_Conductors – Krips

Schubert / Symphony No. 9 / Krips – Hot Stampers Revealed!

Looking to pick up a Hot Stamper on your own? Easy — all the best Decca copies in our shootout had the stampers 5G/7G.

I suppose it’s only fair to point out that all the worst copies had those same stampers.

There were a few others as well — it was quite a big shootout — but most of those ended up in the middle of the pack.

And here you thought I was actually being helpful. But we are being helpful. We’re sharing with you an important truth.

Stamper numbers only tell a part of the story, and they can be very misleading, in the sense that a little knowledge can be a dangerous thing. To know what a record sounds like you have to play it.

This is a subject near and dear to us here at Better Records, and has been for many decades.

We discuss it at length in a commentary you may have seen on the site called The Book of Hot Stampers.

FROM OUR ORIGINAL COMMENTARY

Krips’ 1958 recording for Decca is brought to life on a fairly quiet and certainly quite wonderful World of the Great Classics pressing from 1976. This copy was clearly the best we played, showing us a huge hall, with layered depth that was only hinted at on most pressings, regardless of age.

The strings are remarkably rich and sweet. This pressing is yet another wonderful example of what the much-lauded Decca recording engineers of the day were able to capture on analog tape all those years ago.

What was most striking about this shootout, our first for the Krips / LSO performance of the work, was how poorly the original London Bluebacks fared when going head to head with the best vintage reissues. In fact, they were so obviously inferior I doubt we would have even needed another pressing to know that they could not possibly be competitive.

The two we had were crude, flat, full of harmonic distortion, and both had clearly restricted frequency extremes. I remember liking the Blueback pressings I played ten or twenty years ago. Did I have better copies, or was my system not capable of showing me the shortcomings I so clearly heard this time around? Since this is a question that cannot be answered with any certainty, we’ll have to leave it there.

More of the music of Franz Schubert (1797-1828)

Reviews and Commentaries for the Music of Franz Schubert


FURTHER READING

New to the Blog? Start Here

More Classical and Orchestral Music

More Albums Engineered by Kenneth Wilkinson

More Stamper and Pressing Information

Schubert / Symphony No. 9 “The Great” / Krips / LSO

More Classical and Orchestral Music

More Albums Engineered by Kenneth Wilkinson

  • We guarantee you’ve never heard this powerful orchestral masterpiece sound remotely as good as it does here
  • One of the truly great All Tube Wilkinson “Decca Tree” recordings in Kingsway Hall, captured faithfully in all its beauty on this very disc
  • The 1950s master tape has been transferred brilliantly using “modern” cutting equipment (from 1976, not the low-rez junk they’re forced to make do with these days), giving you, the listener, sound that only the best of both worlds can offer
  • Don’t expect to ever see an original on this site – the two we had were crude, flat, full of harmonic distortion, and had clearly restricted frequency extremes
  • If you’re a fan of large symphonic works from the Romantic period, this is a Top Title from 1958 that belongs in your collection.
  • The complete list of titles from 1958 that we’ve reviewed to date can be found here.

Krips’ 1958 recording for Decca is brought to life on a fairly quiet and certainly quite wonderful World of the Great Classics pressing from 1976. This copy was clearly the best we played, showing us a huge hall, with layered depth that was only hinted at on most pressings, regardless of age.

The strings are remarkably rich and sweet. This pressing is yet another wonderful example of what the much-lauded Decca recording engineers of the day were able to capture on analog tape all those years ago. (more…)

Brahms / Symphony #1 in C Minor / Krips

More Brahms

Decca and London Hot Stamper Pressings Available Now

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Hot Stamper sound of both sides of this fairly quiet London Blueback pressing.

It has been our experience that good sounding Brahms Symphonies are exceedingly difficult to find on vinyl. This may in fact be the first one to make it to the site. This copy has many nice sonic qualities which we discuss in more detail below. It’s Old School but enjoyable. Krips’ performance with the Vienna Phil is excellent. (more…)

Schubert / Symphony No. 9 “The Great” / Krips / LSO – The Early London Pressings Are Awful

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Sonic Grade: F

Presenting another member of our Hall of Shame.

What was most striking about this shootout was how poorly the original London Bluebacks fared when going head to head with the best vintage reissues. In fact, they were so obviously inferior I doubt we would have even needed another pressing to know that they could not possibly be considered Hot Stampers.

The two we had were crude, flat, full of harmonic distortion, and both had clearly restricted frequency extremes. I remember liking the Blueback pressings I played ten or twenty years ago.

Did I have better copies, or was my system not capable of showing me the shortcomings I so clearly heard this time around? Since this is a question that cannot be answered with any certainty, we’ll have to leave it there. (more…)

Beethoven / Concerto No. 4 / Rubinstein / Krips – Our Shootout Winner from 2011

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This Super Hot Stamper pressing has superb RCA Living Stereo sound, with an exceptionally clear, solid, tonally correct piano.

We recently did a major shootout for all of Beethoven’s Piano Concertos, pulling pressings from the three major Golden Age labels — RCA, London, Mercury — and this Fourth came out near the top of the heap. Most pressings of Rubinstein’s Beethoven concertos simply do not have this kind of open, big and bold sound. Side one earned a grade of A++ and side two was actually a bit better at A++ to A+++. That makes this a very special piano recording indeed. (more…)

Various / Heart of the Piano Concerto – Rubinstein – Reviewed in 2008

More of the music of Sergei Rachmaninoff (1873-1943)

This is an EXCEPTIONALLY GOOD SOUNDING Shaded Dog pressing with fairly quiet vinyl. What’s surprising about this is how transparent and low distortion it is. Just as with Destination Stereo (LSC 2307), the excerpts here frequently sound better than they do on the original complete performances. Rubinstein’s piano is solid and clear sounding, which is rarely the case, especially for his Beethoven concertos. Those almost never sound good, but the excerpt here for Concerto #3 is excellent. 

Schubert Great C Major Symphony with Krips on Speakers Corner

Sonic Grade: B

One of the better Speakers Corner Deccas. We haven’t played a copy of this record in years, but back in the day we liked it, so let’s call it a “B” with the caveat that the older the review, the more likely we are to have changed our minds. Not sure if we would still agree with what we wrote back in the ’90s when this record came out, but here it is anyway. 

“Superb sound with a great performance to match. A TOP TOP TITLE in every way. This performance has never been equaled and probably never will be (on any format I can stand to listen to!)”