Core Collections (All Titles)

Tears For Fears – Songs From The Big Chair

More of the Music of Tears For Fears

  • An incredible vintage UK pressing with Shootout Winning Triple Plus (A+++) sound on the first side and solid Double Plus (A++) sound on the second side
  • Rich, spacious and lively, with an open, extended top end – this is the sound you’ve been waiting for from Tears for Fears
  • More great songs than practically any other record made in the ’80s – “Shout,” “Everybody Wants To Rule The World” and “Head Over Heels” are just a few of the better known hits from this, their breakthrough third album
  • 4 1/2 stars: “It is not only a commercial triumph, it is an artistic tour de force. And in the loping, percolating “Everybody Wants to Rule the World,” Tears for Fears perfectly captured the zeitgeist of the mid-’80s while impossibly managing to also create a dreamy, timeless pop classic. Songs From the Big Chair is one of the finest statements of the decade.”

This is a classic in the Tears for Fears canon, probably the album most people regard as their best. I myself prefer Seeds of Love, which should take nothing away from Big Chair — both are exceptional productions from the ’80s no matter how you look at them.

SFTBC went to Number One on the charts for a reason. There’s really not a bad song on either side and mostly absolutely brilliant ones.

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Neil Young – Zuma

More of the Music of Neil Young

  • Boasting two outstanding Double Plus (A++) sides, this copy of Neil’s amazingly well recorded 1975 masterpiece is guaranteed to floor audiophiles and Neil Young fans alike – fairly quiet vinyl too
  • Zuma captures a kind of garage band purity that makes practically any other studio album you own sound processed and desiccated in comparison
  • For a hard-rockin’ Neil Young album with Demo Disc quality sound, you’ll have a hard time finding a better choice than a Hot Stamper pressing of Zuma
  • A Must Own Top 100 Title – just drop the needle on “Danger Bird” or “Cortez the Killer” to have your mind blown!

Can any one artist lay claim to two of the best sounding rock albums ever made? Neil Young can!

After the Gold Rush and Zuma are Demo Discs and super discs of the highest order, right up there with Tea for the Tillerman and Teaser and the Firecat, the other two albums by a single artist that deserve to be placed on that rarified plane.

Part of Zuma’s attraction is that it has exceptionally unprocessed sound that seems to have been recorded “live in the studio.”

The fact that Gold Rush and Zuma both involve Neil Young is doubtless not an accident. I would be very surprised to learn that he was not intimately involved with every aspect of the recording of both Masterpieces, from the miking to the final mix and every step in between.

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Gilbert and Sullivan – Overtures / Ward

More Recordings in Living Stereo

  • You’ll find INCREDIBLE Shootout Winning Triple Plus (A+++) grades or close to them on both sides of this vintage Shaded Dog pressing of Gilbert and Sullivan’s music
  • It’s also fairly quiet at Mint Minus Minus, a grade that even our most well-cared-for vintage classical titles have trouble playing at
  • Rich and sweet Living Stereo sound from the first note to the last – who can resist these sublime orchestral arrangements?
  • The Overtures are played to perfection – for music and sound, this one is hard to fault, a Top Title in every way and one that belongs in every right-thinking audiophile’s collection
  • This pressing is clearly a Demo Disc for orchestral size and space

The hall is HUGE: spacious and open as any you will hear, but not at the expense of richness or fullness. The orchestra is solid and full-bodied, yet the woodwinds and flutes soar above the other sections, so breathy and clear.

How did the Decca (recording) and RCA (mastering) engineers succeed so brilliantly where so many others have failed, failed right up to this very day?

Who knows? It’s still a mystery that has yet to be explained, to our satisfaction anyway.

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Flack / Hathaway – Roberta Flack & Donny Hathaway

More of the Music of Roberta Flack

  • Boasting two STUNNING Shootout Winning Triple Plus (A+++) sides or close to them, we guarantee you’ve never heard Roberta and Donny’s 1972 collaboration sound remotely as good as it does on this vintage copy
  • There’s Tubey Magic, sweetness and spaciousness all over this recording
  • One of our favorite duet albums, Flack and the woefully underrated Soul Man Donny Hathaway are in top form here
  • Problems in the vinyl are sometimes the nature of the beast with these vintage LPs – there simply is no way around them if the superior sound of vintage analog is important to you
  • 4 stars: “A duet classic, and perhaps the most popular album Roberta Flack made. ‘Where Is the Love’ dominated urban contemporary radio for almost the entire year, while ‘You’ve Got a Friend’ was just as influential…”

