Record Shootouts

Making Audio Progress – Step One: Weed Out the Heavy Vinyl

 

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In his latest letter Dan tells us of his disappointment with the new reissues he’s been trying:

… And thanks again for that amazing “Who’s Next” record. It was startling to hear the difference between that and the Classic – and that was one of the better modern audiophile records!I can’t tell you how many modern reissues I’ve bought over the past couple months that have lost, and lost badly, to just my one single original or early pressing of an album. Reissues by AC/DC, The Who, ZZ Top, The Rolling Stones, and Patti Smith have all failed miserably against my merely average sounding originals.
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Chicago – Chicago VII – Our Shootout Winner from 2008

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A distinguished member of the Better Records Rock and Pop Hall of Fame

This is the BEST Chicago VII we’ve ever played! Three of the sides rated better than A Double Plus (A++), which is LIGHT YEARS AHEAD of the typical pressing of this album. Finding great sounding Chicago records is not easy, which is why you rarely see them on the site. (Most copies of the second album are so bad sounding they defy understanding. I’ve heard Edison cylinders with more fidelity.) But some of their records are very well recorded, this being one of them, and even though the shootouts for double albums are twice as hard (duh), for Chicago we do them, and for only one reason: WE LOVE THIS MUSIC.

(Well, parts of it anyway. Chicago and consistency have one thing in common: they both start with the letter C.)

How can you write a better song than (I’ve Been) Searchin’ So Long? That track, with its huge buildup of strings and wall to wall big band brass just KILLS. It’ll send shivers up your spine at the live music levels we were trying to play it at. It actually has some real dynamics built into the mix, which is not something pop songs are supposed to have.

Wishing You Were Here (with Beach Boys vocals no less) is another one we love, along with Happy Man. These are some great Chicago songs, and the production is first rate all the way.

If you have a Hot Stamper. Most copies suffer from dull highs and smeary, compressed brass. We can’t abide that sound. The lively copies with real bite to the brass and plenty of ENERGY to the music are the only ones for us. Finding them is not easy but we came across a few that made the grade and proudly offer them here.

Let’s Get Down to Brass Tacks (more…)

Chicago – Chicago II – Our Shootout Winner from 2010

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A distinguished member of the Better Records Rock and Pop Hall of Fame

Chicago-Loving Audiophiles of the World, gather round, this is the week we took on one of the toughest challenges in all of Analog Rockdom — Chicago II.

Ever played one? Then you know that the average copy of this album is an unmitigated DISASTER. The smeary sub-gen brass alone is enough to drive you from the room.

To a list of the album’s faults you can confidently add some or all of the following: blurry out of control bass; opaque veiled mids; rolled off highs, or no highs, whichever the case may be, common to virtually every pressing you find: plain old distortion; and, last but not least, the kind of compressed, lifeless sound that manages to make even the best songs on the album tedious.

And that’s not easy to do — this one album spawned not one, not two, but three still-catchy tunes that get played plenty these days.

360 Original or Red Label Reissue

Both can be good. I did the shootout (TP) and often tried to guess the label for the copy I was hearing, for fun more than anything else. I have to admit that my batting average was not much better than chance. The 360s tend to be a little fuller and smearier, but plenty of red label copies sound that way and some 360s don’t, so trying to match the sound to the label was even more pointless than usual. (When comparing pressings in a shootout it’s too late for the label to have any predictive value. We’ve already bought the records, cleaned them all up and now just want to know what they actually sound like — not which ones might be the best, but which ones are the best. The time for guessing games has passed. Of course, if we do actually figure out what the right stampers are, this helps us next time around. In the case of this album probably around 2013 or 2014.) (more…)

The Dave Brubeck Quartet – Time Out

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A distinguished member of the Better Records Jazz Hall of Fame.

This time around no other copy of Time Out could touch our good Six Eye Stereo pressings — they were in a league of their own.

If you’ve been with us for a long time you may remember that this was not always the case. We used to really like some 360s as I recall, as well as the original mono pressing. This time around, not so much. 

This time around most everythings’s different. Allow us to explain.

1. Our stereo is different; we’ve made quite a number of changes to it since our last big shootout for Time Out a few years back.

2. We’re different; we have better (I would hope) listening skills. In fact I’m sure we listen for different qualities in a recording than we might have years ago.

3. Even more importantly, we don’t have the same pile of pressings we had years ago. They’re gone, replaced by a new batch. This new batch had some killer original pressings, some good 360s, and not much to speak of on the later labels.

With a different batch we might have found a great sounding 360 pressing; we have to believe they exist, and we certainly can’t say that our best copy here could not have been bettered in some way. That would be foolish; anything can be bettered. But for us, in 2014 (and probably through 2015), this is it. This is the right sound. (more…)

Crosby, Stills and Nash – CSN – You Do the Best You Can with What You’ve Got to Work With

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Another in our series of Home Audio Exercises with advice on what you should be listening for when critically evaluating your copy (or ours) of the album. 

