Hot Stamper Pressings of Elvis’s Albums Available Now
Letters and Commentaries for My Aim Is True
My notes for the one and only UK pressing I’ve played in many years, the one with Porky is the dead wax, note its many weaknesses:
Really loud and full
Too loud and hot vocal
Strains a lot
You know what the sound of this record reminds me of?
An old 45 RPM 7″ single. Remember those?
It’s not unusual for 45 RPM singles from back in the day to be very loud, very compressed, and they often have much-too-hot vocals designed to jump right into your lap.
Mono mixes sometimes have some of that same lowest-common-denominator sound. This mix is stereo but it sounds like it’s coming right out of a jukebox.
No doubt Mr. Peckham was told to make the record sound that way, and he did his job very well.
But audiophiles looking for good sound should heed this warning and avoid the UK LPs of the album. It’s a joke next to the domestic pressings with the right stampers. (The right stampers are hard to find but you will never hear a good sounding early pressing unless you have a copy with the stampers that sound right, a tautology to be sure but one worth noting.)
Our Previous Hot Stamper Commentary
The British pressings are simply not competitive with the best domestics. No import, from any country, can touch a good Columbia pressing from the states. The most common stampers for the Columbia pressings have never sounded very good to these ears, but that doesn’t mean there aren’t some killer copies with different stampers sitting in the bins wearing the generic ’70s Red Columbia label. We’ve heard them. Wish we could find more of them but they are rare and only getting rarer.
Further Reading
This record sounds best to us this way:
For those who might be interested in finding their own Hot Stamper pressings, we here provide
We play mediocre-to-bad sounding pressings so that you don’t have to, a public service from your record-loving friends at Better Records.
You can find this one in our Hall of Shame, along with others that — in our opinion — are best avoided by audiophiles looking for hi-fidelity sound. Some of these records may have passable sonics, but we found the music less than compelling. These are also records you can safely avoid.
We also have an Audiophile Record Hall of Shame for records that were marketed to audiophiles for their putatively superior sound. If you’ve spent any time on this blog at all, you know that these records are some of the worst sounding pressings we have ever had the displeasure to play.
We routinely play them in our Hot Stamper Shootouts against the vintage records that we offer, and are often surprised at just how bad an “audiophile record” can sound and still be considered an “audiophile record.”
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