These soulful duets sound wonderful. The best sides are big, bold, open and transparent with a huge three-dimensional soundfield, strong presence, good rhythmic energy, and wonderfully dynamic leads and choruses. (more…)

The Mahavishnu Orchestra – Birds of Fire

More of the Music of The Mahavishnu Orchestra

  • This original UK import copy boasts solid Double Plus (A++) sound or BETTER throughout – it’s so smooth and natural you can turn up your volume pretty much as loud as you like and really let it blast
  • If you only own one Jazz Fusion album, you could hardly do better than Birds of Fire — It’s hard to think of another record that rocks as hard, and it’s not even a real rock record!
  • These early British pressings are very hard to find with quiet vinyl, and a lot of the ones that come from overseas are not in the condition advertised, making this a title that shows up on the site a great deal less often than we think it should
  • 5 stars on AllMusic and clearly one of the All Time Greats in the world of Jazz/Rock, as well as the band’s Masterpiece

This is the band at the peak of their powers and, no pun intended, on fire. This may be jazz, but it’s jazz that wants to rock. And on this copy, it rocks like you will not believe. The louder you play it the better it sounds.

Birds of Fire is one of the top two or three Jazz/Rock Fusion Albums of All Time. In my experience, few recordings within this genre can begin to compete with the dynamics and energy of the best pressings of the album — if you have the big dynamic system for it.

We find ourselves playing albums like Houses of the Holy and Zep II and Dark Side of the Moon for hour upon hour, with dozens of copies to get through, and we do it on a regular basis. If anybody knows “big rock sound,” it’s us. But can we really say that those albums rock any harder than this one? Birds of Fire is to Jazz what Zep II is to Rock — the ultimate statement by a band at the absolute top of their game.

The Best Copies

The main problem with this record is a lack of midrange presence. If the keyboards, drums, and guitars are not right in front of you,, your copy does not have all the presence it should. On the best copies, the musicians are in the room with you. We know this for a fact because we heard the copies that could present them that way, and we heard it more than once.

Which, of course, gets to the reason shootouts are the only real way to learn about records. The best copies will show you qualities in the sound you had no way of knowing were possible. Without the freakishly good pressings, you run into by chance in a shootout you have no way to know how high is up. On this record up is very high indeed.

Birds of Fire as a recording is not about depth or soundstage or ambience. It’s about immediacy, plain and simple. All the lead instruments positively jump out of the speakers — if you are lucky enough to be playing the right pressing. This is precisely what we want our best Hot Stampers to do. The better they do it, the higher their grade.

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Albeniz / Suite Espanola on Decca

More of the Music of Albeniz

  • With two seriously good Double Plus (A++) sides, we guarantee you’ve never heard Suite Espanola sound remotely as good as it does on this vintage Decca pressing – exceptionally quiet vinyl too
  • This is our best sounding Decca pressing – the best Londons will always win the shootouts we do, but the best Deccas can come close and sound truly amazing in their own right
  • The orchestral power on display is positively breathtaking – few recordings we know of are this dynamic and exciting
  • Wilkie’s Decca Tree recording is overflowing with the kind of clear, spacious, realistic sound that can only be found on the better vintage vinyl LPs
  • Performances and sound like no other – De Burgos’s Suite Espanola is practically in a league of its own

Wow, is this record ever dynamic! I would put it right up there with the most dynamic recordings we have played over the course of the last twenty five years. It also has tons of depth. The brass is at the far back of the stage, just exactly where they would be placed in the concert hall, which adds greatly to the realism of the recording.

Note that careful VTA adjustment for a record with this kind of dynamic energy is a must. Having your front end calibrated to this record is the only way to guarantee there is no distortion or shrillness in even the loudest passages.

What to Listen For

Clear castanets.

Big bass drum thwacks.

Crescendos that build to intense climaxes.

