More of the Music of Gerry Rafferty
More Hot Stamper Pressings Only Offered on Import LP
Like so many British bands on the A&M label, when it came time to master the album for the domestic market, the people in charge (whoever they may have been) took the easy way out and simply ordered up a dub of the master tape to cut the album.
Spooky Tooth, Procol Harum, The Police (often but not always), Fairport Convention, my beloved Squeeze and too many others to think about all had their records ruined by sub-generation masters.
But our Hot Stamper pressings are always British-pressed vinyl from the real master tapes, and that makes all the difference in the world.
The legendary Geoff Emerick engineered (along with John Mills) at Apple Studio, which explains why the sound is so good on these import pressings. The album went on to receive the European Edison Award for recording excellence, whatever that is).
Our standard boilerplate for these kinds of records follows:
Tubey Magic Is Key
This original British pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.