_Conductors – Boult

Rachmaninoff / Concerto #1 For Piano & Orchestra / Katin / Boult

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CS 6055. Demo quality. Incredible sound. The piano is heard surrounded by the hall. This is much more natural than the usual spotlight. Ferocious brass. I love it. Blueback pressing.

Bruch – Scottish Fantasia / Mendelssohn – Violin Concerto – Campoli

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  • As good as the Mendelssohn is on side one – with Double Plus (A++) sound it would have to be excellent indeed – the crowning glory of this disc is the Scottish Fantasy on side two  
  • It’s some of the best sound we have ever heard for the work, right up there with our longtime favorite, the Heifetz on Living Stereo (LSC 2603) 
  • One of the truly great 1959 All Tube Kenneth Wilkinson “Decca Tree” recordings in Kingsway Hall, captured faithfully in all its beauty on this very disc
  • Referring to the Mendelssohn, Gramophon noted: “[Campoli’s] virtuosity in the finale are as self-evident as is the excellence of the accompaniment under Sir Adrian Boult. There are many felicitous touches and the distinguished soloist plays magnificently throughout.”

If you want an outstanding Mendelssohn Violin Concerto and an out of this world Scottish Fantasy, this is the copy for you!

The Bruch brings to mind some of Tchaikovsky’s works. It’s so sweet and melodic, it completely draws you into its world of sound. This is a work of unsurpassed beauty, music that belongs in any serious music collection.

As we noted above, Kenneth Wilkinson engineered in the legendary Kingsway Hall. There is a richness to the sound of the strings that is exceptional, yet clarity and transparency are not sacrificed in the least. 

It’s practically impossible to hear that kind of string sound on any recording made in the last thirty years (and this of course includes practically everything pressed on Heavy Vinyl). It may be a lost art but as long as we have these wonderful vintage pressings to play it’s an art that is not being lost on us.

It’s also as wide, deep and three-dimensional as any, which is, of course, all to the good, but what makes the sound of these recordings so special is the timbral accuracy of the instruments in every section.

I don’t think the Decca engineers could have cut this record any better — it has all the orchestral magic one could ask for, as well as the resolving power, clarity and presence that are missing from so many other vintage Golden Age records.

This is the kind of record that will make you want to take all your heavy vinyl classical pressings and put them in storage. They cannot begin to sound the way this record sounds. (Before you put them in storage or on Ebay please play them against this pressing so that you can be confident in your decision to rid yourself of their unforgivable mediocrity.) (more…)

Mendelssohn – Violin Concerto / Bruch – Scottish Fantasia – Campoli / Boult

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  • This stunning London Blueback LP presents the complete Mendelssohn Violin Concerto with the best sound we have ever heard for the work 
  • Side one here earned a Shootout Winning Triple Plus (A+++) sonic grade, beating all comers for sound, including the performances by Heifetz, Ricci, Rybar and others that’s we’ve been enamored with in the past
  • The glorious sound of one of the truly great 1959 All Tube Kenneth Wilkinson “Decca Tree” recordings in Kingsway Hall is captured faithfully in all its beauty on this very disc
  • “[Campoli’s] virtuosity in the finale are as self-evident as is the excellence of the accompaniment under Sir Adrian Boult. There are many felicitous touches and the distinguished soloist plays magnificently throughout.”

As can be seen from the grades above, The Scottish Fantasy on side two was not remotely as good sounding as the Mendelssohn on side one. The best pressings for that work came on the London Stereo Treasury label surprisingly enough. As good as those later British pressings were, the best of which earned the full Three Pluses for its side two, none of them had quite the magic of the Mendelssohn found here. (more…)