Top Artists – McCoy Tyner

John Coltrane – Coltrane’s Sound

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  • This early pressing boasts two excellent Double Plus (A++) or BETTER sides – fairly quiet vinyl too
  • An authentic Green and Blue Atlantic stereo pressing, the only version of the album that has the potential for Hot Stamper sound, which explains why this is one of the few copies to have hit the site since 2011
  • If this price seems high, keep in mind that the top copy from our most recent shootout went for $1000, and the vinyl was about as quiet
  • Our last shootout was in 2018, would should tell you when to expect us to find another copy of this quality: 2028!
  • “This is one of the most highly underrated entries in Coltrane’s voluminous catalog. Although the same overwhelming attention bestowed upon My Favorite Things was not given to Coltrane’s Sound upon its initial release, both were actually recorded during the same three-day period in the fall of 1960… these recordings remain among Trane’s finest.”
  • Coltrane’s Sound, recorded in 1960 but not released until four years later, is a Must Own Jazz Album from 1964

This is yet another superb Tom Dowd recording of Coltrane in his prime, with support from the brilliant McCoy Tyner and Elvin Jones.

Forget the later Red and Green Atlantic pressings. Every one we’ve ever played was flat, dry, and thin. They sound like the cheap reissues that Atlantic churned out in the ’70s. Don’t get me wrong; there are some good sounding records on the Red and Green label, but you really have to know what you are doing — or be really lucky — to find them.

We’ve played them by the score, and found relatively few winners among a slough of losers. If you want to take your chances on some, knock yourself out, more power to you, but expect to come up with nothing to show for your time and money almost every time. That’s been our experience anyway.

And be very thankful if you happen to run into one of these early Atlantic stereo pressings, especially if it plays as quietly as this one does. Few Classic Coltrane albums survived the jazz lovers of the day and their awful turntables.

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Stanley Turrentine – Rough ‘N Tumble

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More Albums on Blue Note

  • Boasting INCREDIBLE Shootout Winning Triple Plus (A+++) sound or close to it from first note to last, we guarantee you’ve never heard this kind of life and energy on any other Stanley Turrentine album – remarkably quiet vinyl too
  • It’s rare for us to find New York label stereo pressings in audiophile playing condition, but here’s a killer one, and it simply takes the recording (and the music) to another level
  • This session boasts all the top players: Blue Mitchell, Pepper Adams, McCoy Tyner, Grant Green, Bob Cranshaw, and Mickey Roker and more
  • “…the star of the show is Turrentine, and his warmth and playing make this a necessity, especially for fans ’60s pre-funk Blue Note jazz.”
  • If you’re a fan of Stanley’s, this title from 1966 is clearly one of his best, and one of his best sounding

This vintage Blue Note stereo pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.

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Freddie Hubbard / Ready For Freddie

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  • You’ll find seriously good Double Plus (A++) sound or close to it throughout this vintage Blue Note pressing
  • Spacious and three-dimensional, as well as relaxed and full-bodied (particularly on side one) – this copy was a solid step up over most others we played
  • Another triumph for Rudy Van Gelder and his unerring skill at getting all the musical elements to work together
  • 5 stars: “Trumpeter Freddie Hubbard really came into his own during this Blue Note session. . . Hubbard’s sidemen all play up to par and this memorable session is highly recommended; it’s one of the trumpeter’s most rewarding Blue Note albums.”

This Blue Note reissue pressing boasts wonderful music and sound. The reproduction of the trumpet on practically every track is nothing less than superb. It jumps out of the speakers front and center and forces you to listen to it. It’s surprisingly real and breathy, with just the right amount of bite.

The track “Crisis” on side two should particularly appeal to audiophiles — just check out the exceptionally well-recorded bass and all the cool little drum breaks.

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John Coltrane – A Love Supreme

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  • This vintage Impulse Stereo copy is close to the BEST we have ever heard, with two STUNNING Nearly Triple Plus (A++ to A+++) sides, just shy of our Shootout Winner – remarkably quiet vinyl too
  • One quality that stood out to us on this reissue pressing was just how ENERGETIC the best of them can be, and this one clearly qualifies as one of the best copies we have ever played
  • Tubier, more transparent and more dynamic than practically all other copies, with plenty of that “jumpin’ out of the speakers” quality that only The Real Thing (an old record) ever has – thanks RVG!
  • This copy IS guaranteed to bring Coltrane’s music to life in a way few pressings can
  • 5 stars: “One of the most important records ever made, John Coltrane’s A Love Supreme was his pinnacle studio outing, that at once compiled all of the innovations from his past, spoke to the current of deep spirituality that liberated him from addictions to drugs and alcohol, and glimpsed at the future innovations of his final two and a half years.”
  • If you’re a Coltrane fan, this Impulse title from 1965 is clearly one of his best, and one of his best sounding
  • The complete list of titles from 1965 that we’ve reviewed to date can be found here.