CSN chose the Albert brothers to engineer this album. Their most famous album is Layla. Ever heard a great sounding Layla? Me neither. Can you hear the sound of Layla in your head? That’s more or less what this album sounds like. There are better and worse Layla’s — we’ve done the shootout many times — just as there are better and worse CSNs.

The problem with the sound cannot be “fixed” in the mastering, and here’s how we know: on either side some songs have the breath of life and some don’t. That’s a recording problem.

It sounds like too many generations of tape were used on songs like Shadow Captain and Dark Star among others

But Just a Song Before I Go on side two can sound wonderful: rich, sweet, present and surrounded by lovely studio ambience.

So we listen for the qualities of a specific song that help us pinpoint what the best do well and the rest do poorly and grade them accordingly, on the curve. (more…)

David Bowie – Ziggy Stardust – Breaking the Price Barrier in 2007

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

The following is our 2007 commentary for the best Ziggy Stardust we had ever heard

This RCA Import has DRAMATICALLY better sound than any Ziggy LP we’ve ever played here at Better Records. Whatever you think you know about the sound of this record, THINK AGAIN. The sound of this copy is so far beyond any expectation I had that hearing it was nothing short of a REVELATION. It’s TWO FULL GRADES better than any copy we played in our shootout.

Ater hearing this copy we had to lower our grades for every other pressing we had played. This was a completely new standard. (more…)

Jethro Tull – Aqualung – Our Four Plus Shootout Winner from 2013

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This Original Reprise Aqualung has a STUNNING Beyond WHITE HOT side two that just may have the best sound we’ve ever heard for the album. It will absolutely MURDER the British Originals and make mincemeat out of any reissue! Folks, for hard rockin’, Tubey Magical, psychedelic early ’70s analog, it just does not get any better. Here’s a knockout copy that will bring the power of Aqualung to life right in your very own listening room.

Keep in mind that most copies of Aqualung do almost nothing right. In fact, in one of our recent shootouts we didn’t find a single copy worthy of a three-plus grade. This one was so impressive, we felt that A+++ was not enough. No, Three Pluses won’t do for an Aqualung that sounds this good.

We’re calling it A++++. It’s some of the best Jethro Tull sound to grace our listening room in a very, very long time. We’ve missed our old friend and we’re glad to see he’s back and better than ever. (more…)

Frames of Reference, Carefully Conducted Shootouts and Critical Listening

More of the music of Ludwig van Beethoven 

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A distinguished member of the Better Records Orchestral Music Hall of Fame

The sound we were hearing on this copy during a recent shootout was both rich and sweet, with easily recognized, unerringly correct timbres for all seven of the instruments heard in the work. The legendary 1959 Decca Tree microphone setup had worked its magic once again. And, as good as it was, we were surprised to discover that side two was actually even better! The sound was more spacious and more transparent. We asked ourselves, how is this even possible?

Hard to believe but side two had the sound that was TRULY Hard To Fault. This is precisely what careful shootouts and critical listening are all about. If you like Heavy Vinyl, what exactly is your frame of reference? How many good early pressings could you possibly own, and how were they cleaned?

Without the best pressings around to compare, Heavy Vinyl can sound fine. It’s only when you have something better that its faults come into focus. (We, of course, have something much, much better, and we like to call them Hot Stampers!) (more…)

Building a Store of Knowledge – One Record at a Time

See more commentaries on Record Collecting

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We recently ran across the commentary below in a reply to a Hot Stamper testimonial for Honky Cat. Based on our own experience, we give a quick and dirty primer on how one can build up one’s knowledge of records, stampers, labels, pressing variations and the like. 

We don’t really give out much in the way of specific information about any of those things; we just tell you how it can be done. It’s your job to go out and do it. It’s simple; just follow our lead. How tough can it be? (more…)

James Taylor on Warners / Rhino 180g Vinyl EQ Anomaly Test

Yet another album we are clearly obsessed with

Click on the link below to pull up the many reviews and commentaries we’ve written, as well as Hot Stamper copies that are currently available on the site.

Sweet Baby James

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Another in our series of Home Audio Exercises.

There is one obvious and somewhat bothersome fault with this new pressing, an EQ issue. Anybody care to guess what it is? Send us an email if you think you know. Hint: it’s the kind of thing that sticks out like a sore thumb, the kind of obvious EQ error I can’t ever recall hearing on an original.

Our Heavy Vinyl Review

This Warner Brothers 180g LP is the BEST SOUNDING Heavy Vinyl reissue to come our way in a long long time. Those of you who’ve been with us for a while know that that’s really not saying much, but it doesn’t make it any less true either, now does it? Let’s look at what it doesn’t do wrong first.

It doesn’t sound opaque, compressed, dry and just plain dead as a doornail like so many new reissues do. It doesn’t have the phony modern mastering sound we hate about the sound of the new Blue. (We seem to be pretty much alone in not liking that one, and we’re proud to say we still don’t like it.)

The new Sweet Baby James actually sounds like a — gulp — fairly decent original.
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