Many copies of this album suffer from (at least) one of two problems: unnatural hi-fi sound or considerable grit and grain.
Both are in large part due to the processing-intensive production of Richard Perry. On the best copies it’s easy to understand his choices as the sound is quite lovely. Unfortunately that rich, sweet sound he obviously got on to the master tape didn’t quite make it to the average vinyl pressing of the album.
The effects used on Carly’s vocals turn her voice into a gritty, grainy mess on most copies — certainly not the kind of sound that audiophiles want to hear. It took a few exceptional copies to make us understand what Simon and Perry were going for. Compare this Hot Stamper to the typical copy and you’ll hear it for yourself right away. (You DEFINITELY want your electricity really cookin’ for this shootout, because bad electricity will certainly exacerbate problems with grit and grain.)
You Haven’t Got Time For The Pain, But We Do
It’s one of Carly’s best songs and the title perfectly sums up our selling point for these Hot Stampers. Anyone can do this shootout on his own; these records are in every used record bin out there. Of course, I don’t know if anyone but us would WANT to do this shootout, because so many copies sound just plain awful! If, like Carly, you haven’t got time for the pain, save yourself the trouble and take home a Hot copy. Your free time is valuable — spend it listening to good records and leave the bad ones to us.