- An original ECM pressing that boasts stunning Nearly Triple Plus (A++ to A+++) sound throughout – just shy of our Shootout Winner
- Both of these sides are open and transparent throughout, with wonderfully full-bodied guitars, solid bass and huge amounts of swingin’ jazz energy
- Problems in the vinyl are sometimes the nature of the beast with these vintage LPs – there simply is no way around them if the superior sound of vintage analog is important to you
- 4 1/2 stars: “The arrangements are more structured, the playing often more intense and searching, with a more pronounced rock influence. [T]his is…high-quality jazz-rock for its time.”
- An outstanding copy of Pat Metheny’s third studio album boasting Double Plus (A++) sound from start to finish
- Both of these sides are clean, clear and lively with tons of detail and a solid bottom end
- “This is a very gentle and contemplative recording, but there is so much happening in the weave of six-, 12- and 15-string harp guitars and basses, it’s easy to let it slip by in a dreamy reverie. If any of Metheny’s early recordings deserves reconsideration, a real argument can be made for the skeletal, yet utterly beautiful New Chautauqua.”
- As Falls Wichita… finally returns with outstanding sound on both sides — reasonably quiet vinyl too
- This is the sound of the Master Tape — worlds better than what most record lovers have ever been granted the privilege of hearing in analog
- This spacey music needs huge amounts of reproducible recording space to work its ethereal magic, and you will have no trouble finding that space on this very pressing
- The best sides were always the biggest, clearest and most three-dimensional, assuming they were able to retain the rich, natural, balanced tonality that is inherently key to a good record, or a great one in this case
- “This joint solo effort by Metheny and regular pianist and collaborator Lyle Mays is an impressive outing. In the process of stretching out away from the confines of the quartet setting of prior albums, Metheny and Mays presage the sleeker and more ethereal sound of the band’s Geffen years on portions of the title track…”
This superb pressing of Metheny’s ECM Chart-Topping release from 1981 shows you just how well recorded the album is. We don’t know how you feel about ECM recordings in general but we tend to think they are pretty lifeless and boring. Not so here!
We guarantee this copy has more CLARITY, ENERGY and DYNAMICS than any pressing of the album you have ever heard. Where is the muck? The blurry bottom end? The smear? All gone. And the bass is monstrous.
If you’re a fan of this album, this copy will show you what you’ve surely been missing all these years — the kind of sound that lets this music breathe. (more…)
- Offramp returns with a STUNNING Shootout Winning Triple Plus (A+++) side one mated to an outstanding Double Plus (A++) side two – fairly quiet vinyl too
- This is the sound of the Master Tape – worlds better than what most record lovers have ever had the privilege of hearing
- Offramp held the Number One spot on the Jazz Album charts for 16 weeks back in 1982
- 4 1/2 stars: “… the thoughtful Metheny makes excellent use of space, choosing his notes wisely and reminding listeners that, while he has heavy-duty chops, he’s not one to beat everybody over the head with them.”
- An early pressing of the group’s debut studio album, with INCREDIBLE Shootout Winning Triple Plus (A+++) sound or close to it from first note to last – exceptionally quiet vinyl too
- This copy has more CLARITY, ENERGY and DYNAMICS than any pressing of the album you have ever heard, guaranteed
- And the bass is monstrous – finally the kick drum is really kicking, breaking through the mix
- We don’t know how you feel about ECM recordings in general, but we tend to think they are pretty lifeless and boring. Not so here!
- 5 stars: “The music is quite distinctive, floating rather than swinging, electric but not rockish, and full of folkish melodies…[it] grows in interest with each listen.”
This WHITE HOT Stamper of arguably his best album lets the music come to LIFE in a way that no other pressing in our shootout managed to do. We don’t know how you feel about ECM recordings in general, but we tend to think they are pretty lifeless and boring.
Not so here!
This is the sound of the Master Tape — worlds better than what most record lovers have ever had the privilege of hearing. If you want to know how good this album can sound, it’s first come, first served. There’s only one, folks, and this is it.
This copy has more of the clarity, energy and dynamics than any pressing of the album you have ever heard, guaranteed. Where is the muck? The blurry bottom end? The smear? All gone.
And the bass is monstrous. Finally the kick drum is really kicking, breaking through the mix.
Lively and fun, who knew any Pat Metheny album could sound like this?
- Pat Metheny Group’s 1984 release debuts on the site with STUNNING Shootout Winning Triple Plus (A+++) grades on both sides of this original ECM pressing – remarkably quiet vinyl too
- These sides are doing everything right – they’re clean, clear and lively with tons of space and a solid bottom end
- The sound is huge, spacious, lively, transparent and punchy – this is jazz fusion that really rocks
- 4 stars: “The ever-restless Metheny…mixes up the music, not quite leaving the Brazilian glide behind but coming up with some fascinating permutations always affixed with his personal stamp.”
- This stunning ECM pressing boasts Shootout Winning Triple Plus (A+++) sound or very close to it on sides one, three and four, and solid Double Plus (A++) sound on the second side
- The overall sound here is rich and full-bodied yet still clean, clear and dynamic with plenty of bottom end weight
- 5 Stars: “With this album, Jarrett put himself in his own league, and you can feel the inspiration coming off him in waves. This is a true and lasting masterpiece of melodic, spontaneous composition and improvisation that set the standard.”
- If you’re a Keith Jarrett fan, or perhaps a fan of mid-’70s Jazz Piano, this title from 1975 is surely a Must Own.
- The complete list of titles from 1975 that we’ve reviewed to date can be found here
- Metheny’s superb debut album finally arrives on site, with Shootout Winning Triple Plus (A+++) sound throughout – exceptionally quiet vinyl too
- A recent addition to the TAS Super Disc List – these sides are natural and present, with plenty of bass and good space around all of the players
- 4 1/2 stars: “Pat Metheny’s debut studio album is a good one, a trio date that finds him already laying down the distinctively cottony, slightly withdrawn tone and asymmetrical phrasing that would serve him well through most of the swerves in direction ahead. This LP also features one of the earliest recordings of Jaco Pastorius, a fully formed, well-matched contrapuntal force on electric bass, though content to leave the spotlight mostly to Metheny.”
- A KILLER sounding copy with a Shootout Winning Triple Plus (A+++) side two mated with an outstanding Double Plus (A++) side one – exceptionally quiet vinyl too
- Both of these sides were clean, clear and lively with tons of detail and a solid bottom end
- 4 stars: “Metheny’s softly focused, asymmetrical guitar style, with echoes of apparent influences as disparate as Jim Hall, George Benson, Jerry Garcia, and various country guitarists, is quite distinctive even at this early juncture.”
- Jazz guitar great Bill Connors makes his debut on the site with this phenomenal sounding copy of Of Mist And Melting
- This pressing boasts Shootout Winning Triple Plus (A+++) sound on side two and an outstanding Double Plus side one
- The sound of this vintage ECM pressing is really quite amazing – fans of adventurous jazz, the kind ECM is known for, should get a lot out of this LP
- “A beautiful session by the ever searching guitarist Bill Connors… intense, lyrical, and introspective… continued to show his great talents as a composer…