- An outstanding copy of Neil Young’s brilliant sixth studio album – you’ll find excellent Double (A++) grades on both sides of this original (and very cool) Black Label Reprise pressing
- You get clean, clear, full-bodied, lively and musical ANALOG sound from first note to last
- With no marks that play and minimal signs of use, this copy has surfaces that even picky audiophiles (are there any other kind?) can appreciate
- 5 stars: “…Young’s musical expression of grief, combined with his rejection of the stardom he had achieved in the late ’60s and early ’70s … was immediately recognized as a unique masterpiece by critics, and it has continued to be ranked as one of the greatest rock & roll albums ever made.”
- These sides are bigger, more natural, more warm and more solid than those of any other copy you’ve heard or your money back
- This is The Band’s undiscovered gem, containing the most powerful tearjerker they ever wrote: “It Makes No Difference”
- 4 stars: “…the Band’s finest since their self-titled sophomore effort … “Acadian Driftwood” stands out as one of Robertson’s finest compositions, the equal to anything else the Band ever recorded.”
- We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with less of an accent on morbidity and more on the joy these amazing audiophile-quality recordings can bring to your life. This album by The Band is a good example of a record many audiophiles may not know well but should.
Thankfully both sides here are rich and full-bodied. This pressing is not nearly as dry and flat as the vast majority of pressings we run across. Both sides have a nicely extended top end to go along with the weighty bottom. The guitars and keyboards are Tubey Magical as well, a quality we we focused on, and one that we believe is essential if the album is to sound its best. (more…)
- Spectacular Prog Rock sound explodes on this copy of the band’s phenomenally well-recorded debut album, mixed by none other than Alan Parsons – exceptionally quiet vinyl too
- Big Whomp Factor here – the bottom end is huge and punchy on this copy, like nothing you’ve heard
- “Its songs skillfully blend strong melodic hooks and smooth vocal harmonies with music of an almost symphonic density.”
- A permanent member of our Rock and Pop Top 100 and, on big speakers at loud levels, a Rock Demo Disc of the Highest Order
- We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with less of an accent on morbidity and more on the joy these amazing audiophile-quality recordings can bring to your life. Ambrosia’s debut is a good example of a record many audiophiles may not know well but should.
- If you’re a fan of the band, this classic from 1975 belongs in your collection.
- The complete list of titles from 1975 that we’ve reviewed to date can be found here.
Folks, this LP is nothing short of a Sonic Spectacular. For that reason alone it would get a strong recommendation, but the music is so good that the brilliant sound is best seen as a bonus, not the sole reason to own the album.
These sides have the kind of energy that few titles can lay claim to. Put this one up against your best Dark Side of the Moon. Unless you bought a High Dollar copy from us, I’d say there’s almost no chance that this album won’t reduce it to vinyl rubble. (We talk about how similar the recordings are below.) (more…)
- Superb sound on this fun, TAS-approved album with Double Plus (A++) grades on both sides – exceptionally quiet vinyl too
- The RIGHT early import pressings (a happy discovery from a few years back) have richness, transparency, space and presence not found anywhere else, I tell you!
- Forget the dubby domestic pressings – they’re disappointing in the extreme
- These imports are tough to find with the right stampers, the right sound and audiophile quality playing surfaces, which explains why it’s been YEARS since we’ve had a copy listed on the site
- 5 stars: “The 22-minute title track became an international hit single and remains the peak of the band’s achievements – it encapsulates the band and why they are important within one track – but the rest of the album provides soundscapes equally as intriguing.”
This vintage British Vertigo pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)
- On an exceptionally good sounding copy such as this one, the soaring guitar solo of the title track really comes alive – assuming you have it turned up GOOD and LOUD
- Lyin’ Eyes and Take It To The Limit sound the way they should – we guarantee you have never heard them sound remotely as good as they do here
- 4 stars: “…a lyrical stance — knowing and disillusioned, but desperately hopeful — had evolved, and the musical arrangements were tighter and more purposeful. The result was the Eagles’ best-realized and most popular album so far.”
Another in the long list of recordings that really comes alive when you Turn Up Your Volume.
What to listen for you ask? Dynamic, soaring guitar solos! On the best copies the guitar solos are the loudest parts of some songs, which, as everyone who’s ever been to a rock concert knows, is exactly what happens in live rock music.
This is one of the toughest Eagles albums to find with good sound. This album may never sound quite as good as Hotel California or the self-titled debut, but there are some wonderful songs here and a Hot Stamper like this brings them to life in a way most pressings cannot hope to do.
The best copies are richer and sweeter. When you turn them up, they really come to life. When you play the better sides at Rock Music Volumes they really ROCK. When a copy is cut really clean, as the best ones are, the louder you play them the better they sound. They’re tonally correct at loud levels and a bit dull at what we would call “audiophile” levels. That’s the way it should be. (more…)
- These sides are dripping with Analog magic — transparent, sweet and rich from beginning to end and the bass is especially meaty and well-defined
- Those of you who have tried our Hot Stampers of JT will know exactly what to expect; Garay LOVES BASS and so do we
- “An abundance of riches can be heard in Andrew Gold’s first solo album. There are great Beatlesque melodies here, as well as heartfelt love songs that are Gold’s specialties. Playing nearly all of the instruments himself makes this a truly “solo” effort.”
