Labels We Love – Fantasy

Creedence Clearwater Revival – Willy and the Poor Boys

xxxxx

  • Both sides earned Triple Plus (A+++) grades, a huge step up over every other copy in our shootout – exceptionally quiet vinyl too 
  • Whatever you do, don’t waste your money on the awful Heavy Vinyl remasters of CCR’s albums that Acoustic Sounds commissioned – they are so wrong it will make your head ache
  • Features Down On The Corner, Fortunate Son, Midnight Special and more
  • 5 stars: “[A] fun record, perhaps the breeziest album CCR ever made. Fogerty’s rage remains, blazing to the forefront on “Fortunate Son,” a working-class protest song that cuts harder than any of the explicit Vietnam protest songs of the era, one of the reasons that it hasn’t aged where its peers have. Also, there’s that unbridled vocal from Fogerty and the ferocious playing on CCR…”

(more…)

Cal Tjader – Mambo w/ Tjader – Blue Vinyl!

xxxxx

This is an Original Fantasy LP pressed on EXCEPTIONALLY QUIET blue vinyl! Finding non-trashed copies of old Fantasy colored vinyl pressings is practically IMPOSSIBLE. And this is the STEREO LP, even more rare. It plays Mint Minus and maybe a tad worse, which, for Fantasy colored vinyl, is as good as it gets in our experience. The sound is good, not great. This is no demo disc by any means, but it is the real Tjader ’50s sound, and it works pretty well for this music.  (more…)

Creedence Clearwater Revival – Cosmo’s Factory – Our Shootout Winner from 2015

More Creedence Clearwater

More Bayou Cosmo’s Factory

xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame.

Clean copies of the album are rare enough as it is; good sounding clean copies are as rare for this title as for practically any we offer.

Fortunately we’ve made some strides of late finding the “right’ pressings for this band, and with better cleaning technologies we are finding that the better copies such as this one are sounding the way we want our Creedence records to sound.

Note that the Hoffman reissues and the MoFi pressing sound nothing like the Creedence records we all grew up with, and records that sound that enervated, small, lifeless and boring just can’t be what audiophiles want, can they?

Those of you who have been watching the site for a while have probably noticed that we hardly ever list Hot Stamper copies of Creedence records. That’s because it is DARN NEAR IMPOSSIBLE to find copies that sound any good, a fact that many of you have probably stumbled upon on your own.

The typical copy of this album is grainy, murky, and veiled — and that’s just for starters. It took us a HUGE stack of copies to find ANY that had bottom end weight, midrange presence, freedom from grain (mostly) and real energy. (more…)

Bola Sete – The Incomparable Bola Sete – Reviewed in 2010

xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

This is a Minty looking Fantasy LP with EXCELLENT SOUND. Bola Sete is one of my favorite guitarists, Latin or otherwise. Here he is joined by a very talented percussionist who brings authentic Brazilian feeling to this music. The real surprise here is Paul Horne on flute — the music comes alive on the tracks on which he guests, such as ‘Lamento De Negro’. If you like Latin guitar music, you can’t go wrong here.

“There are some performers in jazz, as in other fields, who everybody digs, regardless of style, regardless of preferences, regardless of anything. Bole Sete is that kind of performer. Whether he was playing for the society audiences in the swank Sheraton Palace, the jazz audiences at the Monterey Festival, the night club audiences (with Vince Guaraldi) at El Matador or Shelly’s Manne Hole, Bola Sete captured the people. He always does.” – Liner Notes

Bill Evans & Toots Thielemans – Affinity

xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

This is a unique jazz album (in my experience, anyway) with very good sound. Piano with harmonica accompaniment is something I’ve never heard before, and most of the time it actually works. Both of these guys are top flight musicians, and their ability to communicate in order to create this wonderful improvisational jazz is a joy to experience.

Side Two

White Hot — nothing could touch it. The sound is especially lively and clear, with highly resolving sound that lets you hear all the nuances and harmonics of every instrument.

Exceptionally open and spacious. Love that studio!

Side One

Nearly as good in every way, perhaps falling short a bit in the realm of resolution, but clearly superior to almost every other copy we played. (more…)

Creedence Clearwater Revival – Bayou Country – Our Shootout Winner from 2012

More Creedence Clearwater

More Bayou Country

xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame.

This is the first White Hot Stamper copy of Bayou Country to ever hit the site. We were shocked at how good this one sounds — on both sides — compared to the copies we’ve heard over the years. It is TOUGH to find a pressing of this album that didn’t turn out bright and edgy, but here’s one that was worth the headache of playing a ton of mediocre copies. Seriously, we played a huge stack of these and most had us running for cover.

Man, the average copy of this album is an unmitigated disaster. Let’s start with the vocals. I’m not sure who’s idea it was to have John Fogerty’s vocals sound as if they were recorded via telephone, but every copy we played had an edgy quality to Fogerty’s voice. On some copies the edge is bad enough to render the copy completely worthless sonically. Who can sit and listen to a record that makes you cringe every time the singer says anything? Not us.

Furthermore, most copies are badly congested and far from transparent. After dropping the needle on the first few copies and hearing the muddy music and gritty vocals we nearly gave up, but I’m glad we stuck to it long enough to find a few copies that did a good job conveying this classic music. (more…)

Bill Evans – I Will Say Goodbye

xxxxx

  • Bill Evans’ 1980 release makes its Hot Stamper debut with outstanding Double Plus (A++) sound from first note to last
  • Rich, smooth, sweet, and wonderfully natural, this is the sound we love here at Better Records
  • 4 stars: ” For his final Fantasy album, Evans, bassist Eddie Gómez, and drummer Eliot Zigmund perform memorable renditions of such songs as Herbie Hancock’s “Dolphin Dance”… Fine post-bop music from an influential piano giant.

(more…)

Duke Ellington – Yale Concert

More Duke Ellington

More Yale Concert

xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

There is some interesting mic placement going on with this recording. Some of the instruments seem to be off-mic, creating an unusual effect that has its charms.

Only one song was actually recorded live, Boola Boola. The rest of the material was taped in the studio and an audience dubbed in. (more…)

The Dave Brubeck Quartet – Near Myth – Reviewed in 2011

More Dave Brubeck

More Near Myth

xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

This original STEREO BLUE VINYL Fantasy pressing has Hot Stamper sound on both sides, with rich and musical Tubey Magical qualities appropriate to this early ’60s West Coast jazz. We’ve known about this album for close to twenty years, having played the surprisingly good sounding OJC pressing and recommended it back in the days when those kinds of records were still in print.  (more…)

Creedence Clearwater Revival – Creedence Clearwater…

More Creedence Clearwater Revival

Creedence Clearwater…

xxxxx

  • An insanely good copy with Shootout Winning Triple Plus (A+++) sound from start to finish  
  • These sides are exceptionally low-distortion, lively, solid and dynamic – just what this music needs
  • Probably the most difficult CCR studio album to find with great sound – and here it is!
  • 4 stars: “… the band’s sound is vibrant, with gutsy arrangements that borrow equally from Sun, Stax, and the swamp.”
  • Featuring classics such as I Put a Spell on You, the extended-length jam Susie Q (8:37, perfect for Underground Radio), The Working Man, Porterville and more

It’s unlikely you will be demonstrating your system with this record, but you may find yourself enjoying the hell out of it for what it is — an early example of Roots Rock that still holds up today.

This is an album that’s nearly impossible to find with excellent sound and clean surfaces. This is one of the best copies we’ve managed to get on the site in the last year by a HUGE margin. (more…)