Labels We Love – Charisma

Genesis – Foxtrot

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  • An outstanding copy of this early Peter-Gabriel-led Genesis album from 1972 with solid Double Plus (A++) sound from start to finish
  • One of the tougher Genesis albums to find with good sound – this British Charisma LP is much more impressive than most of what we’ve played over the years, and is guaranteed to trounce any domestic or Heavy Vinyl pressing you may have heard
  • 5 stars: “Foxtrot is where Genesis began to pull all of its varied inspirations into a cohesive sound — which doesn’t necessarily mean that the album is streamlined, for this is a group that always was grandiose even when they were cohesive, or even when they rocked, which they truly do for the first time here. This is the rare art-rock album that excels at both the art and the rock, and it’s a pinnacle of the genre because of it.”

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Genesis – Seconds Out

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  • You’ll find superb Nearly Triple Plus (A++ to A+++) grades on three sides and outstanding Double Plus (A++) grades on the fourth, giving you very impressive live Genesis sound
  • This is an excellent set of songs and a surprisingly good recording
  • After suffering through so much bad Genesis sound over the years — their pressings are all over the map — it was a real treat to hear the better copies of this one let these classic songs really come to life
  • “Indeed, part of the beauty of this album is the sheer flexibility of the band during this period — in addition to superb vocals by Collins throughout, the drumming by Chester Thompson is at least a match for Collins’ best playing.”

This live album from 1977 has some of the best Genesis sound we’ve heard. Their studio recordings are often a bit flat and dull, so it’s really a treat to hear those songs with this kind of big, open, dynamic sound! Phil Collins handles the lead vocals here, but he does a great job even on the Peter Gabriel material.

This vintage British Charisma pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

Genesis – Trespass

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  • You’ll find outstanding Double Plus (A++) sound on both sides of this UK Charisma pressing – it’s guaranteed to beat any Heavy Vinyl (or other) pressing you may have
  • The sound here is rich and Tubey Magical, which is the only way this music makes any sense at all
  • Probably for the more serious fan, but Melody Maker found it “…tasteful, subtle and refined.”
  • “… cannot find many ‘modern’ acts that can even come close to the brilliance demonstrated in these six songs… cannot recommend this album enough.”

Take it from us, the guys who play every kind of pressing they can get their hands on, the UK pressings are the only way to go on Trespass. (more…)

Genesis – And Then There Were Three

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  • Stunning sound throughout for this UK Charisma pressing with Triple Plus (A+++) sound on the first side and solid Double Plus (A++) sound on the second — exceptionally quiet vinyl too!
  • Forget the dubby domestic LPs and whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – the UK pressings are the only way to fly on And Then There Were Three
  • “And Then There Were Three, more than either of its immediate predecessors, feels like the beginning of the second phase of Genesis… [they] don’t quite want to abandon prog at this point, but the increasing emphasis on melody and tight song structures points the way toward the group’s ’80s work.” – All Music

This vintage UK Charisma pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

Peter Gabriel – Peter Gabriel

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  • This superb British pressing of Peter Gabriel’s debut solo album earned solid Double Plus (A++) grades from start to finish – fairly quiet vinyl too
  • Gabriel’s solo debut, the album features his autobiographical lead single, Solsbury Hill
  • Clearly the hardest of the first five PG records to find with good sound and decent vinyl, which is why these seldom make the site
  • “…much of the record teems with invigorating energy (as on Slowburn, or the orchestral-disco pulse of Down the Dolce Vita), and the closer “Here Comes the Flood” burns with an anthemic intensity that would later become his signature in the ’80s.”

*NOTE: On side one, the intro to track 1, Moribund the Burgermeister, plays Mint Minus Minus.

Tubey Magical Richness and breathy vocals are the hallmarks of a good British PG 1.

Unlike any that follow, the sound varies greatly from track to track on the first PG album, as does the music. You know you have a good copy when the best sounding tracks sound their best. That may seem like a tautology but is in fact the only way to judge a side when the songs sound this different from one another. (more…)

The Alan Parsons Project – Tales of Mystery & Imagination – Our Shootout Winner from 2015

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A distinguished member of the Better Records Rock and Pop Hall of Fame

Alan Parsons’ concept album based on the stories of Edgar Allen Poe was a TAS Super Disc for a while back in the day, and one can easily see why. The sound on the better pressings is big, solid and full-bodied with amazing resolving power and dynamics.