- We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with less of an accent on morbidity and more on the joy these amazing audiophile-quality recordings can bring to your life
- Andrew Gold’s first album is a good example of a record many audiophiles may not know well but should
Tubey Magical Acoustic Guitar reproduction is superb on the better copies of this recording. Simply phenomenal amounts of Tubey Magic can be heard on every strum, along with richness, body and harmonic coherency that have all but disappeared from modern recordings (and especially from modern remasterings).
The guitars on this record are a true test of reproduction quality. Most of the pressings of this record do not get the guitars to sound right. And when the guitars are perfection, the voices and all the other instruments tend to be right as well.
Let’s face it: they just don’t know how to make acoustic guitars sound like this anymore. You have to go back to nearly 50-year-old records like this one to find that sound.
As audiophiles we all know that sound and music are inseparable. My comments for this copy note how spacious and present and full of energy it is. After dropping the needle on a dozen or so copies, all originals by the way, you KNOW when the music is working its magic and when it’s not.
As with any pop album there are always some tracks that sound better than others, but when you find yourself marveling at how well-written and well-produced a song is, you know that the sound is doing what it needs to do. It’s communicating the Musical Values of the material. This Hot Stamper copy brings Andrew Gold’s music to LIFE.
The bass is especially meaty and well-defined here. Val Garay puts plenty on his recordings, one of the reasons we love listening to them. The vocals are present and clear, the studio is huge, and the snare is FAT the way it always is on Val’s recordings.
- This copy has real depth to the soundfield, full-bodied, present vocals, plenty of bottom end weight, and lovely analog warmth
- You probably know most of these songs, even if you don’t recognize the titles (Waterfall, One Summer Dream)
- “The soulful ‘Evil Woman’ was one of the most respectable chart hits of its era, and one of the best songs that Lynne ever wrote (reportedly in 30 minutes), while ‘Strange Magic’ showed off his writing in a more ethereal vein.”
- If you’re a fan of the band, and what audiophile wouldn’t be?, this classic from 1975 belongs in your collection
- The complete list of titles from 1975 that we’ve reviewed to date can be found here.
Nobody seems to have noticed — at least I can find no evidence for anyone noticing, using a google search — that the song Fire on High, which opens side one of this album, is directly lifted from the opening song on Goodbye Yellow Brick Road, Funeral for a Friend.
He owes a lot of his sound to The Bee Gees as well as The Beatles, another thing about his music that nobody seems to notice.
But that takes nothing away from the fact that he is a consummate craftsman of catchy pop songs, the kind that get stuck in your head and make your day brighter than it would otherwise have been.
There are many fine examples of these kinds of songs on this very album. The first three (out of four) tracks on side one are all very strong: Fire On High, Waterfall and Evil Woman. On side two all the songs after Poker are very strong: Strange Magic, Down Home Town, and One Summer Dream.
That makes this a fairly consistent ELO record. Not quite the equal of A New World Record but not that far behind it either.
- Rachmaninoff’s Symphony No. 1 debuts on the site with outstanding Double Plus (A++) sound or BETTER throughout this original British EMI Quadraphonic pressing
- The London Symphony Orchestra is wide, tall, spacious, rich and tubey, yet the dynamics and transparency are first rate
- These sides are clear, full-bodied and present, with plenty of space around the players, the unmistakable sonic hallmark of the properly mastered, properly pressed vintage analog LP
- The Tubes’ self-titled debut returns to the site with KILLER Nearly Triple Plus (A++ to A+++) sound from start to finish – just shy of our Shootout Winner
- This copy is simply bigger, richer, fuller, and livelier than practically all others we played
- Their music is definitely not for everyone – I saw them live many years ago and they did put on one helluva show, but you have to be a fan of eccentric pop or none of it will make any sense
- “Produced by Al Kooper, this debut by the notorious San Francisco group is best known for the blazing anthem ‘White Punks on Dope.’ Although the Tubes’ raison d’être was their shock-rock stage dynamic, Bill Spooner, Fee Waybill, and company could, on occasion, deliver some offbeat pop splendor.”
- A superb copy of this 2-LP set with Double Plus (A++) sound or BETTER on all FOUR sides
- My personal favorite EWF song of all time, “Can’t Hide Love,” sounds INCREDIBLE on this Nearly Triple Plus (A++ to A+++) side four, where you will also find “Sing a Song,” “Gratitude,” and “Celebrate”
- We guarantee there is dramatically more richness, fullness, vocal presence, and performance energy on this copy than others you’ve heard, and that’s especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
- 4 1/2 stars: “Gratitude brilliantly captures the excitement EWF generated on-stage at its creative peak… Neither hardcore EWF devotees nor more casual listeners should deprive themselves of the joys of the live versions of “Shining Star” and “Yearnin’ Learnin’.”