The original Impulse pressings on the brown and orange label are the best, right?

Not in our experience. We think that plays into one of the biggest canards in all of record collecting, that the first pressings are always the best sounding.

For this album, having sampled a large group of pressings from every era, we found the originals to be inferior to the best reissues we played. Naturally the ones we offer here as Hot Stampers will be the best of those reissue pressings. We are not the least bit worried that this vintage Impulse LP won’t beat the pants off of any original as well as any reissue you may have heard. And of course it is guaranteed to be dramatically better sounding than any Heavy Vinyl pressing produced by anyone, anywhere, at any time.

The Sound

This record is ALIVE! When you hear a record like this, you don’t need to play the 180 gram reissue to know that an early pressing such as this one is just going to murder it.

If you know anything about this music, you know that Coltrane is blasting away here and it is a thrill to hear him playing with such passion to be sure.

The clarity you will hear on this pressing does not come at the expense of brightness or thinness of any kind. In fact, just the opposite is the case, the sound is so rich and tubey you will be practically bowled over by it.

The extension on both ends of the frequency spectrum is one of the qualities that often sets the better copies apart from the pack. All the top end and the deep bottom end weight and fullness that are so essential to the sound are simply not to be found on most pressings — but here they are.

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John Coltrane / Ballads

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Reviews and Commentaries for the Music of John Coltrane

  • Ballads makes its Hot Stamper debut with outstanding solid Double Plus (A++) sound or BETTER throughout this vintage Impulse Stereo copy
  • Full-bodied, energetic, and tonally correct from top to bottom, this pressing is guaranteed to bring Coltrane’s music to life – it’s possible that you would not own any Coltrane record that sounds as good as this one
  • The sound is everything that’s good about Rudy Van Gelder’s recordings – it’s present, spacious, full-bodied, Tubey Magical, dynamic and, most importantly, ALIVE in the way that modern pressings never are
  • 4 stars: “[A] perfectly fine album of Coltrane doing what he always did — exploring new avenues and modes in an inexhaustible search for personal and artistic enlightenment. [H]e’s introspective and at times even predictable, but that is precisely Ballads’ draw.”

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John Coltrane / Coltrane’s Sound – Forget the ’70s Reissues

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Recordings that Sound Their Best on the Right Early Pressing

This is yet another superb Tom Dowd recording of Coltrane in his prime, with support from the brilliant McCoy Tyner and Elvin Jones.

Just forget the later Red and Green Atlantic pressings. Every one we’ve ever played was flat, dry, and thin. They sound like most of the cheap reissues that Atlantic churned out in the ’70s.

Don’t get me wrong; there are some good sounding records on the Red and Green label, but you really have to know what you are doing — or be really lucky — to find them.

We’ve played them by the score, and found relatively few winners among a slough of losers. If you want to take your chances on some, knock yourself out, more power to you, but expect to come up with nothing to show for your time and money almost every time. That’s been our experience anyway.

And be very thankful if you happen to run into one of these early Atlantic stereo pressings, especially if it plays quietly. Few Classic Coltrane albums survived the jazz lovers of the day and their awful turntables

Further Reading

This record sounds best this way:

John Coltrane / Ole Coltrane

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Olé! Here’s a great copy of a wonderful Coltrane album that we seriously enjoy but just don’t see enough to keep in our regular rotation. And that’s a shame, because these Top Copies are a THRILL to hear. Both sides give you an exceptionally strong bottom end, and with two bass players contributing on much of the album, that is essential for this music. The overall sound is lively, dynamic, and very transparent.

The music is wonderful, with Coltrane in fine form backed by a stellar lineup that includes Freddie Hubbard, McCoy Tyner, Elvin Jones, an uncredited Eric Dolphy and more. Two of the three extended tracks feature two bass players, and a transparent copy like this one allows you to separate out the players and follow their contributions over the course of the songs. (more…)

McCoy Tyner – Plays Ellington

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  • Superb sound throughout with both sides earning solid Double Plus (A++) grades; exceptionally quiet vinyl too! 
  • With a lively and present piano, clarity, space and timbral accuracy, this is guaranteed to be one of the better sounding jazz records you’ve heard
  • Credit goes to Rudy Van Gelder once again for the huge space this superbly well-recorded ensemble occupies (the ensemble being a piano trio with two percussionists, but it works!)
  • 4 stars: “An interesting project that works quite well… This is an excellent outing that displays both Tyner’s debt to the jazz tradition and his increasingly original style.”