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Queen – A Day At the Races

More of the Music of Queen


  • Boasting INCREDIBLE Shootout Winning Triple Plus (A+++) grades or close to them from top to bottom, you’ll have a hard time finding a copy that sounds remotely as good as this vintage UK pressing
  • We shot out a number of other imports and the midrange presence, bass, and dynamics on this outstanding copy placed it head and shoulders above most other pressings we played
  • You may be interested in reading about a copy very much like this one that fell short in one aspect of sound important to us (and we hope you as well)
  • Forget the domestic pressings – they may be cut at Sterling, but they never sound like these shockingly good British LPs
  • “A Day at the Races is a bit tighter than its predecessor… its sleek, streamlined finish is the biggest indication that Queen has entered a new phase, where they’re globe-conquering titans instead of underdogs on the make.”
  • If you’re a Queen fan, their 1976 followup to A Night at the Opera is surely a Must Own
  • The complete list of titles from 1976 that we’ve reviewed to date — more than one hundred as of 2026 — can be found here

Forget the dubby domestic pressings and whatever crappy Heavy Vinyl record they’re making these days — the UK LPs are the only way to fly.

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Lee Morgan / The Sidewinder

More of the Music of Lee Morgan

  • Incredible sound throughout this 60s Blue Note pressing, with a Shootout Winning Triple Plus (A+++) side two mated to a solid Double Plus (A++) side one
  • It took us about two years to get this shootout going, but the best copies we played were so impressive that they made all the time and money it took to pull it off worth the effort – what a record!
  • These sides are rich and full, from the extended top end all the way down to the deepest bass — thanks RVG!
  • The trumpet on this album is amazing — tonally correct with wonderful leading edge transients
  • Both musically and sonically, this is Blue Note at its best
  • 5 stars: “Carried by its almost impossibly infectious eponymous opening track, The Sidewinder helped foreshadow the sounds of boogaloo and soul-jazz with its healthy R&B influence and Latin tinge. While the rest of the album retreats to a more conventional hard bop sound, Morgan’s compositions are forward-thinking and universally solid…”

When we dropped the needle on this one, we immediately stopped listening critically and just began enjoying the album. That’s the sign of an exceptional copy — the sound gets out of the way and the music becomes the point.

There’s life and presence on these sides the likes of which you almost never hear on any jazz record.

The lineup here is fantastic, with Joe Henderson on tenor sax, Billy Higgins on drums, Barry Harris on piano and Bob Cranshaw on bass. (more…)

The Beatles – Help

More of the Music of The Beatles

  • With two outstanding Double Plus (A++) sides, this copy will be very hard to beat – exceptionally quiet vinyl too
  • Everything that’s great about Help is here on this UK pressing – jangly 12-string guitars, Tubey Magical electric pianos, harmonically rich tambourines and claves, and, the sine qua non of any Beatles album, breathy, present vocals
  • If you’re like us and think the new Beatles Heavy Vinyl reissues are boosted in the bass and way too smooth in the midrange, whether mono or stereo, take comfort in the fact that this pressing is neither of those things, because it sounds right
  • Side one alone boasts 7 classics: “Help!,” “The Night Before,” “You’ve Got to Hide Your Love Away,” “I Need You,” “Another Girl,” “You’re Gonna Lose That Girl” and “Ticket to Ride” – whew!

Want to hear The Beatles at their Tubey Magical best? Just play “You’ve Got to Hide Your Love Away” on this very copy.

One of the reasons this song stands out in a crowd of great tracks is that there are only acoustic instruments being played. There’s not an electric guitar to be found anywhere in the mix, one of the few tracks on side one for which that is true.

We flip out over the Tubey Magical acoustic guitars and harmony vocals found on early Beatles albums, and this song can be an exceptionally good example of both when you’re fortunate enough to have the right pressing playing.

Those of you with Hot Stamper pressings of the album can count themselves among the fortunate.

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The Byrds – Mr. Tambourine Man (Red Label)

More of the Music of The Byrds

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  • With very good Hot Stamper sound from start to finish, this Columbia Red Label pressing will be hard to beat, especially for those looking for quiet vinyl
  • The 360 Label pressings in stereo will always win our shootouts, but there are Red Label pressings like this one that can sound very good, just not as good
  • It’s richer and fuller than the average copy, with notably more presence, and that will be especially true when you compare it to whatever godawful Heavy Vinyl pressing may be currently available
  • This is true of even our lowest-priced, lowest-graded copies – they are guaranteed to sound much better than any pressing you can find on the market today, as well as any pressing you may already own
  • 5 stars: “One of the greatest debuts in the history of rock … nothing less than a significant step in the evolution of rock & roll itself, demonstrating that intelligent lyrical content could be wedded to compelling electric guitar riffs and a solid backbeat.”
  • If you’re a fan of the Byrds, this is a Classic from 1965 that belongs in your collection.

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