Top Engineers – Phil Iehle

Jerry Jeff Walker / Mr. Bojangles

More Jerry Jeff Walker

  • Clean and clear, rich and natural, with good vocal presence and wonderful energy throughout
  • The title track sounds amazing, but that’s just one of the great songs with excellent sound on the album
  • The engineering team of Tom Dowd and Phil Iehle really worked their magic on this one
  • 4 1/2 stars: “…Walker favored the country and folk side of folk-rock much more than the rock side.”

This is only the second title by Jerry Jeff that we’ve been able to do shootouts for. Most of the records we’ve played of his from the ’70s left a lot to be desired sonically and more often than not musically, so we gave up on them.

His Vanguard release from 1969 has superb sound, as does this Atco from 1968. There may be one or two more coming down the pike but that could be many years from now. His records never sold all that well, and not many of them can be found in Southern California.

And they are hard to find in audiophile playing condition. (more…)

Ornette Coleman / Ornette on Tenor – Demo Disc Jazz Sound

More Ornette Coleman

  • This is one of the BEST sounding jazz albums we have played in many months – it is ALIVE with energy and dynamic contrasts
  • We had a superb original Plum and Orange Mono pressing and as good as that one may be, this stereo pressing takes the music to another level entirely (on big speakers at loud levels of course)
  • Compare this pressing to anything ever recorded by Rudy Van Gelder and you may be in for quite a shock
  • Engineered by the team of Tom Dowd and Phil Iehle, the men behind some of Coltrane’s most iconic, best sounding albums for Atlantic
  • 5 stars in Downbeat – Allmusic notes: “It’s an understatement to say that Ornette Coleman’s stint with Atlantic altered the jazz world forever, and Ornette on Tenor was the last of his six LPs (not counting outtakes compilations) for the label, wrapping up one of the most controversial and free-thinking series of recordings in jazz history… far ahead of its time.

(more…)

Ornette Coleman – The Art of the Improvisers

More Ornette Coleman

More Jazz Recordings Featuring the Saxophone

xxxxx

  • With a nearly Triple Plus (A++ to A+++) side one and a seriously good Double Plus (A++) side two, this copy will be very hard to beat – exceptionally quiet vinyl too
  • Engineered by the team of Tom Dowd (whose work you surely know well) and Phil Iehle – the pair recorded some of Coltrane’s most iconic albums for Atlantic: Giant Steps (1960) and Coltrane Jazz (also in 1961)
  • 5 stars in Downbeat – Allmusic notes: “It’s an understatement to say that Ornette Coleman’s stint with Atlantic altered the jazz world forever, and Ornette on Tenor was the last of his six LPs (not counting outtakes compilations) for the label, wrapping up one of the most controversial and free-thinking series of recordings in jazz history… far ahead of its time.”

(more…)

Charles Mingus – Oh Yeah

More Charles Mingus

xxxxx

  • This insanely good original stereo pressing of Mingus’s brilliant Oh Yeah from 1962 boasts outstanding Nearly Triple Plus (A++ to A++++) sound from first note to last
  • Tubey Magical, lively and clear, with three-dimensionality that will fill your listening room from wall to wall
  • Phil Iehle and Tom Dowd made up the engineering team for these sessions, which explains why the best copies of the album sound so damn good
  • A raucous (and ROCKIN’) deviation from traditional jazz, this compilation incorporates R&B and soul influences – Mingus even lends his rich vocal stylings to a few songs
  • 5 stars: “Oh Yeah is probably the most offbeat Mingus album ever, and that’s what makes it so vital.”

This original Atlantic stereo pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the Mingus, this is the record for you. It’s what vintage all analog recordings are known for — this sound.

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.

Engineering Excellence

The engineering duties were handled by Phil Iehle, a man who recorded some of Coltrane’s most iconic albums for Atlantic, Giant Steps (1960) and Coltrane Jazz (also in 1961), and the venerable Tom Dowd, who also did Giant Steps (1960), Coltrane Jazz (1961), Coltrane’s Sound (1964) and many others. (more…)

John Coltrane – My Favorite Things

More John Coltrane

xxxxx

  • You’ll find excellent Double Plus (A++) sound on both sides of this 1961 Coltrane classic
  • You’ll also find dramatically more richness, fullness and presence than most copies have to offer
  • An exceptionally difficult album to find with top quality sound and decent surfaces, but here one is!
  • 5 stars: “The unforced, practically casual soloing styles of the assembled quartet allow for tastefully executed passages a la the Miles Davis Quintet, a trait Coltrane no doubt honed during his tenure in that band.”

An album like this is all about its Tubey Magical Stereoscopic presentation. If you’re looking to demonstrate just how good 1961 All Tube Analog sound can be — thanks go to legendary engineers Phil Lehle and Tom Dowd — this excellent copy should be just the record for you. (more…)