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Coltrane / Hartman – John Coltrane and Johnny Hartman

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  • An outstanding copy of this classic Jazz Vocal album, with superb Double Plus (A++) sound or close to it from start to finish – exceptionally quiet vinyl too
  • The sound is huge and spacious with richness and Tubey Magic like nothing you’ve heard
  • I defy you to find a Male Vocal record produced in the last forty years that can hold a candle to this one, sonically or musically
  • A wonderful collaboration between a horn player and a singer, perhaps the greatest of all time
  • 5 stars: “John Coltrane’s matchup with singer Johnny Hartman works extremely well. Hartman was in prime form on the six ballads, and his versions of ‘Lush Life’ and ‘My One and Only Love’ have never been topped. Classic, essential for all jazz collections”
  • We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” with an accent on the joy these amazing audiophile-quality recordings can bring to your life. John Coltrane and Johnny Hartman is a good example of a record many audiophiles may not know well but would be well advised to get to know better.

This could very well be the greatest collaboration between a horn player and a singer in the history of music.

I honestly cannot think of another to rank with it. Ella and Louis has the same feel — two giants who work together so sympathetically it’s close to magic, producing definitive performances of enduring standards that have not been equaled in the fifty plus years since they were recorded. And, on the better copies, or should we say the better sides of the better copies, RVG’s sound is stunning. (His mastering, not so much.)

Hats off to Rudy Van Gelder! Here’s an album that justifies his reputation. Not all of them, you know, or should know, but try telling that to the average jazz-loving audiophile. (more…)

John Coltrane / Coltrane’s Sound – A Very Good Reissue by Bernie Grundman

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Reviews and Commentaries for the Music of John Coltrane

Sonic Grade: B+ (at least)

This is one of the better sounding Heavy Vinyl pressings we have played recently.

What makes it different from so many others that fail to live up to the remastering hype that surrounds them (and regularly irritates the hell out of those of us who actually know what a good record is actually supposed to sound like)?

  • It’s tonally correct from top to bottom. At most five or ten per cent of the audiophile repressings we’ve played in the last ten years can make that claim.
  • The bass is not boosted or poorly defined. This eliminates at a minimum 98+% of all the Mobile Fidelity pressings we have ever played. Nobody seems to notice how bad the bass is on their records. A real puzzler, that fact.
  • It’s not exceptionally veiled or recessed. I could count on the fingers of one hand the number of Heavy Vinyl pressings that are not far too veiled and recessed to compete with their vintage vinyl brethren.

It is slightly veiled, and lacks some of the life, the space and obviously some of the presence of the real thing, the real thing in this case being an early stereo pressing on the Blue and Green Atlantic label.

Still, for your money you are getting a helluva good record. One of the top two or three Rhino records to date.

(Bernie did a great job on this Coltrane album, but whatever you do, don’t waste your money on his recut of Lush Life. It is just plain awful, an Audiophile Hall of Shame pressing that’s so bad it defies understanding. Something sure went wrong somewhere, I can tell you that. Stay tuned for my review.)

• Lacquers cut by Bernie Grundman
• LPs cut from the original analog masters
• Packages replicated to the finest detail manufactured with more care than ever

Our Previous Hot Stamper Commentary for Coltrane’s Sound

This is yet another superb Tom Dowd recording of Coltrane in his prime, with support from the brilliant McCoy Tyner and Elvin Jones.

Advice on Which Pressings to Buy

Forget the later Red and Green Atlantic pressings. Every one we’ve ever played was flat, dry, and thin. They sound like all the other cheap reissues that Atlantic churned out in the ’70s. Don’t get me wrong; there are some good sounding records on the Red and Green label, but you have to really know what you are doing — or be very lucky — to find them.

We’ve played them by the score, and found relatively few winners among a slough of losers. If you want to take your chances on some, knock yourself out, more power to you, but expect to come up with nothing to show for your time and money almost every time. That’s been our experience anyway.

And be very thankful if you happen to run into one of these early Atlantic stereo pressings. Few Classic Coltrane albums survived the jazz lovers of the day and their awful turntables.

(more…)