The best copies usually have exceptionally extended top ends. The best top ends are difficult to come by but they sure make a difference in the sound, revealing three-dimensional space that most copies do no better than to hint at. 

The upper harmonics of the instruments are reproduced beautifully here, and there’s ambience and air that are simply not audible on the average original pressing.

This was the first Alan Parsons Project album, and it features songs based on the stories of Edgar Allen Poe. It’s crazy music for sure, certainly not for everyone, but the recording is excellent, as you might expect from the man who engineered Dark Side Of The Moon, Abbey Road and mixed the first Ambrosia album.

The Raven is a highlight, featuring vocoder-enhanced vocals, a boy’s choir, big rock guitars and crazy synthesizers. Click the “AMG Review” tab above to learn more — they do an excellent job communicating what’s interesting about the music on this album. Those of you who like the first Ambrosia album may get a kick out of this one, as all four members participate in the festivities. (more…)

Genesis – Nursery Cryme – Our Shootout Winner from 2011

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This QUIET Super Hot Stamper is actually on the Charisma Blue label, not the original, but it gave our best Pink label copies a run for their money, with superb bass, real rock energy and lovely midrange transparency. For fans of the Classic Lineup involving Phil Collins and Steve Hackett — this being the first album with them on board — side one of this copy will show you a Nursery Cryme the likes of which you have never heard. (If you own the Classic Heavy Vinyl pressing you are really in for a shock. That pressing is a smeary lifeless mess next to this LP.)  (more…)

Genesis – Seconds Out – Our Shootout Winner from 2016

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

STUNNING SOUND FOR ALL FOUR SIDES! This live album from 1977 has some of the best Genesis sound we’ve heard. Their studio recordings are often a bit flat and dull, so it’s really a treat to hear those songs with this kind of big, open, dynamic sound! Phil Collins handles the lead vocals here, but he does a great job even on the Peter Gabriel material.  (more…)

Genesis – The Lamb Lies Down On Broadway – Our Shootout Winner from 2012

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This Charisma double LP was the uncontested winner of our shootout, earning a whopping 12 PLUSES across all four sides! In fact, this is BY FAR the best we’ve ever heard this album sound. After our last shootout — in which no side earned a top grade — we had almost given up hope of finding a true White Hot Stamper copy. Well, folks, our perseverance has finally paid off and this copy is the proof! When you find a killer pressing this complex, theatrical music really WORKS. 

No other copy in our shootout came close to this one. The bass, which can lack weight on the typical copies, is big and solid throughout, and the vocals are present and rich with great ambience. Bigger and more present, richer and fuller, with more space and transparency, this copy is absolutely As Good As It Gets (AGAIG) for this album!

This recording is always going to have a few issues. Certain tracks — particular the more rocking, guitar-heavy material — are ALWAYS going to get a little hard in the midrange, but on a good copy the issue is much less apparent and doesn’t get in the way of the music. And the more open, spacious keyboard and acoustic -driven songs which comprise the bulk of the album can sound really wonderful! (more…)

Genesis – Wind and Wuthering

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  • With a Triple Plus (A+++) shootout winning side two and a superb Double Plus (A++) side one, this copy will be very hard to beat 
  • These two outstanding UK-pressed sides are dramatically more present, dynamic and detailed than you’ve heard elsewhere, guaranteed
  • Their Masterpiece is still A Trick of the Tail, the album before this one, but Wind and Wuthering certainly has much to offer as well
  • “Wind & Wuthering followed quickly on the heels of A Trick of the Tail and they’re very much cut from the same cloth, working the same English eccentric ground that was the group’s stock in trade since Trespass.”

We have struggled like crazy to find copies of the album that are able to present the music as well as this one does. Most of the pressings we’ve gotten our hands on were a disaster, and that includes everything that does not say Made in England on the label. (more…)