Who knew that good sounding records were still being recorded in 1979?
Candy-O comes to mind, but the B-52s’ first album has virtually none of the grit and Roy Thomas Baker heavy-processing of that one, and a lot more Tubey Magic to boot — when you get a pressing like this of course.
Both of these sides are superb, with the kind of huge, spacious soundstage and amazingly rich, full-bodied tonality that earned this recording its place in our Top 100. Talk about jumpin’ out of the speakers! Every instrument is clear and present, laid out right there in the listening room.
The Best of ’79
This recording reminded me of a really good Don Landee / Ted Templeman production, the kind you hear on JT or Simple Dreams or the better Doobie Brothers albums. Everything is laid out clearly: there’s a space created for every part of the frequency spectrum from the lowest lows to the highest highs, with nothing crowding or interfering with anything else. The production is professional, clean, clear and REAL sounding everywhere you look. (more…)