
  • Barney Kessel and his five reed players take these standards and make magic with them — for fun, relaxing jazz it’s hard not to love this one

This vintage Black Label Contemporary Stereo LP from has DEMO DISC QUALITY SOUND. No other copy we played was in a class with this bad boy — it does it ALL.

How can you beat a Roy DuNann recording of five reeds, piano, guitar and a rhythm section that includes Shelly Manne and Red Mitchell? The timbre of the instruments is so spot-on it makes all the hard work and money you’ve put into your stereo more than pay off.

The Demo Disc sound on this copy is really something to hear – all tube, live-to-two-track direct from the Contemporary studio. It’s pretty much everything you want in a recording from this era. I’d love to keep it but when would I have time to play it? I can assure you I will sleep very well knowing that it’s going to a good home. (more…)

What We Listen For – Timbre, Richness, Tubey Magic and Freedom from Artificiality

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Reviews and Commentaries for the Music of Barney Kessel

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This Home Audio Exercise entry was inspired by the wonderful qualities of the Contemporary recording you see pictured, qualities brought to our attention while doing a shootout of various pressings of the album in early 2009. 

We addressed a number of issues in our commentary: first and foremost what we were listening for on the album (and what we were hearing). A bit of mono versus stereo (in this case both can be good), followed by some Audiophile Equipment bashing.

We highly recommend you make every effort to find yourself a copy of this album and use it to test your own equipment. The right pressing can be both a great Demo Disc and a great Test Disc.

Two of the best sounding jazz guitar records in the history of the world were made by Barney Kessel for Contemporary: this one, and Music To Listen To Barney Kessel By. I used to have them both in my personal collection. [This was written many years ago when I actually had a personal collection. With 40,000 records in stock I don’t need a collection of my own anymore. Any record I might want to play is in stock, waiting to be shot out.]

Such a wonderful idea for an album. The melodies from Bizet’s Carmen are unforgettable and perfect fodder for jazz improvisation. Don’t think that this is just guitar and rhythm. This is a full band with lots of horns, clarinets of all kinds, bassoons, oboes, flutes, piano, vibes — the variety of sounds to be found on this album is practically unlimited. And with Roy DuNann’s engineering, you will never hear richer, fuller sound with more accurate timbers for all the instruments mentioned above. The guy was a genius. His recordings define High Fidelity for me. I know of none better. (more…)

Billie Holiday – The First Verve Sessions

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  • Excellent sound throughout with solid Double Plus (A++) sound from the first note to the last – exceptionally quiet vinyl too
  • All four sides here are clear and full-bodied with wonderfully breathy vocals and the kind of vintage analog sound you won’t hear from any modern reissue or CD, that’s for sure
  • This double LP set captures some of Billie’s best music from the years 1952 to 1954 and features Oscar Peterson, Barney Kessel, Ray Brown, Flip Phillips, Freddie Green, Charlie Shavers and more

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Sonny Rollins – Sonny Rollins & the Contemporary Leaders

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  • Incredible sound throughout for this later Contemporary pressing with both sides earning Shootout Winning Triple Plus (A+++) grades; exceptionally quiet vinyl too!
  • Both of these sides are textbook examples of the kind of rich, smooth, natural, effortless Contemporary Jazz sound that Roy DuNann’s All Tube Recording Chain was famous for in 1958
  • “The last of the classic Sonny Rollins albums prior to his unexpected three-year retirement features the great tenor with pianist Hampton Hawes, guitarist Barney Kessell, bassist Leroy Vinnegar and drummer Shelly Manne… Great music.”

This Contemporary Yellow Label LP has THE BIG SOUND — rich and so full-bodied with amazing presence and immediacy. The bass is PERFECTION — deep, rock solid, and note-like. There’s lots of extension on the top end, letting Shelley Manne’s fantastic work on the cymbals really come to life.

The clarity on this copy is superb — just listen to those leading edge transients on Sonny’s sax. The guitar has the tubey qualities that we love here at Better Records — it’s warm, rich, and sweet with lots of ambience.

Sonny is backed here by a heavy-hitting lineup of Barney Kessel, Shelley Manne, Leroy Vinnegar and Hampton Hawes — all favorite players of ours here at Better Records. (more…)

Julie London / Julie Is Her Name – A Boxstar Bomb

 

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A Hall of Shame pressing from Cisco / Impex / Boxstar.

One question: Where’s the Tubey Magic?

We would never have pointed you in the direction of this awful Boxstar 45 of Julie Is Her Name, cut by Bernie Grundman, supposedly on tube equipment. I regret to say that we actually sold some copies, but in my defense I can honestly and truthfully claim that we never wrote a single nice thing about the sound of the record. That has to count for something, right? (more…)

Barney Kessel – Vol. 3: To Swing Or Not To Swing

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A distinguished member of the Better Records Jazz Hall of Fame.

This Early Contemporary Yellow Label Mono LP sure has AMAZING SOUND!

Man, this music is a blast when it sounds this good. I don’t think there’s a whole lot you could do to make this music sound any better! It’s one of the best early mono Contemporary LP I’ve ever played. It’s so tubey magical and Kessel’s guitar sound is out of this world. 

The music here matches the sound for excellence. The whole band just swings. There’s a real old rag-timey feel to the songs. Look at this list of all-star players: Harry Edison, Jimmy Rowles, Red Mitchell and Shelly Manne — this is some serious jazz talent. (more…)